Panel Paintings

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

"Door #22 (Paint)" (2018) by Francesca Reyes Original oil painting on wood panel; measures 8" H x 6" W x 1" D Rich blue palette with white doorway; accents of cranberry, pink, beige and green From the artist's door series...

This abstract painting is made with acrylic paint over metal leaf on cradled birch panel. The painting features a light tan-colored palette, with white swirling lines which form a ci...

Circles and lines have the power to suggest perpetual motion, energy, and stasis. Cahill explores circles in relation to line as a means way to express their complex physical propert...

Sky Water shows the beauty of nature with Koi and Waterlilies .There is the use of the palette knife which builds up a texture of the oil paints used in this landscape painting. Petals on the Water display the interaction between the koi and the waterlilies in the oil painting. One can almost hear the movement of the water in Petals on the Water. Sky Water is framed and there is no charge for the frame. Jeff Slemons...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

In his essay about David A. Dreyer's work, Philip Van Keuren writes: "He distills infinite visual and sensory stimuli he encountered while working in the field into the relatively...

She lay flat on the brown, pine-needled floor of the forest, her chin on her folded arms, and high overhead the wind blew in the tops of the pine trees. - For Whom the Bell Tolls (mo...

In this vibrant abstract painting, Mel Davis appears to be commenting on the crisis of climate change. Organic shapes and an eclectic, masterful use of colour—bright green, orange, b...

Horizontal bands of lemon yellow, rose pink and green float on a periwinkle ground in this acrylic painting by Burton Kramer. The poised geometric composition is a meditation on the ...

A bright turquoise-blue ‘sun’ draws the viewer’s eye into the center of this beautiful new composition by Burton Kramer. A modernist, Kramer’s expressive work plays with geometric sh...

"Chaos Theory #23" is an encaustic-on-panel piece by Charles Ivey from his "Chaos Theories" series. Ivey uses the encaustic process of combining hot beesw...

This abstract diptych (set of two paintings) by Sofie Swann features a warm neutral palette, with light brown circular shapes layered in black organic encompassing shapes, over a bei...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Brian O'Neill's "Deep Dive 2" is a remarkable original artwork created in 2024. This piece measures 12 x 12 x 1.50 inches (30.48 x 30.48 x 3.81 cm) and features a sophisticated combi...

Brian O'Neill's "Summer 2" is a captivating original artwork created in 2024. This piece, measuring 48 x 12 x 1.50 inches (121.92 x 30.48 x 3.81 cm), showcases O'Neill's skillful use...

This abstract painting by Ned Martin is made with oil paint and aluminum on board. It features two blue and green birds, one at the top right-hand corner and one at the bottom left, ...

A fiery sky in crimson and cerise descends on a horizon of dark mauve hills and strip of azure sea in this emotive painting by Jay Hodgins. Taches of hot orange that highlight the foreground in this atmospheric seascape reflect the title of the work Angin, which is Indonesian for windswept. Hodgins attended the Emily Carr...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb created this abstract painting with bold brush stokes creating strong visual zest and appea...

NYC - Under the Williamsburg Bridge

Promesse I & II ( Diptych) is a magnificent abstract oil painting of ephemeral clouds floating on an elegant deep blue sky . A unique view of clouds at twilight, in rich shades of...

Beauty & Wonder, by John Wood, 40 x 40 inches, mixed media on paper mounted on panel. Bare wood edges. John Wood’s beautiful abstract imagery is the culmination of a lifetime of wor...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Silent Shores is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on honeycomb aluminum panel, patina f...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Oil on canvas on wood panel. Unframed.

Dan McCaw's (US based) "Standing Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white standing within a neutral interior. Artist Stateme...

"The Surprise in the Cereal Box" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful...

"Box Spring Trampoline" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometri...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb created this abstract painting with bold brush stokes creat...

Brian O'Neill's "Summer 3" is a captivating original artwork created in 2024. This piece measures 48 x 12 x 1.50 inches (121.92 x 30.48 x 3.81 cm) and features a masterful blend of a...

“Hush” is part of my Tapestry series of semi abstract paintings that explore the simplification of shape, space, colour and texture in places I have visited. Some of these are specific to landscapes around my studio in Surrey, the South Downs and Devon but mostly they are a visual amalgamation of experiences, like a patchwork of memories and feelings from one or many places. Tapestry-like landscapes with bold mono-tone blocks which reflect the shadowy-shape of evergreen trees against more open hills and meadows. I see more when I’m not focused on the detail, painting intuitively with a mix of acrylics, inks, chalk and oil pastels to capture an emotive response to a place rather than the reality of a specific landscape. Brush strokes and marks are layered and carved with fluid lines that create imagined dream-like patterns. “Hush” is painted on a wood panel with muted shades of slate, moss, pebble and shell, contrasted with a bold graphic swathe of charcoal. Tamara Williams...

5" X 30" X 1", six panels, each panel is 5 x 5 x 1 inches each acrylic on panel monochromatic painting, multi-panel abstract painting, grid, small panel painting, green and blue ...

BOOM! mixed oils on panel 40 x 70 inches (unframed, raw wood sides) $14,500 Joe Ostraff is a professor of art at Brigham Young University. He received a BFA from Brigham Young Univ...

"On a Clear Day" is an acrylic painting of an abstracted, dream-like landscape on leather mounted on MDF panel. The work itself is 24" x 22", framed to 24.5" x 22.5" in a narrow, sim...

Clouds appear to rise ominously and close in on a brilliant azure opening over coral hills and dark water in this large resin coated, acrylic painting by Jay Hodgins. The rising stor...

Colour--bold and bright juicy shades of orange, yellow, purple and green play off a pale blue backdrop in this delightful still life by Montreal born artist Mel Davis. She creates ab...

Contemporary pastel purple and navy toned geometric abstract painting by Houston based artist Julián Sierra. The work features clean-edged blocks of color undulating through an abstr...

Bret Hansen originally from Baltimore, Maryland is a painter and graphic designer based in Los Angeles, California. His design career spans art direction roles in publishing, brandi...

Bret Hansen originally from Baltimore, Maryland is a painter and graphic designer based in Los Angeles, California. His design career spans art direction roles in publishing, branding and advertising at firms in New York, San Francisco and Los Angeles. His bold, dynamic designs can be seen in everything from album covers to advertising campaigns. Bret received his MFA in design from Virginia Commonwealth University and later taught design courses at Pratt Institute’s graduate program in Manhattan. Bret’s paintings blend expression with a graphic design sensibility and explore themes of alienation, disorientation, authenticity and hope. Incorporating a graphic design sensibility, the artist’s approach in his painting emphasizes clean lines, geometric shapes, and a vibrant, synthetic palette. Elements like artificial paint drips and pixellated stars form a visual language that bridges a digital aesthetic with painterly expression. Bret’s canvases reflect our struggle to find footing in a world turned upside down and our persistent, sometimes defiant, drive to seek out light and balance amid chaos. Bret’s work is a testament to his ability to evoke emotion and provoke thought through his art. His paintings serve as a mirror to the complexities of the human experience, capturing the essence of our society's constant evolution and the individual journeys we all embark on. "Cloud Formation...

In a dazzling cerulean sky, a blustery cloud of white hovers over a black horizon. In this vertical landscape on panel by Jay Hodgins, curated layers of bright colors coated with a g...

This striking piece from Melisa Taylor Metzger’s Turbulences series exemplifies her evolving experimentation with surface, depth, and process. Pushing further into sculptural territo...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Splashes of gold paint are applied to a wood panel, with a few bits of burnt umber. Several objects - including a paint tube, cotton balls, and a miniature painting - are attached to the panel. Signed "Michael Pauker", titled "His Name Was Writ in Acrylic Paint", and dated "2017" on verso. There is a note from the artist that this is the top of a two-part piece, but the whereabouts of the bottom half are unknown. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Navy blue to light blue, with white, cream, and touches of yellow, are celebrated in this abstract geometric mixed media painting with acrylic, ink, polymers and layers of complex an...

"Mini Token" (2018) by Catherine Hart Acrylic, gouache, and graphite on wood panel; pink and purple palette with text Framing available COA included

Flowers—rendered in simple shapes and soft colours—rosy pink, sky blue, pale yellow and deep green fill the canvas in this abstract painting by Mel Davis. The Montreal born artist wa...

Russell Shoemaker Fluorescing Oil on Panel Year: 2010 Size: 22x15.5x1in Signed and dated by hand on verso COA provided Ref.: 924802-1703 Tags: Abstract, Vibrant, Drips, Neon, Gestur...

To great effect, Mel Davis uses colour, shape and patterns to convey emotion in this abstract composition. The palette is dramatic—rich tones of blues, green, orange and burgundy. ...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Katheryn Holt (American, born 1951) "Sunrise" 2022 Oil paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. Framed Artwork: ...

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...