Paper Paintings

Donald Stacy "Orange Nude Lounging" c.1950s Oil pastel and gouache paint on paper 23" x 20" framed black gallery wood frame float mount Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art...

Prakash Karmakar - Beach Series - 16 x 23 inches (unframed size) Mixed Media on Paper , 2004 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible ...

Under The Sea Series, Nº 11. Fantasy abstract underwater landscape. Author: Úbeda. Oil on paper, 59 x 40 x 0,1 cm. The sheets that make up t...

'The Red Headdress', pastel on art paper, by W. Worms (circa 1960s). A beautiful woman with contemplative expression and tender eyes is exquisitely portrayed by the artist. The treat...

Leon Dolice (1892 - 1960) New York Harbor Skyline at Twilight (Searching), circa 1930-40 Pastel on paper 12 x 19 inches Signed lower left Provenance: Spanierman Gallery, New York T...

Vibrant set design by Russian artist Natalia Gontcharova (1881-1962). Two angelic figures are the central focus of this piece, but the rest of the set is laden with details, includin...

"Sliced Bread" is an oil painting, and mixed media collage on canvas. It is a still life on a table top of a piece of bread with a knife in it sitting on a napkin, an old metal pitcher with a spoon resting on it and a spoon on the table between the pitcher and the bread. Behind these objects in the foreground is a mysterious object. It is complied of many colorful rectangles, and the top of it is a dark neutral grey. It could be a piece of cake that has just been cut, bursting with flavor, or it could be a tiled or woven box with a peaked lid, possibly a bread box? Behind the table against an off white wall are 20 rectangles. Some of these are solid blocks of color, others are drawings on paper of landscapes and people that bring to mind postcards pinned up on a wall. Overlapping some the these is a larger charcoal drawing...

Sakti Burman Untitled - 11 x 9 inches ( Unframed Size ) Pastel on Paper , 2012 Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata and the Ecole N...

Hand signed Irises (purple and yellow flowers) 30 X 37 framed. 20.5 X 26.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman, Esther Geller, Seymour Lipton, Conrad Marca-Relli, Gabor Peterdi, Irwin Rubin, Elbert Weinberg...

Under the sea Series. Nº 3 Oil on paper fantasy color landscape, 40 x 50 cm. The sheets that make up this project evoke a dreamlike world of seabeds. The painter submerges landscap...

Under The Sea Series Nº 25. Oil on paper. Fantasy underwater abstract landscape. Green color. Transparencies effect. Measurements: (H) 39 cm. / 1...

Abstract watercolor or gouache composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

Modern orange, brown, yellow, and black geometric abstract composition by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 35.5 in. x W 33.5 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

Donald Stacy "Eve" c.1950s Gouache and oil pastel on paper 14x17" black wood frame 14.75"x17.75" Unsigned, Eve written in paint along right margin Came from artist's estate Donald S...

Suhas Roy - Radha - 20 x 16 inches ( unframed size) Mixed Media on Imported Paper , 2005 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pa...

Donald Stacy "Two Trees" c.1950s Gouache on paper 24" x 18" unframed $950 Unsigned Came from artist's estate *Custom framing available for additional char...

Modernist painting of trees, interior forest scene by Colorado artist, Richard Sorby (1911-2001). Painted in dark colors of green, blue and black with brown, orange and white. Water...

'Woman with Yellow Blouse', oil on cardstock paper (1979), by Raymond Debiève. Here the artist paints a woman posing in front of her home under a blue sk...

Under The Sea Series Nº 26. Oil on paper. Fantasy underwater abstract landscape. Green-blue-red color. Transparencies effect. Measurements: (H) 40 cm. / 15.75 in. (W) 27 cm. / 10....

Donald Stacy "Sitting in Chair" c.1950s Gouache and oil pastel on paper 24" x 18" unframed Came from artist's estate *Custom framing available for additio...

Gabrielle Pool’s inks on paper are simple and charming. Using an unforgiving medium she produces work that is delicately poised between reality and abstraction with an underlying hu...

Donald Stacy "Red Sun" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League...

Mid 20th Century gouache on paper of a Provençal village or 'hameau' and a 'bastide' or manor house in the landscape signed or titled 'Bodol' and dated bottom right. The style and c...

Gabrielle Pool’s inks on paper are simple and charming. Using an unforgiving medium she produces work that is delicately poised between reality and abstraction with an underlying hum...

Hand signed and dated leeks on a kitchen table 31.5 X 39.5 framed. 21 X 28.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman, Esther Geller, Seymour Lipton, Conrad Marca-Relli, Gabor Peterdi, Irwin Rubin, Elbert Weinberg...

Overflight over the city. 1947, paper, mixed media, 23x20 cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his arti...

Amitabh Sengupta - Nigeria Period , Edition 1/1 Frottage on Paper , 30.5 x 22.5 inches , 1987 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depict...

Donald Stacy "Nude in Park" c.1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate Introducing a stunning black and white p...

Under The Sea Series Nº 18. Úbeda. Oil fantasy orange green underwater landscape. Transparencies effect. Oil on paper, Dimensions: (H) 34 cm. / 13.39 in. (W) 21...

Donald Stacy "At the Table" c.1950s Gouache and oil pastel on paper 24"x18" unframed Came from artist's estate *Custom framing available for additional charge. Please expect framing ...

Leon Dolice (1892 - 1960) New York Harbor (Brooklyn Bridge), circa 1930-40 Pastel on paper 12 x 19 inches Signed lower right Provenance: Spanierman Gallery, New York The romantic b...

Dreaming of the dawn is one of the best photo on canvas realized by Giuseppe Marani in 2010. Always passionate about landscapes and photography, the artist then devoted himself to l...

Amitabh Sengupta - The Face Nigeria Period , Edition 1/1 Frottage on Paper , 30.5 x 22.5 inches , 1986 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME i...

Prakash Karmakar - Landscape - 15 x 11 inches (unframed size) Ink on Paper , 2005 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible for the Ben...

Prakash Karmakar - Beach Series - 14.5 x 11 inches (unframed size) Ink on Paper Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible for the Benga...

Initialed lower left, 'A.D.' for Amanda Danitschek (American, born 1956) and painted circa 2010. Additionally signed twice, verso, and titled, 'Against All Odds (12 Stories)' A subs...

Under The Sea Series Nº 27. Oil on paper. Fantasy underwater abstract landscape. Green-blue color. Transparencies effect. Measurements: (H) 50 cm. / 19.69 in. (W) 40 cm. / 15.75 in...

Modern grey and white geometric abstract leaf pattern composition with orange accents by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 27.13 in. x W 31.5 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

Donald Stacy "Figure in Shadow" c.1950s Gouache paint on paper 24" x 18" unframed Unsigned Came from artist's estate Donald Stacy (1925-2011) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art...

Amitabh Sengupta - Masks Nigeria Period , Edition 1/1 Frottage on Paper , 30 x 21.75 inches Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depicted ...

Thelma Corbin Moody (1908-1986) Colored Roofs c. 1960s Gouache on Watercolor Paper 22" x 15", Unframed This piece is unsigned and came from a large...

From the estate of Jerry Opper & Ruth Friedmann Opper Slit c. 1940-1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing...

Under The Sea Series Nº 5. Úbeda. Oil on paper. Fantasy underwater landscape. Blue-green color. Author: Úbeda. Measurements: (H) 52 cm. / 20.47 in...

The depiction of flamingo and Spanish hair comb is an author's play around similar sounding words. The prevalent colours are pink, green and grey. The picture size is 16x12 in (40,5x30 cm) Alisa Fomina, 1989, Minsk (Belarus). Born in an environment with artistic traditions, raised in Andalusia and currently residing in Madrid, Spain. Graduated in Advertising and Public Relations, University Rey Juan Carlos, 2013 (Madrid, Spain). Since childhood, influenced by family artistic tradition and dedicated to drawing that resulted in the First Prize at the XI Christmas Card Contest (2004) and First Prize at the XII Contest in 2005, Marbella. Her work, mostly paintings and drawings are made for private collectors. However she has been participating with different brands like the Spanish brand ‘Citrique Sunglasses’. In 2016 a collaboration with the "Italian Institute of Culture" in the lectures of the writer Giorgio Caproni with an illustration of the writer. As well, the participation in the project of the Italian writer Alessandro Ferraro in the book '' The secret galleries of the soul. Giorgio Caproni '', for Ediciones Complutense with the portrait of Giorgio Caproni, 2019. A collaboration with the Spanish newspaper ‘El Pais’ with an illustration in one of his reports of the singer Nick Cave. In November 2016 made a deck designed exclusively for ‘Correos España’, the national postal service, in the "Generations Collection", whose originals are exhibited at the Galería Cartel of Málaga in April and May 2017. The illustrations have a graphic technique with the use of materials such as acrylic paint, watercolor pencils and felt-tip pens. Influenced by the children's world taking as reference the old cartoons, their stories and fantasy with very small details and always with vivid colors. FAIRS AND EXHIBITIONS ·Participation in the collective exhibition in Gallery "Art Enfant" (Moscow) 2013. · Exhibition in "Sánchez y Juan Gallery" (Elche, Spain) January 2014. · Exhibition at "Galería Sánchez y Juan" (Elche, Spain) from January 2015 to December 2016. · Periodic sale in the "Alexander Luxury Home Collection" since 2014 (Marbella, Spain). · Exhibition in "Galería Cartel" (Málaga, Spain) 2015. · Exhibition in "Galería Cartel" (Málaga, Spain) from April to May 2017. · Collective exhibition in "Want Art Gallery...

Under The Sea Series Nº 19. Úbeda. Oil fantasy blue color underwater landscape. Oil on paper, (H) 18 x (W) 44 x (D) 0.2 cm. Author. Úbeda. The sheets that make up this project evok...

Under The Sea Series Nº 12. Úbeda. Oil fantasy blue underwater landscape. Oil on paper, (H) 50 x (W) 40 x (D) 0.2 cm. The sheets that make up this project evoke a dreamlike world o...

Figurative abstract style black, white, and blue acrylic painting of the Greek Goddess, Nike, "Winged Victory of Samothrace" with an antique wood f...

Amitabh Sengupta - Mask Nigeria Period , Edition 1/1 Frottage on Paper , 30.35 x 22.25 inches , 1986 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is ...

Under The Sea Series Nº 12. Oil on paper. Fantasy underwater abstract landscape. Blue and green color. Measurements: (H) 50 cm. / 19.69 in. (W) ...

Amitabh Sengupta - Mask Nigeria Period , Edition 1/1 Frottage on Paper , 30 x 22 inches , 1986 Inclusive of shipment in roll form. Style : In Amitabh Sengupta's works TIME is depict...

Amitabh Sengupta - Nigeria Period , Edition 1/1 Frottage on Paper , 30.25 x 22.25 inches , 1987 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depi...

Under The Sea Series Nº 1. Oil on Paper Fantasy green, blue, orange Landscape. Dimensions: 40 x 28 cm. Author: Úbeda The sheets that make up this project evoke a dreamlike world of...

Charming watercolor watercolor of a market in a village interpreted and signed by Walter Peregoy, American painter acclaimed for his avant-garde style. Walter Peregoy was born in Los...

Signed lower left, 'Byron' for Byron Randall (American, 1918-1999) and dated 1947. Born in Tacoma, WA on Oct. 23, 1918. Randall was in Salem, OR during the 1930s. He created artwork...

***Please note the glass will be removed for shipping*** For local and London deliveries the glass can be retained if agreed prior to purchase. George Large, R.I. (born 1936) Edible Fungi Signed and dated (19)91 Watercolour over traces of pencil 26¾ x 14¾ 37 x 24½ with frame ​​ George Large is a painter in watercolour and oil, born in Islington, London in 1936. He studied at Hornsey College of Art (1958-63), teachers including Maurice de Sausmarez, John Titchell and Alfred Daniels. Large spent some time in the display department of Simpson’s, Piccadilly, was part-time at Hornsey College of Art, then head of department at St Julian...

Chinese fishing village watercolor painting by Frances Morrow (American, 20th Century). Signed "Morrow" and dated "79" lower left and "The Fishing Village", "Francis Morrow on Verso". Unframed. China Camp...

S. Teresa del Bambin Gesù is a Autograph Letter Signed by the Italian artist Alberto Gerardi to the Countess Pecci-Blunt. Rome, April 24th 1939. One page, single-sinded. In Italian. Excellent condition. Perfectly readable, thanks to an elegant calligraphy. Touching letter addressed to the Countess and patron of arts, thanking her for her purchase proposal of a hand study drawing...

Yvonne Jacquette uses pastel on a heavy rag paper to depict an ariel city scene at night with pulsing lights. There is a heavy texture to the paper and the surface is rich and vibra...