Panel Paintings

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

This is a favourite piece from a series exploring ideas around layers, history and portals to the past. The series was painted in multiple layers with each layer revealing something of the layer below. The past still affecting the present and the future. Discover more original artwork by Alison Gilbert with Wychwood Art online and in Oxfordshire gallery. Alison is a British contemporary abstract artist...

Oil on canvas on wood panel. Unframed.

Yes It's Pink is an abstract painting by Texas artist Cheryl McClure on a wooden panel so there is no need for a frame.. Like a lot of artists, McClur...

Edward Avedisian ( 1936-2007 ) 15 X 8.5 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert B...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Meet Me by the Wall is an original painting by Mary Scott. This is an abstract painting in a minimal palette of cool turquoise, white and grey hues inspired by the seascape of the ha...

Edward Avedisian ( 1936-2007 ) 17.5 X 8.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Alber...

Completing by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 49 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ...

"in City and in Forest 12" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

Measures Painting 36 x 30 inches Framed 37.25 x 31.5 inches Herman L. Renger was an American painter active during the 20th century, known for his detailed geometric and op-art pain...

Highways and Byways is painting on a wooden panel so there is no need for a frame.. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Northeast 88 is a wonderful abstract landscape by Alison Cooley who was born in Washington, DC and studied at Sarah Lawrence College. Cooley’s atmospheric abstraction is simply beaut...

Finding My Way 1 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 2 in Inv #: 794 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to life. Tim Nikiforuk...

"Abstraction" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Abstraction 16 x 12 inches Estate stamp verso Oil on panel Provenance: Estate of t...

Between Here and There by Elaine Fox [2022] original Oil Paint on Cradled Panel Image size: H:35 cm x W:35 cm Complete Size of Unframed Work: H:35 cm x W:35 cm x D:2cm Sold Unframed...

"Labyrinth" is a striking modern geometric abstract painting, with a soft mid-century modern contemporary palette. It is painted directly onto panel, with a custom built wooden substrate. The sides show beautifully smoothed wood. Kazaan Viveiros has a background in architecture studies as well as fine art, and this shows in her clean and contemporary works. Artist Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute. She has since exhibited work in solo and group exhibitions in the U.S. and Europe, including solo shows in New York, San Francisco, Berkeley, Scottsdale, AZ, Richmond, VA, and Savannah, GA. In 2003, curator Raffaella Guidobono gave Viveiros a show at TAD Concept Store in Rome. Viveiros’s paintings have been collected by a wide array of corporations, including eBay and Capital One Bank, as well as by individuals such as WalMart’s Rob Walton and novelist Danielle Steel. Her large diptych, The Whale, was purchased by Banner Children’s Hospital and currently hangs in their radiology ward. Summit Medical Group MD Anderson Cancer Center in New Jersey has many of her works in their collection. In addition, five of Viveiros’s paintings were purchased by the Art in Embassies Program and are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia. She was a 2011 Bethesda Painting...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Thread, metal and acrylic paint on wooden panel Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Interna...

Lucerne (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, base...

Beeswax, resin and pigment on canvas mounted on panels. This work is from a series of formal trifold compositions of quiet horizontal abstraction is based in the Venetian tradition ...

The latest from Ray Kass' series of abstracted red "still lifes:" a departure from his large-scale compositions, this latest trio of paintings saturate their more compressed planes. ...

Available at Madelyn Jordon Fine Art. 'Daisy Chain' by Marylyn Dintenfass, 2025. Oil on wood panel, 48 x 48 in. This abstract painting features four separate quadrants, each featurin...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Changing Stations (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as wel...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, patterns, blac...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, based in the Venetian tradition ...

Gorgeous oil on panel by Harold Cohn. Beautiful reds - the photo does not do the painting justice. The texture of the flowers is stunning. The piece is fra...

Seit seinem frühen Tod 1999 erlebt das Werk von Franz Ecker eine längst fällige Neubewertung, die sich auch in zahlreichen Einzelausstellungen, Katalogen und einem sehenswerten Kinof...

"History Sticks to Your Feet" (2025) is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in a pale blu...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"It's Springtime Somewhere In the World" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder, and rice paper on a cradled wood panel; measuri...

This creation is a symphony of organic forms, where minimalism meets nature's complexity. Crafted with acrylic, every stroke and shape is charged with emotion, capturing the beauty o...

Finding My Way 2 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 0 in Inv #: 795 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

Acrylic and Spray paint on wood panel 12 x 12 x 1.25 inches Set of 4 canvases (To purchase individual canvases instead of all 4 message us to discuss)

Acrylic and gloss on panel painting by "blob" artist Mike Hammer.

"Track Shift" is a striking modern geometric abstract painting, with a soft contemporary palette. It is painted directly onto panel, with a custom built wooden substrate. The sides show beautifully smoothed wood. Kazaan Viveiros has a background in architecture studies as well as fine art, and this shows in her clean and contemporary works. Artist Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute. She has since exhibited work in solo and group exhibitions in the U.S. and Europe, including solo shows in New York, San Francisco, Berkeley, Scottsdale, AZ, Richmond, VA, and Savannah, GA. In 2003, curator Raffaella Guidobono gave Viveiros a show at TAD Concept Store in Rome. Viveiros’s paintings have been collected by a wide array of corporations, including eBay and Capital One Bank, as well as by individuals such as WalMart’s Rob Walton and novelist Danielle Steel. Her large diptych, The Whale, was purchased by Banner Children’s Hospital and currently hangs in their radiology ward. Summit Medical Group MD Anderson Cancer Center in New Jersey has many of her works in their collection. In addition, five of Viveiros’s paintings were purchased by the Art in Embassies Program and are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia. She was a 2011 Bethesda Painting...

This is a float framed original painting on panel. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. His interest in the m...

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...

In one of the most vibrant oil paintings from her “Reflection” series, Carole Garland luxuriates in the splashes of colors, heightening nature’s splendor. Mirrored in the stream, the turning leaves are replicated and abstracted in the shimmering waters below. Workshops with Fine Art oil...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Lorenzo’s Riddle (Abstract painting) Acrylic on aluminum panel - Unframed. The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with pa...

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST: Jean Feinberg is a NY based artist whose wall constructions - paintings on found wood and paintings on painted plywood - a...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST. NOTE COLOR OF WOOD IS NOT QUITE AS YELLOW AS IIT APPEARS IN PHOTO AND IS IN KEEPING WITH OTHERS IN THIS SERIES: Jean Fein...

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Abstraction" 11 ¾ x 13 ¾ inches Oil on...

acrylic on birch panel

Obsidian Blue (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panel - Unframed. The images Yntema creates are the result of accumulated, semi-translucent layers...

Navigation by artist Lisa Weiss is a contemporary abstract blue, white, grey, and yellow mixed media on panel that measures 30 x 20 and is priced at $1,500. Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and paring down to essentials. She is continually looking for ways to detach from the past and future with a focus on the here and now. Weiss’ paintings are process driven by movement, repetition, materials, and place. Her works are for beauty and contemplation. A professional artist from Tennessee, Lisa Weiss received her BFA in painting and sculpture from Middle Tennessee State University in 1990. She received a teaching assistantship to Louisiana State University in Painting and Drawing and completed her MFA in 1996. Lisa has exhibited her work nationally in solo and group shows for the past fifteen years. She is included in numerous public and private collections throughout America, Canada, United Kingdom, Australia and Holland. She has the honor of being in the Hunter Museum permanent collection. In the last seven years, Lisa has attended four artist residencies: Dorland Colony in California, Millay Colony in New York, Wurlitzer Foundation in New Mexico and the Nantucket School of Art on Nantucket Island. She has taught design, painting and drawing at the University of Southern Mississippi, Watkins College of Art and Film, Eastern New Mexico University and Winthrop University. Lisa has recently earned initial certification for teaching yoga from Yandara Yoga Institute in Todos Santos, Mexico. She has traveled the United States, Mexico and Europe. Lisa currently creates artwork in her studio in Franklin, Tennessee. Selected Collections Hunter Museum of Art: Chattanooga, TN. Hilton Hotel: Washington, DC. Iberia Bank: Memphis, TN Sand Point Corporation: Sand point, FL. Baptist Hospital: Nashville, TN. Glanker Brown Law: Memphis, TN. Harrahs: Las Vegas, NV. Hot Springs National Park: Hot Springs, AR. CoCa - Cola Bottling Co.: Knoxville, TN. Creative Arts Guild: Dalton, GA. Tennessee Watercolor Society: Nashville, TN. Private Collections: United States, Canada, United Kingdom, Germany, Australia, Holland Selected Exhibitions 2013 Tinney Contemporary: Three Person Show, Nashville, TN. 2012 Copper Fox Gallery - Inaugural Opening, Leipers Fork, TN. 2012 L. Ross Gallery: Paper Exhibition – Memphis, TN. 2012 L. Ross Gallery: Group Show – Memphis, TN. 2012 L Ross Gallery: Common Thread - Memphis, TN. 2011 Nina Kuzina Fine Art: Group Exhibition - Nashville, TN. L Ross Gallery: Paper Group Exhibition - Memphis, TN. Bennett Gallery: 7 in 11 Group Exhibition - Knoxville, TN. 2009 Waterworks Art Center: Seedlings Exhibition - Salisbury, NC. L. Ross Gallery: “Nature Forms’ – Solo Exhibition – Memphis, TN. 2008 Gallery Up: ‘Papillon’ – Solo Exhibition - Rock Hill, SC. 2007 Project A: ‘Sequence’ – Solo Exhibition – Nashville, TN. 2006 L. Ross Gallery: ‘Prana’ – Solo Exhibition – Memphis, TN. Bennett Gallery: ’New Works’ – Two Person Exhibition’ – Knoxville, TN. 2005 Upstream People Gallery: ‘7th Annual All Media International’ - Omaha, NE. L. Ross Gallery: ‘Inner Garden’ - Solo Exhibition Memphis, TN. 2004 Art Forms: ‘Between Moments’ - Solo Exhibition - Memphis, TN. 2003 Perry Nicole Fine Art: ‘Flux’ - Solo Exhibition - Memphis, TN. 2002 Eastern New Mexico University: ’Faculty Exhibition’ - Portales, NM. Art Forms: ‘Strong Voices’ - Group Exhibition - Memphis, TN. 2001 Hanson Gallery: ‘Remembrance’ - Group Exhibition - Knoxville, TN. Perry Nicole Fine Art: ‘Quest’ - Two-person Exhibition - Memphis, TN. 2000 Creative Resource Gallery: Group Exhibition - Birmingham, MI. Perry Nicole Inaugural Opening: ‘Ascension’ - Solo Show - Memphis, TN. 1999 Creative Resource Gallery: Group Exhibition, Harbor Springs, MI. National Miniature Exhibition: Group Exhibition - Salt Lake City, UT. 1998 Period Gallery: ‘National Miniature Exhibition’ - Omaha, NE. Exit Gallery: ‘Small Wonders’ - Solo Exhibition - Hattiesburg, MS. 1997 Blue Haus Alternative Workspace: Group Exhibition - Hattiesburg, MS. 1995 Ironworks Gallery: ‘Art for Arts Sake’ - New Orleans, LA. 1993 Parthenon Gallery: ‘Central South Exhibition’- Group Show - Nashville, TN. 1992 Dalton Creative Art Guild: Group Exhibition - Dalton GA. 1990 Parthenon Gallery: ‘Tennessee Watercolor Society Exhibit’ - Nashville, TN Awards and Honors 2008 Yandara Yoga Teacher Training: Todos Santos, MX. 2008 ‘The Conversation’: Inspired from the painting ‘Empire’: Rock Hill, SC. 2005 Nantucket School of Art & Design: Artist Residency, Nantucket Island, MA. 2004 Helene Wurlitzer Foundation: Artist Residency, Taos, NM. 2003 Maho Bay Environmental Arts Program: Artist Residency, St Johns...

"Cascadia 5" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

One of a series on the myth of Orpheus and Eurydice.

The Whisper Of Solitude (Abstract Painting) Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal ...

Melisa Taylor Metzger’s Sateen X2 extends her exploration of surface and gesture with a composition that feels simultaneously luminous and turbulent. Broad washes of deep cobalt and ...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...