Oil Paintings

Medium: Oil Painting Signature: Signed Lower Left Satuday Evening Post Cover, May 30, 1925.

This atmospheric winter scene by Swedish artist Birger Borgman captures the stillness and quiet beauty of a snow-covered landscape at dusk. Soft lavender and blue shadows stretch acr...

Signed Lower Right by Artist The Saturday Evening Post, May 25, 1929. While his work graced the covers and pages of many famous American magazines between the 1920s and 1940s (inc...

Clemens Freitag German, 1882/83-1969 Winter Landscape With Deer Oil on canvas 35 by 50 in. W/frame 45 by 60 in. Signed lower right Landscape and...

Work on canvas Molded frame in wood and gilded plaster 68 x 59 x 7 cm

5-3506 Hand carved sailing diorama wood and oil paint. Signed on verso Esposito 1920 Set in a new wood frame

Tent City, ca. 1920 Oil on board 16 x 20 inches Signed (lower right and verso): RENWICK TAYLOR

Medium: Oil on Board Signature: Signed Lower Right Sight Size 19.00" x 16.00", Framed 26.00" x 23.00" Good Housekeeping Magazine Cover, July 1928. Jessie Wilcox Smith...

Used as Advertisement in the Saturday evening Post Signed Lower Right

A great classic Rockport (MA) scene of Motif #1 by listed American Impressionist Charles Curtis Allen. Great color and design. Housed in a beautiful hand-made 22k golf leaf...

A somewhat similar Cornwell featuring a strong woman at the center of a the composition just sold at Christie's for $164,000. In this work we also see a strong woman at the center of the composition. Here she surrounded by men. More than 20 beautifully rendered post-impressionist portraits in character, define Dean Cornwell as one of America's great artists. In his time, he was a famous as Norman Rockwell and was Norman Rockwell's favorite illustrator. "One thing puzzled Dirty Dan extremely. That was the perfectly frank, friendly manner in which his employer and this outcast woman greeted each other, the earnestness with which they conversed, and the effect of the woman's low-spoken words upon the color of Hector McKaye's face." Morris Weiss collection...

Countryside Village River Scene with Cherry Tree Blossom, Female Figure and Geese by Early 20th Century Artist, Laszlo Neogrady (1896-1962). Framed in a high quality off-white shabby chic contemporary wooden moulding. Art measures 30 x 24 inches Frame measures 36 x 30 inches Laszlo Neogrady was a Hungarian painter best known for his naturalistic depictions of rustic landscape scenes, often featuring peasants and snow-covered forests. Neogrady notably made extensive use of impasto paint and atmospheric colours, achieving a sense of pictorial depth and light in his work. Born in 1896 in Budapest, Hungary as the son of painter Antal Neogrady, he went on to study at the Hungarian Academy of Fine Arts under the celebrated portrait artist Ede Ballo. Today, Neogrady’s works are found in the collections of the Iowa State...

Alfred de Breanski was an English painter best known for his soaring landscape paintings of the Irish and Welsh countrysides. His panoramic vistas of...

A lovely Santa Barbara, California Plein Air Landscape oil painting of the Santa Ynez Mountains. Estate signed verso. Pain...

Jim's of Lambertville Fine Art Gallery is proud to offer this work by Cora S. Brooks (1885 - 1930). Cora S. Brooks was born in New Brunswick, New Jersey in 1885. Her father, Edward F. Brooks, was the General Superintendent of the Pennsylvania Railroad. In 1902, her family moved to Lansdowne, PA. She attended the Philadelphia School of Design for Women (now the Moore College of Art & Design). Brooks specialized in flower still lives, but also was known to paint landscapes, and do an occasional portrait. She was one of the founding members of the Philadelphia Ten, a group of women artists who emerged out of the Philadelphia art...

'Still Life', Carnegie, Biltmore, Mills College, CPLH, LACMA, WPA, CWS, Hollywood Signed, lower right, 'Boris Deutsch' (Lithuanian-American, 1892-1978) and dated 1926. Deutsch bega...

Signature: Signed Cover of The Saturday Evening Post, October 22, 1921

Lilian Westcott Hale Portrait of a Lady (Study for Harriet Blake) Oil on canvas 40 ¼ x 30 ¼ inches A leading American Impressionist working at t...

A fine Egyptian archaelogical oil painting by American artist Joseph Lindon Smith (1863-1950). Smith was born in Pawtucket, Rhode Island and after attending Brown University and MIT,...

Winthrop Duthie Turney Pigeon Hill, Rockport Signed lower left Oil on canvas 20 x 24 inches Exhibited New York, National Academy of Design, Artists of America, Sixth Annual Exhibition, 1949. Winthrop Duthie Turney was born in New York City and received his education at the Art Students League. He was affiliated with the Fifteen Gallery...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Charles Morris Young (1869 – 1964). Born in Gettysburg, Pennsylvania Charles Morris Young lived most of his life in Radnor. He was recognized as a pioneer in creating American Impressionist landscapes, especially snow scenes. Young is also known for his golfing, equestrian, and hunting scenes. He studied at the Pennsylvania Academy of the Fine Arts with Thomas Eakins, Robert Vonnoh, and Thomas Anschutz. In 1897, Young set off to Paris with his wife, for continued art studies at the Academie Colarossi. Living for a time in Giverny, he became acquainted with Claude Monet, recalling how in moments of frustration Monet would throw paintings...

Delaware River, 1924 Oil on board 12 x 16 Signed (lower left): RENWICK TAYLOR Inscribed (verso): From Original Sketch Painted at Eddy Farm, Delaware Riv...

Title: Le Bouilt (The Boil) Author: Pedro Creixams (1893-1965) Date: 1928 Technique: Oil on canvas Dimensions: 31.9 x 25.6 in (unframed) Signature: Signed on the front and back ...

Alexandre-François BONNARDEL was born in Israel on September 6, 1867. In 1891, he entered the Ecole des Beaux-Arts and made his debut at the Salon (both in Lyon). He worked under the...

Work on wood Golden wooden frame 43 x 53 x 5 cm

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a period frame. Illustrated in "New Hope for American Art" by Jim Alterman and "The Philadelphia Impressionists" by Thomas C. Folk, pg, 102, plate 45 S. George Phillips (1890 - 1965) Regarded by some as “a poor man’s Garber” (“poor” needing to be redefined these days), S. George Phillips painted rich and colorful landscapes depicting views of the Delaware River and the environs surrounding New Hope. An extremely competent artist, Samuel George Phillips was born in Pennsylvania in 1890. He studied at the Pennsylvania Academy of the Fine Arts under William Merritt Chase, Cecilia Beaux, Hugh Breckenridge, and Daniel Garber. He then traveled to Europe to continue his studies. Phillips began his career as an illustrator and commercial artist. His work appeared in The Saturday Evening Post, The Ladies’ Home Journal, McCall’s, and The Liberty Magazine. His best known work as an illustrator was the Santa Claus logo he designed for the Whitman Candy Company. Around 1915, Phillips established a portrait studio in Philadelphia. Soon he was to become one of Philadelphia’s pre-eminent portraitists, painting many prominent socialites, politicians, and academicians. For fifty years, he commuted from his home in Atlantic City to his Philadelphia studio. Like many artists, painting was Phillips’s livelihood and although landscape painting was his passion, the bills were paid by money earned for commissioned portraits and illustration work. Phillips found portrait painting to be stressful and landscape painting to be relaxing, and as a result, he would frequently spend weekends in Bucks County, taking part-time residence at the Point Pleasant...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "Interior of Alcazar of Seville" Signed & located "F. Liger, Sevilla " (lower left) Oil on canvas 2...

This attractive portrait features the five-masted schooner ELINOR H. at full sail in an active sea. The ship has crisp lines and a sharp sense of detail, likely because it was painte...

Carl Johansson's painting from 1927, most likely depicting a view from Nordingrå, encapsulates the serene beauty of the northern Swedish landscape. Born in Härnösand, Johansson drew ...

This painting is hand signed by the artist at the lower left corner Provenance: Twentieth Century Art, Christie's Amsterdam, 5th June 2007, lot 36, page 26. Condition: Good

Inscribed on back #174 House of Kuppeneheimer 1927 fashion advertisement, catalog cover.

Date: 1921 Medium: Oil on Canvas Signature: Signed and Dated Lower Right Dimensions: 26.00" x 40.00" Illustration for American magazine.

Ture Ander (1881-1959) Sweden Lakeside Reflections, Värmland oil on board signed and dated Ture Ander 1945 unframed 33 x 48.5 cm (13.00 x 19.09 tum) framed 49.5 x 64.5 cm (19.49 x 25.39 tum) Provenance: Architect Ludvig Mattsson (1888-1960), Arvika; Thence by descent until we acquired it in 2024. Essay: This impressionistic landscape painting by Ture Ander, a distinguished member of the Rackstad group, captures the tranquil beauty of a serene lake. The still waters mirror the surrounding foliage and sky, creating a captivating interplay of light and reflections. The Artist: Ture Ander (1881-1959) Ture Ander, Also known as "Blomstermålaren" (The Flower Painter), was born on September 17, 1881, in Asker, Örebro County, and passed away on February 4, 1959, in Arvika, Värmland. Initially trained in the craft of painting, Ander pursued formal art education at the Technical School in Stockholm from 1898 to 1903. He further honed his skills at the Artist’s Association School between 1905 and 1908 and at the Académie Colarossi in Paris during 1911-1912. Here, he was significantly influenced by Paul Cézanne and other Impressionists. Ture Ander’s early work often reflects a delicate, impressionistic approach, which can be seen in this lakeside painting...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Vieux pont de Grez-sur-Loing by Henri Epstein (1892-1944) Oil on canvas 55 x 81 cm (21 ⁵/₈ x 31 ⁷/₈ inches) Signed lowe...

Elisée MACLET (1881-1962) Paris : Small Houses Near Bievre River, c. 1920 Original oil on panel Signed bottom left On board 55 x 46 cm (c. 22 x 18") Presented in a golden frame, 7...

The cardinal's favorites French oil painting on panel by Victor MARAIS-MILTON Signed to lower right Genre Painter, b. 1872 - d. 1948 Victor Marais-Milton was born in Puteaux, locate...

Frank Vincent Dumond American, 1865-1931 Sunny Hedge Oil on canvas Signed "F.V. DuMond," lower right 24.5 in. by 29 in. W/frame 32.5 by 37 in. Born in Rochester, New York in 1865, Frank DuMond left his work as an illustrator at age 23 to study in the rigorous classical atelier tradition of the Academie Julian Paris in 1888.  Upon his return to New York in 1892, DuMond embarked on a painting and teaching term at the Art Students League spanning nearly six decades until his death. A painter of diverse talents, he was an accomplished landscape, portrait and still life painter, muralist, and leader of the Tonalist then Impressionist art colonies of Lyme, Connecticut.  In particular, DuMond was noted for his use of landscape green.  American Impressionist expert William H. Gerdts wrote of DuMond, "As one might speak of Velazquez's blacks, one must speak of DuMond's greens."  Scholars have described him as a deft painter of the American Impressionist landscape and the figure, but he will perhaps be remembered as among the most outstanding educators in American art history.  Though an accomplished painter, he is said to have considered himself more of an educator than an artist. By all accounts, DuMond is described by his students as a man whose art and teaching methods were based on deeply held religious and philosophical beliefs.  One student recalls, "There were occasions when DuMond revealed a clear intent to educate us on a deeper level than might casually be associated with painting."  His students remember him fondly as "a genial, generous, and perceptive instructor…whose warmth and kindness pervaded everything he did."  Under his tutelage, many prominent American artists were brought to recognition, including Georgia O'Keeffe, Norman Rockwell, and John Marin.  Still other protégés of DuMond renown became influential teachers, such as Baroque-style painter Frank Mason, whose influence emerged in New York at the Art Students League; and Arthur Maynard...

Medium: Oil on Canvas Signature: Signed Lower Right

Pastel Impressionist style painting by American landscape artist George Ames Aldrich. The work features a woman standing at the edge of a river in a quaint pastoral French town. Sign...

5-112 Italian oil on canvas Displayed in custom wood frame Image size 10.5x13.5" Signed A. Colli

Signed lower right, 'Dedrick B Stuber' for Dedrick Brandes Stuber (American, 1878-1954) and painted circa 1925. A substantial, early twentieth-century California coastal landscape showing the Pacific Coast's Monterey Bay on a sunny day with lightly scudding clouds against an azure sky. A particularly fine work with jewel-like, spring flowers scattered along the grassy bluff and a panoramic view across the bay towards lavender coastal hills. This luminous California plein-air painting happily retains its original title-plate. Born in New York City, Dedrick Stuber first studied at the Art Students League and, later, with Julian Onderdonk and Clinton Peters. In 1920, he moved to Los Angeles where he became known primarily as a painter of California pastoral and marine scenes, preferring to paint his "plein air" works in the cool and shade of the early morning. Over the course of a long career, Stuber exhibited widely and with success and was the recipient of numerous medals and juried awards. He was a member of the Painters and Sculptors of Los Angeles and the Laguna Beach Art Association and his works are held in numerous private and public collections, including the permanent collection of The Smithsonian Museum and The Pasadena Art Museum. Reference: Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 2, page 1076; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, page 3211; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith...

Date: 1923 Medium: Oil on Board Dimensions 24.50" x 25.50" Signature: Signed Lower Left

Dick Beer (b. London 1893 - d. Stockholm 1938) Folkliv på Korsika, I (Popular Dance at Corsica, I) oil on canvas signed Dick Beer c. 1924 canvas dimensions 88 x 100 cm Exhibited: The Royal Academy Stockholm 1973; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick...

Medium: Oil on Canvas Signature: Signed Lower Right Medieval Fight Scene by Edmund Franklin Ward, from 1926.

Estate signed verso. Painted between the years 1916 and 1926 while living in Santa Barbara, CA. This painting is identified in the Francis Draper Jr. archives as #0-90........... ...

Prolific Saturday Evening Post Cover Illustrator Pearl L. Hill Worthington paints a stunning portrait of a Ballerina in a tutu with underlighting. She sits on a decorative Chinese ...

Jacob Binder American 1887-1984 Still Life Vase of Flowers Oil on canvas 30 by 25 in. W/frame 37 by 32 in. Signed lower right Jacob Binder was born in...

A superb portrait oil painting by noted British Newlyn school artist Harold Harvey. Painted in 1922 the sitter is Clara Matthews. A full length portrait, Clara is set in a landscape and holding a rose. In several of Harvey's portraits his female sitters...

Signature: Signed Lower Right Piece of illustrative and advertising art done for the offices of Louis Sherry Chocolates. Wonderful example of his work.

Georges Lapchine, 1885-1951, Russian "Isbahs Russes dans la Neige", 1927 Oil on canvas Signed and dated lower right Canvas: 31 7/8" high x 39 3/8" wide Frame: 44 1/8" high x 51 1/8" wide Georges LAPCHINE: Russian painter, born in Moscow in 1885. Died in 1951. Painter of figures, landscapes, post-impressionist. A pupil of Fernand Cormon and Léon Lhermitte...

One of Cornwell's hallmarks is that he paints stoically soulful faces that express the subject's trials and hardships. In this only-woman composition, he depicts a scene of two women who are strong, unafraid, and self-confident and can weather the storm despite the challenges. In this regard, it is similar to "A Strange Sound Drifted Down to Kit from the Top of the Range—A Man’s Voice, Singing" by Cornwell, which sold at Christie's USD $163,800 on 18 Apr 2024. Caption: "Are you making little things?" questioned Lucy. 'No ,' said Marge. 'If this one happens to live, there will be many long years ahead of us for that." Morris Weiss collection...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 38.25" x 29.25", Framed 45" x 35" Cover of The Saturday Evening Post Magazine, June 13, 1925 Edmund Davenport was a New Yorker and a successful illustrator in the 1920’s. He painted covers for Women’s Home Companion and The Saturday Evening Post, and at the same time, he worked in the art department of Paramount Studios. At the time of this publication, a young woman’s graduation from college was a rare accomplishment, and the opportunities for employment that required a college diploma, were even rarer. Nevertheless, it was a good reason for this pretty, young woman to be sitting on top of the world in the vicinity of “cloud nine.” “Top of the World” appeared on the cover of The Saturday Evening Post on June 13, 1925. Exhibited: Christie's New York, Illustrating America: Norman Rockwell and His Contemporaries, November 30, 2013- January, 2014 A luminous and rare Golden Age of Illustration cover...

“I Promised My Wife: Sandy’s Business Trip Adventures,” original cover for Liberty magazine, published September 24, 1927 Traveling on a business trip, Sandy ventures out of his cut...

Medium: Oil on Canvas Signature: Signed Lower Right Literature: W.L. Comfort, "Trouble in the Dust," The Saturday Evening Post, vol. 198, April 3, 1926, p. 13, illustrated. Notes:...

Olin Travis (1888-1975) Dallas, Tx. Image Size: 7.5 x 11.5 Frame Size: 15.5 x 19.5 Medium: Oil on Board "To a Good Friend A small token of appreciation" Biography Olin Travis (1888-1975) Travis, Olin Herman. 1888-1975. Dallas. Landscape, portrait, and Figure painter, graphic artist, muralist, teacher, writer.     Born and reared in Dallas, Travis attended public schools there.  in his youth he received instruction from R. Jerome Hill...

Medium: Oil on Canvas Laid Down on Board Signature: Inscribed with Title (Lower Center) Joseph Christian Leyendecker created the Arrow Collar Man in 1905 for Cluette, Peabody & Comp...

Masterfully painted portrait with rich paint surface by the famous French Symbolist Signed and dated lower left Provenance: Waterhouse & Dodd, London ...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...