Paint Paintings

Homage to John Wayne. Oil on canvas. Conceptual. One of a kind. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postm...

Jim Woodson, Simultaneous Relevant Embodiments Enfolded, Oil on canvas, 24 x 48", 2020

About the artist: John Joseph Hanright is a contemporary painter and assemblage artist who brings together a combination of vintage and contemporary imagery to form paintings that r...

AMY BENNETT Blue Hour, 2016 Oil on canvas 9 x 12 inches 22.9 x 30.5 cm Signed: "Amy Bennett" (verso) -- Amy Bennett’s paintings offer a window into the s...

“Symphony of fall”

Original painting by Richard Combes

The beauty of the gold sky emits a hard 'rain' of figures determined to find their true place in the terrain.

Hunt Slonem Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and has the Artist's St...

Oil on canvas

"Diagnosis"

Exhibited: Société Nationale des Beaux-arts, Paris, 1893 (as Jeune Fille arrosant ses fleurs) Literature: Michel, Jean Pierre, François Guiguet (Corbelin, France, 1996), p. 102 (n...

Mysterious woman. Oil on canvas. Fab wallpaper background. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmode...

A signed, dated, 1970’s, acrylic, charcoal, paper and jute collage-on-canvas by notable, listed American artist, Stephen Edlich (1944-1989). Inscribed Majo, 1976-1977 on the reverse....

Oil on canvas 55 x 40 in Unstretched Rebeca Mendoza plays with simultaneity, superimposition, and ambiguity in her work as she goes through the stages of oil painting. The artist se...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

Michael Kessler was born in 1954 in Hanover, Pennsylvania and had his first art show in 1080. His abstract art awards include the Rome Prize for Painting from the American Academy in...

Painting by talented young artist from the Repin Institute in St. Petersburg. This a light, airy impressionist work of the beach and is full of light and abstraction. While classi...

Febland always works in rich dramatic narratives that are timeless and yet of this time. Timeless, because human narratives have remained relatively consistent throughout our time here and certainly of this time in regard to his choice of subject matter. This piece, a comment on the "Millennial." The piece feels somewhat lude, in nature. A scantily clad woman walking down the street. Unique hair, nails, tattoos, and clothes that draw attention. The shoulder strap fallen down as if to reference Sargent's "Madame X," a scandalous piece in 19th century Paris. She is in public, grasping her lifeline to the world, the cellphone. Yet she feels isolated and perhaps lost. The rickshaw's in the background as metaphorical guides to an unknown destination, yet she pays them no mind...

The feeling of being “other” and finding ways to belong in a new land without completely subjugating one’s own native identity is a challenge that Oscar Molina has faced head on in his work. His “Children of the World” series is a deep expression of his desire to eradicate this feeling of otherness – to exist in a world without judgment. The series stirs feelings of connection as they are compositions of groups of figures – these figures must stay close to one another, must protect one another from the unknown just as strangers in a strange land...

Figurative painting of a sailor from the Black Sea Fleet by Ukrainian painter, Elena Vilchukova. Vilchukova is a graduate of the Kharkiv Art Academy i...

Oil on canvas

Lost in Space, Daniel Blagg, Oil on Canvas, 38 x 58", 2020 A well-known figure of the contemporary Fort Worth art scene, Daniel Blagg has worked in the DFW area for over four decades. Blagg creates compositions that are both large-scale and intimate, familiar and unfamiliar, through his realistic style and chosen subject matter. Inspired by the surroundings of his studio warehouse on the outskirts of Fort Worth, his paintings of deteriorating road signs, empty streets, and vacant buildings examine urban...

Oil on canvas

Pop Art. Americana. Bullseye. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporary painter and assemblage artist who brings togethe...

Mrs Mangle is a painting to remind us that old people was once upon a time young, beautiful and vibrant. Remind yourself that this will be you one day. Matisse acrylic on Ply wood.

Ethereal painting of a winter landscape. Novikova is a St. Petersburg based artist and graduate of the famous Repin Institute.

Oil on canvas. Engaging. Ben Affleck's batman homage. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern ...

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himself and built it from 1982 to 1986, afterwards donating the sculpture to the state of Utah. Known For remaining true to the initiation he received early in his career into the modernist paradigm that still informs his distinctive style to the present day. Momen is the most long-lived exponent of early twentieth century Geometric abstraction movement. bauhaus, futurism art...

A graduate of The Art Center College of Design and The Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern Ca...

Original Painting by Annette Davidek

Valeria Vilar dissolves and gives rise to strokes of abstraction through figuration allowing viewers to recompose the story. She reconstructs and creates spaces from memories, tales...

Dana Coleman is a contemporary Gullah artist who captures the dynamic, awe-inspiring beauty of the Lowcountry in each of his paintings. His realistic depictions of his Gullah heritage, lowcountry lifestyle, architecture and landscapes draw in the viewer, creating a one-on-one experience that lasts a lifetime. He uses natural and bright colors to execute his contrasting and harmonious work. After earning an associate degree in graphic design at Trident Technical College in Charleston, South Carolina, Dana studied civil engineering at the University of South Carolina in Columbia, where he refined his innate ability to recognize and execute the fine detail that can be found in his paintings. Dana, who has earned several awards for his artistic talent, always has believed that “You can paint anything you set your mind to.” His artwork captures the most vivid and fond memories he has collected since his childhood “in the country,” just outside of Charleston. He shares those experiences with viewers so they can enjoy the diverse and vibrant culture that is unique to Charleston. His architectural background has helped Dana reproduce the history and beauty found in the Charleston area, from its weathered houses and structures to its beautiful beaches and marshland. ​ With an ever-changing palette, Dana paints with various techniques, depending on the subject matter – and his emotional attachment to the subject matter. Applying paint with purpose and patience, he applies the strengths of each specific medium to achieve smooth, rich surfaces and crystal clear, vibrant hues. Dana’s artwork can be found in numerous private art collections around the world and has been displayed at the Metropolitan Museum of Art in New York. His work is a permanent fixture at the Sierra Leone National Museum and the Fort Sumter...

Untitled 2017 Oil on canvas Unstretched Luciana Levinton de-contextualizes architectural elements, sketches facades, delineates floor pla...

American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson ...

Original Painting by Elizabeth McGhee

William Nelson’s latest body of work, titled Pretty, Desirable, Delightful, Dangerous, invites us into a dynamic world of glamour and mystery, rich with symbolism, history, and intri...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

This painting is unique
, signed on verso, and includes a certificate of authenticity. Annika Connor is a modern-day Renaissance woman. Primarily known as a Contemporary Romantic pa...

Dreamland Motel, Daniel Blagg, Watercolor on Paper, 21 x 30", 2022 A well-known figure of the contemporary Fort Worth art scene, Daniel Blagg has worked ...

Rooftops of Santa Barbara under a cloudy sky.

A contemporary painting in an abstract expressionist style, "Love in the Eye of a Hurricane" features gestural acrylic brushstrokes and mixed media markings atop wood panel. It is an original, fine art painting created in 2021 by abstract artist Kara Greenwell. Sophisticated Payne's gray blue hues blend with beige, white and pale pink acrylic paint in contrast to dramatic black and white charcoal and graphite marks. The artist continued the painting extending around the edges of this gallery wrapped canvas, ensuring visual interest from all angles. Measuring 40 inches by 30 inches, this mid-sized abstract painting is the perfect modern statement piece for any wall. The painting can be hung a nail or picture...

Experience the epitome of sun-kissed serenity with "Girl From Ipanema," a captivating fine art figurative watercolor painting that transports you to the sandy shores of Brazil's icon...

I am inspired by ornament, an ancient visual language used in various cultures for centuries." Sarupa Sidaarth (Indian, b.1976) studied at Sir J.J. School of Art and received her MFA at Academy of Art in San Francisco. Her studio practice flows predominantly from an intuitive and emotional approach. Inspired by ornament, her latest body of work explores social issues through the examination of creative and artistic practices. She engages in a thought-provoking dialogue and emphasizes on the idea of peaceful coexistence. Her work has been exhibited extensively in India, Europe and United States, including at the Bombay Sapphire...

"Sketching Among the Irises" by George Herbert McCord (1848-1909) is oil on canvas and measures 20 x 16 inches. The painting is signed by the artist at the lower left.

Acrylic on Canvas

Signed (on verso): AF/2021

Oil on canvas. Signed, dated, and titled verso. 46.5 x 36 in. 47.5 x 37 in. (framed) Custom framed in a maple floater. Charles Strong, who was born in Greeley, Colorado on Christmas Day in 1938, was one of the youngest artists of the San Francisco School of Abstract Expressionism. He was a colleague of vanguard artists such as Elmer Bischoff, Richard Diebenkorn, Jack Jefferson...

An exceptional impressionistic depiction of an afternoon along the Seine in Paris by Mario Passoni, on a spring day with the busy activities of people wa...

I painted this at the start of the war in Ukraine, it pokes fun at the disorganisation of Putins attack on Ukraine with claims he would take the country within a few days. I painted ...

This piece is part of the Amrta Gold Series. These pieces are incredibly unique and cannot be replicated. The are multilayered mixed media abstracts all with 24k gold leaf on top. Th...

Mixed media on canvas 78.79 x 86.60 in unstretched

Portrait

Melissa Sims’ work utilizes motifs from collage and pop art, in that several different images are combined into one cohesive but surreal landscape. Sims c...

Two figures in 19th century dress sit at a table in a cafe. Provenance: Private Collection, New Jersey Originally based in New York City, William Bodfish was a talented artist who gained recognition for his illustrations and cartoons in the late nineteenth century. A painter of genre scenes, he also created detailed illustrations of hunting, whaling and fishing adventures for such magazines as Harper's Weekly. In the years following the Civil War, he traveled to the American West, joining the legion of journalists and illustrators who recorded the development of the new frontier. He was considered by historians to be one of the most “able cartoonists” to tackle the West. During his lifetime, Bodfish exhibited work at the National Academy of Design and the Art Institute of Chicago. Likely created after the artist’s departure from New York, The Sister’s Visit records a quiet moment between two siblings. Seated before a lovely spread of luncheon items, including a bowl of oranges...

Encaustic, red earth, piñon resin, carving and 21k moon gold leaf on wood panel

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

Taking cues from the anti-figurative aesthetic of American Abstract Expressionists, Ripley’s process is one of spontaneity and gesture. Color is applied in broad strokes atop a black...