Resin Paintings

Brian O'Neill's "Mirage" is a captivating original artwork created in 2024. This piece measures 36 x 36 x 1.50 inches (91.44 x 91.44 x 3.81 cm) and features a sophisticated blend of ...

What could be more beautiful than the human soul, which retains its kindness and love in all circumstances of life. In this piece, I've poured my passion into every stroke, blending...

Brian O'Neill's "Above The Clouds" is an impressive original artwork created in 2024. This expansive piece, measuring 36 x 60 x 1.50 inches (91.44 x 152.40 x 3.81 cm), showcases O'Ne...

Brian O'Neill's "Beyond Dusk" is a captivating original artwork created in 2024. This piece measures 36 x 60 x 1.50 inches (91.44 x 152.40 x 3.81 cm) and features a sophisticated ble...

Brian O'Neill's "Aurora" is a stunning original artwork created in 2024. This piece measures 36 x 36 x 1.50 inches (91.44 x 91.44 x 3.81 cm) and features a sophisticated combination ...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflie...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflie...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflie...

The Chandelier series for Ash portrays an inner mantra, that light is a fuel in which we all connect, the artist goes on to explain: "We all have a light inside of us and that light ...

The Chandelier series for Ash portrays an inner mantra, that light is a fuel in which we all connect, the artist goes on to explain: "We all have a light inside of us and that light ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a double bunny on a turquoise blue gradient background with thick use of paint and diamon...

Super vibrant original art by Mike Mozart MIMO. Pantone Monopoly features the famed character painted by Mimo on top of Pantone color chips and then covered with resin. Gold mounted ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a double bunny on emerald green background with thick use of paint and diamond dust. It i...

Kal Mansur employs a palette knife to build a textured terrain from impasto layers of paint. The surface is washed over with translucent glazes, with liquid pooling in valleys and fa...

Stunning piece of original art by NYC street artist GIZ and photographer Raphael Gonzalez. Artwork features the mural GIZ painted for Time Out New York magazine March-April issue #10...

This piece depicts famous British actress and model Audrey Hepburn. Celebrating the icons from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted houndstooth pattern in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, Hepburn stands out exceptionally, as the GIVENCHY logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower left and on verso. Art measures 36 x 24 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...

Kal Mansur employs a palette knife to build a textured terrain from impasto layers of paint. The surface is washed over with translucent glazes, with liquid pooling in valleys and fa...

This piece depicts famous Jackie Kennedy noted for her style and elegance. Celebrating the icons from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted circled quilt patterns in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, Jackie stands out exceptionally, as the Miss Dior logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower right and on verso. Art measures 36 x 24 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...

Kal Mansur employs a palette knife to build a textured terrain from impasto layers of paint. The surface is washed over with translucent glazes, with liquid pooling in valleys and fa...

Hyun Ae Kang is a famous South Korean Artist, who combines traditional Korean painting with Western abstract imagery using natural materials to create innovate mixed-media works that...

This piece depicts the famous CHANEL N°5 Perfume Bottle. Celebrating this iconic brand from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the nostalgia of this sought-after brands to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted houndstooth pattern in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, stands out exceptionally, as the CHANEL logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower right and on verso. Art measures 36 x 36 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...

JANE MAXWELL "Sexy Skier Diptych" (2 Panels) Mixed Media with Resin on Panel 58" x 27" each 58" x 54" Overall Jane Maxwell’s artwork approaches the female body with an affectionate and celebratory feminist perspective. Extending her focus on female empowerment and fashion to swimwear, Maxwell’s silhouettes emerge from the dimensional, textural, backgrounds clad in the vestiges of paper ephemera. Maintaining texture through layering and building up the surface, the enigmatic quality of the works is reiterated by Maxwell’s use of ads and billboard materials that reveal words and phrases that tease us with alluring allusions. The anonymous figures have a definitive flair and attitude, keeping us at a distance as they swim and sunbathe, while pulling us further into their multi-dimensional narratives. Jane Maxwell's current work largely focuses on women, body image and the feminine ideal. Her collages are deeply layered works, combining color, texture and text that surround and become the female figure. Maxwell's artistic voice grew out of a passion for vintage materials, modern fashion and design - mingled with a deep fascination for pop culture and female icons. In the late 1990's she studied mixed media at the School of the Museum of Fine Arts in Boston and at the Decordova Museum School in Lincoln, Massachusetts. She graduated with a BA in Literature from Middlebury College...

This piece depicts the famous CHANEL N°5 Perfume Bottle. Celebrating this iconic brand from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the nostalgia of this sought-after brands to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted Pinwheels in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, stands out exceptionally, as the CHANEL logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower right and on verso. Art measures 36 x 36 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...

Victoria Kovalenchikova’s textured abstract artworks are an outlook on the transformation of the world surrounding us; a shout in the cold infinity of the cosmos. Kovalenchikova expr...

Victoria Kovalenchikova’s artworks are an outlook at the transformation of the world surrounding us; a shout in the cold infinity of cosmos. It is an attempt to understand the impact of people on the planet through the language of art. The contemporary trend in her paintings is characterized by a figurative integration of abstract elements. Creatively mixing media from cement, resin, acrylic and epoxy on stretched canvas, Victoria’s work is simultaneously sculptural and painting. The surface of this 32 inch tall by 40 inch wide artwork is covered with a shiny layer of clear, glass-like resin, which enhances the colors and adds depth. The sculptural, green and orange elements protrude beyond the smoother, parts of the artwork. The sides are finished as a continuation of the front, creating more layers and detailing. It is signed, titled and dated on back by the artist. It does not require framing and is wired and ready to hang. Free delivery within Los Angeles. Affordable US and global shipping options are available. A certificate of authenticity issued by Artspace Warehouse is included. Her series on the World is immediately familiar, provoking us to step closer and have a better look, then after a few moments the nuances of her art appear. Her training is evident in her skill in creating the textures. Her charisma can be felt by her depiction of the ocean and their various shades of colors. Victoria’s work is magnetic and is being consistently collected by art lovers. Victoria Kovalenchikova was born in Belarus in 1978. She lives and works in Amsterdam (Netherlands) since 2008. Kovalenchikova's works are represented by Artspace Warehouse Los Angeles and can be found in private and corporate art collections and museums worldwide, including the Philips corporation in Eindhoven, Netherlands; RABO Bank, Amsterdam, Netherlands; Museum of Russian Art, Jersey City, USA; Museum of Belarusian State Academy of Arts, Minsk; Contemporary Fine Art Museum, Minsk, Belarus; The National Art Museum of The Republic of Belarus, Minsk; Maslennikov Art Museum, Mogilev, Belarus; Romanov Regional Study of Local Lore Museum, Mogilev, Belarus; Mogilev Museum of Ethnography, Belarus; Belarusian Embassy in Berlin, Germany; Belarusian Embassy in The Hague, Netherlands; Belarusian Embassy in London, United Kingdom; Municipality of Coevorden, Netherlands; Kolodzei Art Foundation, NY, USA; other private collections in Germany, Poland, Russia, Belarus, USA, The Netherlands, Belgium, Italy, Spain, France, Lebanon, Singapore, China, Saudi Arabia, United Kingdom, Turkey, France and Switzerland, India. Education 1996 - 2002 Belarusian State Academy of Arts, Painting Department, professors M. Dantzig, V. Gerasimov and V. Tyurin, Minsk, Belarus 1990 - 1996 I. Akhremchik National Art College, Minsk, Belarus Professional experience 2002 - 2004 Teacher of painting and drawing at Belarusian State Pedagogic University, Minsk Since 1997 more than 100 solo shows and group exhibitions in Belarus, USA, Switzerland, United Kingdom, Ireland, Germany, Italy, Belgium, Russia, Singapore, Turkey ,China and Netherlands Since 2003 member of Belarusian Artists' Union Since 2016 represented by Artspace Warehouse Los Angeles Awards 2011 Award from The Ministry of Culture of The Republic of Belarus for Enriching and Promoting Arts and Culture. 2011 First Prize and Gold Medal of Honor “LORENZO Il MAGNIFICO” at the VIII International Florence Biennale of Contemporary Art 2011 for her paintings “NO EXIT”, 2011 and “Reflected Reality”, 2010 Solo Exhbitions 2015 SCOPE Basel, Switzerland 2014 "The EARTH", ARTIFACT Gallery, NYC, USA 2014 "The EARTH", Sixty One Gallery, Amsterdam, Netherlands 2013 - 2014 – WTC Schiphol Art Center, Schiphol, Netherlands 2013 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland 2013 Russian New Year, De Industrieele Groote Club, Amsterdam, Netherlands 2013 Realisme Art Fair, Witzenhausen Gallery, Amsterdam, Netherlands 2012 Russisch IGC-buitenevenement, Landgoed Beukenrode, Doorn, Netherlands 2012 "Our Corloful World", RCC "Our Texas", Houston, TX, USA 2011 "REFLECTED REALITY", Contemporary Fine Art Museum, Minsk, Belarus 2011 VK Art, Reception of Belarusian embassy in The UK, Langham Hotel, London, UK 2011 "HEAVEN'S TEARS", The Museum of Russian Art, Jersey City, NJ, USA 2011 "REFLECTED REALITY", MWB Business Exchange, London, UK 2010 "CLOSED LOOP", Kasteel van Brasschaet, Brasschaat, Belgium 2010 "Summer Exhibition" in Ten Elsenhuyze, Brasschaat, Belgium 2009 Diary, Moscow Public Culture Foundation, Moscow, Russia 2009 Paintings of Victoria Kovalenchikova, Cultural exchange Belarus – Netherlands, CQ Art Centre, Emmen, Netherlands 2009 Just Childhood, VK Gallery, Amsterdam, Netherlands 2009 Colourful Emotions, VK Gallery, Amsterdam, Netherlands 2008 Dagboek, VK Gallery, Amsterdam, Netherlands 2008 Victoriart, Schloss und Gutshofanlage Ludwigsburg, Germany 2008 Griebenow Palace, Greifswald, Germany 2007 Gallery "Voorhaven One", Rotterdam, Netherlands 2007 Parallelen, Club Spittelkolonnaden, Berlin, Germany 2006 Oud Atelier Hendrik Luyten, Brasschaat, Belgium 2006 BelArt, Wereld Gallery, Maastricht, Netherlands 2005 Kleine Haag, Buuurmalsen, Netherlands 2005 "Dadali" Art & Design Gallery, Rotterdam, Netherlands 2005 Wereld Gallery. Maastricht, Netherlands 2004 Mirror, City, Soul, SWR, Ratzeburg, Germany 2004 Mirror, City, Soul, Burg Warberg, Germany 2004 Mirror, City, Soul, Ministry of Foreign Affairs of Republic of Belarus, Minsk, Belarus 2004 Associations, M-Gallery, Goethe Institute, Minsk, Belarus 2003 City Rhythms, Contemporary Fine Art Museum, Minsk, Belarus 2000 Art 2000, Belynitsky-Birulya Art Museum - Branch of the National Art Museum of the Republic of Belarus - Mogilev, Belarus Group Exhibitions 2016 ART BREDA - Gallery Palma Arte, Breda, Netherlands 2016 AAF Singapore, Art Blue Studio, Singapore 2016 AAF Hong Kong, Art Blue Studio, Hong Kong 2016 AAF Milan, Gallery Palma Arte, Milan, Italy 2016 AAF New York, VK Gallery, NY, USA 2016 Naples Art Show, Villa del Arte, Palm Beach, FL, USA 2016 Palm Beach Art Show, Villa del Arte, FL, USA 2016 Art Wynwood, Villa del Arte, Miami, FL, USA 2016 LA ART SHOW, Villa del Arte, Los Angeles, CA, USA 2015 Palm Beach Art Show, Villa del Arte, West Palm Beach, FL, USA 2015 ST-ART, Palma Arte, Strasbourg, France 2015 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey 2015 New York Art, Antique & Jewelry Show, Villa del Arte, NY, USA 2015 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey 2015 Manhattan Art & Antique Centre, NY, USA 2015 AAF Battersea, Villa del Arte, London, UK 2015 AAF New York, VK Gallery, NY, USA 2015 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2015 East Hampton Artists & Writers Annual Softball Game 2015 Art Expo Malaysia Plus, Art Blue Studio, Kuala Lumpur, Malaysia 2015 Bazaar Art Jakarta, Art Blue Studio, Jakarta, Indonesia 2015 AAF Hampstead, Villa del Arte Gallery, London, UK 2015 Art Hamptons, VK Gallery, Bridgehampton, NY, USA 2015 SCOPE Basel, VK Gallery, Basel, Switzerland 2015 AAF Hong Kong, Art Blue Studio, Hong Kong 2015 Group show. Art Blue Studio. Singapore 2015 AAF Singapore, VK Gallery, Singapore 2015 World Art Dubai, Villa del Arte Gallery, Dubai, UAE 2015 Art Breda, Wanders MFA & Dock Gallery, Breda, Netherlands 2015 Art Dubai, Contemporary Practices Magazine, Dubai, UAE 2015 Art Karlsruhe, Villa del Arte, Karlsruhe, Germany 2015 Paddle 8, Kathryn Markel Gallery, Bridgehampton, NY, USA 2015 AAF Brussels. Villa del Arte, Brussels, Belgium 2015 Naples Art Show, Villa del Arte, Palm Beach, FL, USA 2015 India Art Fair, Villa del Arte, New Delhi, India 2015 Rotterdam Art Fair, Wanders MFA & Dock Gallery, Rotterdam, Netherlands 2015 Palm Beach Art Show, Villa del Arte, Palm Beach, FL, USA 2015 LA ART SHOW, VK Gallery, Los Angeles, CA, USA 2014 Art Miami (Context), Witzenhausen Gallery, Miami, USA 2014 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2014 AAF Hamburg, Villa del Arte Gallery, Hamburg, Germany 2014 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey 2014 AAF Battersea, Villa del Arte, London, UK 2014 AAF New York, VK Gallery, New York, USA 2014 Houston Fine Art Fair, VK Gallery, Houston, TX, USA 2014 Summer Group Exhibition, Hay Hill Gallery, London, UK 2014 Paddle8 Auction, Bridgehampton, NY, USA 2014 Art Hamptons. VK Gallery, Bridgehampton, NY, USA 2014 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland 2014 AAF Singapore, VK Gallery, Singapore 2014 Downtown Fair NYC, Witzenhausen Gallery, NY, USA 2014 Russian Pavilion at Erarta Gallery (NYC Frieze week), NY, USA 2014 AAF New York, NY, USA 2014 SCOPE New York, G-77 Gallery (Japan), NY, USA 2014 Art Wynwood. Witzenhausen Gallery, Miami, USA 2013 AA New York, VK Gallery, NY, USA 2013 Russian Pavilion at Kavachnina Gallery, Miami, USA 2013 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2013 AAF New York, VK Gallery, New York, USA 2013 ART Copenhagen. Witzenhausen Gallery, Copenhagen, Denmark 2013 Vught Biennale, Gallery van Loon, Vught, Netherlands 2013 Russian Pavilion at Arttitud San Francisco, USA 2013 SCOPE New York, Witzenhausen Gallery, NY, USA 2013 Russian Pavilion, 25 Central Park West, New York City, USA 2013 Art Wynwood, Witzenhausen Gallery, Miami, USA 2012 Art Miami, Witzenhausen Gallery, Miami, USA 2012 OpenArtCode Shanghai at Present Art Festival Pudong Librart and CEIBS China Europe International Business School 2012 Europe International Art Exhibition at Wison Art Center, Shanghai, China 2012 AAF Amsterdam, Amsterdam, Netherlands 2012 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland 2012 Verge art fair, NYC, USA 2012 AAF New York, VK Gallery, NY, USA 2012 Art Southampton, Witzenhausen Gallery, NY, USA 2012 Open Art Code Shanghai, China 2012 Dublin Biennial. Point Village, East Wall, Dublin, Ireland 2012 AAF New York, VK Gallery, New York, USA 2012 PooL Art Fair New York, NY, USA 2012 AAF Brussels, VK Gallery, Brussels, Belgium 2011 VIII International Biennale of Contemporary Art, Florence, Italy Victoria received first prize for two paintings 2011 Contemporary Art Fair NYC 2011, NY, USA 2011 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2011 "ARTI'2011", Art fair, VK Gallery, The Hague, Netherlands 2011 Open Ateliers De Pijp, Culture House Diamantslijperij, Amsterdam, Netherlands 2011 Museum of Russian Art, Jersey City, NJ, USA 2011 Tales of Breukelen, BWAC, Red Hook New York, NY, USA 2011 Berliner Liste 2011, VK Gallery, TRAFO, Berlin, Germany 2011 8th annual summer art show, Black and White, BWAC (The Brooklyn Waterfront Artist Coalition), Brooklyn, New York, USA 2011 "Belarusian Artists of The World", Art Festival of Belarus 2011 Sensation Modern Fine Art Group Exhibition, Notting Hill, London, United Kingdom 2011 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2011 AAF New York, VK Gallery, NY, USA 2011 Art Fair, VK Gallery, Hertogenbosch, Netherlands 2011 Gallery More Then Art, AHOY, Rotterdam, Netherlands 2011 AAF Brussels, VK Gallery, Brussels, Belgium 2010 Salon Art Bizarre 2010, La Galleria Pall Mall, London, UK 2010 Museum Nacht, Vijzelstraatmuseum, Amsterdam, Netherlands 2010 Davidoff Swiss Indoors Tournament, Basel, Switzerland 2010 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2010 "ARTI'2010", VK Gallery, Art fair, The Hague, Netherlands 2010 Open Art Fair, VK Gallery, Utrecht, Netherlands 2010 Art Nocturne, VK Gallery, Knokke, Belgium 2010 Fine Art Fair, Park Lane Hotel, London, UK 2010 Art Laren, Laren, Netherlands 2010 "Reflected Reality", VK Gallery, Amsterdam, Netherlands 2010 Spring Celebration, Ten Elsenhuyze, Brasschaat, Belgium 2010 Art Fair, VK Gallery. Brabanthallen, Hertogenbosch, Netherlands 2010 "Primavera'10", VK Gallery, AHOY, Rotterdam, Netherlands 2010 Old Russian New Year, IGC, Amsterdam, Netherlands 2009 Memory Fragments, VK Gallery, Amsterdam, Netherlands 2009 Midwinter Celebration, Ten Elsenhuyze, Brasschaat, Belgium 2009 Kunst Messe, Jan Roelofs Antiquairs, Munich, Germany 2009 "ARTI'09", VK Gallery, The Hague, Netherlands 2009 Museum Nacht, Vijzelstraatmuseum, Amsterdam, Netherlands 2009 Art Manege 09, Moscow, Russia 2009 AAF Amsterdam, Wies Willemsen Gallery, Amsterdam, Netherlands 2009 Open Art Fair, VK Gallery, Utrecht, Netherlands 2009 Open Ateliers De Pijp, Culture House Diamantslijperij, Amsterdam, Netherlands 2009 "Slavyanski Bazar", Museum Geelvinck Hinlopen Huis, Amsterdam, Netherlands 2009 Armenian Independent Day Festival, Hollywood, California, USA 2009 The Earth Day Celebration Festival, Los Angeles, California, USA 2009 "Dialog Ost - West", Kulturintegrationsprojekt, Aachen, Germany 2008 The Modern Art Gallery, Los Angeles, California, USA 2008 Agnieten Festival, Gallery Goda, Gouda, Netherlands 2008 Russian Art Exhibition, Gallery Goda, Alakmaar, Netherlands 2008 InterArt, Pommernhus, Greifswald, Germany 2007 Kunst – Event, AHOY, Rotterdam, Netherlands 2007 Woman's World, National Art Museum of the Republic of Belarus, Minsk, Belarus 2007 AKCENT Gallery, Brussels, Belgium 2006 Winterexposition Academy of Russian Arts, Gouda, Netherlands 2006 Eastern Neighbours, Cultural Center Babel, Utrecht, Netherlands 2006 Russian Art Gallery "Kartina", Gorinchem, Netherlands 2006 Embassy of The United States of America in Belarus, Minsk, Belarus 2006 Gallery Goda, Amsterdam, Netherlands 2006 De Kunst van het Wonen, Willa Arena, Amsterdam, Netherlands 2006 Kunst – Event, Martiniplaza, Groningen, Netherlands 2006 Kunst – Event, Beursgebouw, Eindhoven, Netherlands 2005 Kunst – Event, Antwerp EXPO, Antwerp, Belgium 2005 National Art Gallery of Belarusian Artists' Union, Minsk, Belarus 2005 Kunst – Event, AHOY, Rotterdam, Netherlands 2005 ID Studio, LLC, Pawley's Island, USA 2005 Autograph, Art Gallery of Palace of Republic...

Sean Keith creates original artworks inspired by street and pop art. He covers many of his canvas artworks with carefully selected, original pages from vintage comic books or newspap...

The vibrant colors used in this artwork are a key element in creating a visually striking composition. They exude energy, passion, and intensity, drawing the viewer's attention and c...

I have created a work of art that embodies a symbiosis between the classic and the urban, with a worn-out origin. It is a deliberate blend designed to evoke a strong sense of observa...

A work by Julian Schnabel. This large scale, Untitled, abstract, oil, resin, gesso, fabric and leather on seamed dropcloth is executed in a dark palette of rust, gray and black with ...

‘Aimi’ was one of my most intense works. I have loved every process, the mix with the colors, and the compositions was definitely a great challenge. A fusion between what we see and ...

Victoria Kovalenchikova’s artworks are an outlook at the transformation of the world surrounding us; a shout in the cold infinity of cosmos. It is an attempt to understand the impact...

Mixed-Media / Stickers / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Resin / Drawing / Representations of Everyday Objects / Figurative Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Sticker Painting" is an incredible and unique resin coated pop surrealist painting featuring well over 70 gel pen drawings on sticker paper affixed to a wood panel painted in oil and acrylic paint. Among the illustration images are a panoply of pop culture references from the Eastern, Western, Northern and Southern hemispheres -- birds and other animals, landscapes, UFOs, food items, nineties-era pornography, vehicles, yin yang symbols, skulls, daggers, a Teenage Mutant Ninja Turtle...

A work by Julian Schnabel. This large scale, Untitled, oil, resin, gesso, fabric and leather on seamed dropcloth, abstract painting is executed in a dark palette, primarily in grays ...

Victoria Kovalenchikova’s artworks are an outlook at the transformation of the world surrounding us; a shout in the cold infinity of cosmos. It is an attempt to understand the impact of people on the planet through the language of art. The contemporary trend in her paintings is characterized by a figurative integration of abstract elements. Creatively mixing media from cement, resin, acrylic and epoxy on stretched canvas, Victoria’s work is simultaneously sculptural and painting. The surface of this 32 inch tall by 48 inch wide artwork is covered with a shiny layer of clear, glass-like resin, which enhances the colors and adds depth. It can be installed as a horizontal as well as vertical artwork. The sculptural, gray and black elements protrude beyond the smoother, parts of the artwork. The sides are finished as a continuation of the front, creating more layers and detailing. It is signed, titled and dated on back by the artist. It does not require framing and is wired and ready to hang. Free delivery within Los Angeles. Affordable US and global shipping options are available. A certificate of authenticity is included. Her series on the World is immediately familiar, provoking us to step closer and have a better look, then after a few moments the nuances of her art appear. Her training is evident in her skill in creating the textures. Her charisma can be felt by her depiction of the ocean and their various shades of colors. Victoria’s work is magnetic and is being consistently collected by art lovers. Victoria Kovalenchikova was born in Belarus in 1978. She lives and works in Amsterdam (Netherlands) since 2008. Kovalenchikova's works are represented by Artspace Warehouse Los Angeles and can be found in private and corporate art collections and museums worldwide, including the Philips corporation in Eindhoven, Netherlands; RABO Bank, Amsterdam, Netherlands; Museum of Russian Art, Jersey City, USA; Museum of Belarusian State Academy of Arts, Minsk; Contemporary Fine Art Museum, Minsk, Belarus; The National Art Museum of The Republic of Belarus, Minsk; Maslennikov Art Museum, Mogilev, Belarus; Romanov Regional Study of Local Lore Museum, Mogilev, Belarus; Mogilev Museum of Ethnography, Belarus; Belarusian Embassy in Berlin, Germany; Belarusian Embassy in The Hague, Netherlands; Belarusian Embassy in London, United Kingdom; Municipality of Coevorden, Netherlands; Kolodzei Art Foundation, NY, USA; other private collections in Germany, Poland, Russia, Belarus, USA, The Netherlands, Belgium, Italy, Spain, France, Lebanon, Singapore, China, Saudi Arabia, United Kingdom, Turkey, France and Switzerland, India. REPRESENTATION Artplex Gallery, Los Angeles, USA EDUCATION 1996 - 2002 Belarusian State Academy of Arts, Painting Department, professors M. Dantzig, V. Gerasimov and V. Tyurin, Minsk, Belarus 1990 - 1996 I. Akhremchik National Art College, Minsk, Belarus PROFESSIONAL EXPERIENCE 2002 - 2004 Teacher of painting and drawing at Belarusian State Pedagogic University, Minsk Since 1997 more than 100 solo shows and group exhibitions in Belarus, USA, Switzerland, United Kingdom, Ireland, Germany, Italy, Belgium, Russia, Singapore, Turkey , China and the Netherlands Since 2003 member of the Belarusian Artists' Union Since 2016 represented by Artspace Warehouse Los Angeles AWARDS 2011 Award from The Ministry of Culture of The Republic of Belarus for Enriching and Promoting Arts and Culture. 2011 First Prize and Gold Medal of Honor “LORENZO Il MAGNIFICO” at the VIII International Florence Biennale of Contemporary Art 2011 for her paintings “NO EXIT”, 2011 and “Reflected Reality”, 2010 SOLO EXHIBITIONS 2015 SCOPE Basel, Switzerland 2014 "The EARTH", ARTIFACT Gallery, NYC, USA 2014 "The EARTH", Sixty One Gallery, Amsterdam, Netherlands 2013 - 2014 – WTC Schiphol Art Center, Schiphol, Netherlands 2013 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland 2013 Russian New Year, De Industrieele Groote Club, Amsterdam, Netherlands 2013 Realisme Art Fair, Witzenhausen Gallery, Amsterdam, Netherlands 2012 Russisch IGC-buitenevenement, Landgoed Beukenrode, Doorn, Netherlands 2012 "Our Corloful World", RCC "Our Texas", Houston, TX, USA 2011 "REFLECTED REALITY", Contemporary Fine Art Museum, Minsk, Belarus 2011 VK Art, Reception of Belarusian embassy in The UK, Langham Hotel, London, UK 2011 "HEAVEN'S TEARS", The Museum of Russian Art, Jersey City, NJ, USA 2011 "REFLECTED REALITY", MWB Business Exchange, London, UK 2010 "CLOSED LOOP", Kasteel van Brasschaet, Brasschaat, Belgium 2010 "Summer Exhibition" in Ten Elsenhuyze, Brasschaat, Belgium 2009 Diary, Moscow Public Culture Foundation, Moscow, Russia 2009 Paintings of Victoria Kovalenchikova, Cultural exchange Belarus – Netherlands, CQ Art Centre, Emmen, Netherlands 2009 Just Childhood, VK Gallery, Amsterdam, Netherlands 2009 Colourful Emotions, VK Gallery, Amsterdam, Netherlands 2008 Dagboek, VK Gallery, Amsterdam, Netherlands 2008 Victoriart, Schloss und Gutshofanlage Ludwigsburg, Germany 2008 Griebenow Palace, Greifswald, Germany 2007 Gallery "Voorhaven One", Rotterdam, Netherlands 2007 Parallelen, Club Spittelkolonnaden, Berlin, Germany 2006 Oud Atelier Hendrik Luyten, Brasschaat, Belgium 2006 BelArt, Wereld Gallery, Maastricht, Netherlands 2005 Kleine Haag, Buuurmalsen, Netherlands 2005 "Dadali" Art & Design Gallery, Rotterdam, Netherlands 2005 Wereld Gallery. Maastricht, Netherlands 2004 Mirror, City, Soul, SWR, Ratzeburg, Germany 2004 Mirror, City, Soul, Burg Warberg, Germany 2004 Mirror, City, Soul, Ministry of Foreign Affairs of Republic of Belarus, Minsk, Belarus 2004 Associations, M-Gallery, Goethe Institute, Minsk, Belarus 2003 City Rhythms, Contemporary Fine Art Museum, Minsk, Belarus 2000 Art 2000, Belynitsky-Birulya Art Museum - Branch of the National Art Museum of the Republic of Belarus - Mogilev, Belarus GROUP EXHIBITIONS 2016 ART BREDA - Gallery Palma Arte, Breda, Netherlands 2016 AAF Singapore, Art Blue Studio, Singapore 2016 AAF Hong Kong, Art Blue Studio, Hong Kong 2016 AAF Milan, Gallery Palma Arte, Milan, Italy 2016 AAF New York, VK Gallery, NY, USA 2016 Naples Art Show, Villa del Arte, Palm Beach, FL, USA 2016 Palm Beach Art Show, Villa del Arte, FL, USA 2016 Art Wynwood, Villa del Arte, Miami, FL, USA 2016 LA ART SHOW, Villa del Arte, Los Angeles, CA, USA 2015 Palm Beach Art Show, Villa del Arte, West Palm Beach, FL, USA 2015 ST-ART, Palma Arte, Strasbourg, France 2015 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey 2015 New York Art, Antique & Jewelry Show, Villa del Arte, NY, USA 2015 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey 2015 Manhattan Art & Antique Centre, NY, USA 2015 AAF Battersea, Villa del Arte, London, UK 2015 AAF New York, VK Gallery, NY, USA 2015 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2015 East Hampton Artists & Writers Annual Softball Game 2015 Art Expo Malaysia Plus, Art Blue Studio, Kuala Lumpur, Malaysia 2015 Bazaar Art Jakarta, Art Blue Studio, Jakarta, Indonesia 2015 AAF Hampstead, Villa del Arte Gallery, London, UK 2015 Art Hamptons, VK Gallery, Bridgehampton, NY, USA 2015 SCOPE Basel, VK Gallery, Basel, Switzerland 2015 AAF Hong Kong, Art Blue Studio, Hong Kong 2015 Group show. Art Blue Studio. Singapore 2015 AAF Singapore, VK Gallery, Singapore 2015 World Art Dubai, Villa del Arte Gallery, Dubai, UAE 2015 Art Breda, Wanders MFA & Dock Gallery, Breda, Netherlands 2015 Art Dubai, Contemporary Practices Magazine, Dubai, UAE 2015 Art Karlsruhe, Villa del Arte, Karlsruhe, Germany 2015 Paddle 8, Kathryn Markel Gallery, Bridgehampton, NY, USA 2015 AAF Brussels. Villa del Arte, Brussels, Belgium 2015 Naples Art Show, Villa del Arte, Palm Beach, FL, USA 2015 India Art Fair, Villa del Arte, New Delhi, India 2015 Rotterdam Art Fair, Wanders MFA & Dock Gallery, Rotterdam, Netherlands 2015 Palm Beach Art Show, Villa del Arte, Palm Beach, FL, USA 2015 LA ART SHOW, VK Gallery, Los Angeles, CA, USA 2014 Art Miami (Context), Witzenhausen Gallery, Miami, USA 2014 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2014 AAF Hamburg, Villa del Arte Gallery, Hamburg, Germany 2014 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey 2014 AAF Battersea, Villa del Arte, London, UK 2014 AAF New York, VK Gallery, New York, USA 2014 Houston Fine Art Fair, VK Gallery, Houston, TX, USA 2014 Summer Group Exhibition, Hay Hill Gallery, London, UK 2014 Paddle8 Auction, Bridgehampton, NY, USA 2014 Art Hamptons. VK Gallery, Bridgehampton, NY, USA 2014 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland 2014 AAF Singapore, VK Gallery, Singapore 2014 Downtown Fair NYC, Witzenhausen Gallery, NY, USA 2014 Russian Pavilion at Erarta Gallery (NYC Frieze week), NY, USA 2014 AAF New York, NY, USA 2014 SCOPE New York, G-77 Gallery (Japan), NY, USA 2014 Art Wynwood. Witzenhausen Gallery, Miami, USA 2013 AA New York, VK Gallery, NY, USA 2013 Russian Pavilion at Kavachnina Gallery, Miami, USA 2013 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2013 AAF New York, VK Gallery, New York, USA 2013 ART Copenhagen. Witzenhausen Gallery, Copenhagen, Denmark 2013 Vught Biennale, Gallery van Loon, Vught, Netherlands 2013 Russian Pavilion at Arttitud San Francisco, USA 2013 SCOPE New York, Witzenhausen Gallery, NY, USA 2013 Russian Pavilion, 25 Central Park West, New York City, USA 2013 Art Wynwood, Witzenhausen Gallery, Miami, USA 2012 Art Miami, Witzenhausen Gallery, Miami, USA 2012 OpenArtCode Shanghai at Present Art Festival Pudong Librart and CEIBS China Europe International Business School 2012 Europe International Art Exhibition at Wison Art Center, Shanghai, China 2012 AAF Amsterdam, Amsterdam, Netherlands 2012 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland 2012 Verge art fair, NYC, USA 2012 AAF New York, VK Gallery, NY, USA 2012 Art Southampton, Witzenhausen Gallery, NY, USA 2012 Open Art Code Shanghai, China 2012 Dublin Biennial. Point Village, East Wall, Dublin, Ireland 2012 AAF New York, VK Gallery, New York, USA 2012 PooL Art Fair New York, NY, USA 2012 AAF Brussels, VK Gallery, Brussels, Belgium 2011 VIII International Biennale of Contemporary Art, Florence, Italy Victoria received first prize for two paintings 2011 Contemporary Art Fair NYC 2011, NY, USA 2011 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2011 "ARTI'2011", Art fair, VK Gallery, The Hague, Netherlands 2011 Open Ateliers De Pijp, Culture House Diamantslijperij, Amsterdam, Netherlands 2011 Museum of Russian Art, Jersey City, NJ, USA 2011 Tales of Breukelen, BWAC, Red Hook New York, NY, USA 2011 Berliner Liste 2011, VK Gallery, TRAFO, Berlin, Germany 2011 8th annual summer art show, Black and White, BWAC (The Brooklyn Waterfront Artist Coalition), Brooklyn, New York, USA 2011 "Belarusian Artists of The World", Art Festival of Belarus 2011 Sensation Modern Fine Art Group Exhibition, Notting Hill, London, United Kingdom 2011 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2011 AAF New York, VK Gallery, NY, USA 2011 Art Fair, VK Gallery, Hertogenbosch, Netherlands 2011 Gallery More Then Art, AHOY, Rotterdam, Netherlands 2011 AAF Brussels, VK Gallery, Brussels, Belgium 2010 Salon Art Bizarre 2010, La Galleria Pall Mall, London, UK 2010 Museum Nacht, Vijzelstraatmuseum, Amsterdam, Netherlands 2010 Davidoff Swiss Indoors Tournament, Basel, Switzerland 2010 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2010 "ARTI'2010", VK Gallery, Art fair, The Hague, Netherlands 2010 Open Art Fair, VK Gallery, Utrecht, Netherlands 2010 Art Nocturne, VK Gallery, Knokke, Belgium 2010 Fine Art Fair, Park Lane Hotel, London, UK 2010 Art Laren, Laren, Netherlands 2010 "Reflected Reality", VK Gallery, Amsterdam, Netherlands 2010 Spring Celebration, Ten Elsenhuyze, Brasschaat, Belgium 2010 Art Fair, VK Gallery. Brabanthallen, Hertogenbosch, Netherlands 2010 "Primavera'10", VK Gallery, AHOY, Rotterdam, Netherlands 2010 Old Russian New Year, IGC, Amsterdam, Netherlands 2009 Memory Fragments, VK Gallery, Amsterdam, Netherlands 2009 Midwinter Celebration, Ten Elsenhuyze, Brasschaat, Belgium 2009 Kunst Messe, Jan Roelofs Antiquairs, Munich, Germany 2009 "ARTI'09", VK Gallery, The Hague, Netherlands 2009 Museum Nacht, Vijzelstraatmuseum, Amsterdam, Netherlands 2009 Art Manege 09, Moscow, Russia 2009 AAF Amsterdam, Wies Willemsen Gallery, Amsterdam, Netherlands 2009 Open Art Fair, VK Gallery, Utrecht, Netherlands 2009 Open Ateliers De Pijp, Culture House Diamantslijperij, Amsterdam, Netherlands 2009 "Slavyanski Bazar", Museum Geelvinck Hinlopen Huis, Amsterdam, Netherlands 2009 Armenian Independent Day Festival, Hollywood, California, USA 2009 The Earth Day Celebration Festival, Los Angeles, California, USA 2009 "Dialog Ost - West", Kulturintegrationsprojekt, Aachen, Germany 2008 The Modern Art Gallery, Los Angeles, California, USA 2008 Agnieten Festival, Gallery Goda, Gouda, Netherlands 2008 Russian Art Exhibition, Gallery Goda, Alakmaar, Netherlands 2008 InterArt, Pommernhus, Greifswald, Germany 2007 Kunst – Event, AHOY, Rotterdam, Netherlands 2007 Woman's World, National Art Museum of the Republic of Belarus, Minsk, Belarus 2007 AKCENT Gallery, Brussels, Belgium 2006 Winterexposition Academy of Russian Arts, Gouda, Netherlands 2006 Eastern Neighbours, Cultural Center Babel, Utrecht, Netherlands 2006 Russian Art Gallery "Kartina", Gorinchem, Netherlands 2006 Embassy of The United States of America in Belarus, Minsk, Belarus 2006 Gallery Goda, Amsterdam, Netherlands 2006 De Kunst van het Wonen, Willa Arena, Amsterdam, Netherlands 2006 Kunst – Event, Martiniplaza, Groningen, Netherlands 2006 Kunst – Event, Beursgebouw, Eindhoven, Netherlands 2005 Kunst – Event, Antwerp EXPO, Antwerp, Belgium 2005 National Art Gallery of Belarusian Artists' Union, Minsk, Belarus 2005 Kunst – Event, AHOY, Rotterdam, Netherlands 2005 ID Studio, LLC, Pawley's Island, USA 2005 Autograph, Art Gallery of Palace of Republic...

Ana Hefco's (US based) "Beyond Sight" is an original, hand made resin painting (3 panels that are 36" x 24") that depicts an abstracted color field of blue, green and beige, that is ...

Don Giffin (American, 1948-2003) Skin Deep, 2001 Mixed media on canvas Hand signed Don Giffin, titled and dated (verso) 68 x 53 inches. Provenance: from the Art Collection of the InterContinental Buckhead Atlanta Framed dimensions: 74 1/4 x 59 inches. Don Giffin, Born in Chicago in 1948, Giffin earned his bachelor’s and master’s degree at what is now Cal State Northridge. An abstract painter who expanded the Southern California modes of “color and light” and “finish fetish” art, melding impressions of photography, printmaking and painting into a single work. Giffin, a master printmaker as well as a painter. In 1995 he mounted the first of his five solo exhibitions at the Christopher Grimes Gallery in Santa Monica. David Pagel described the artist’s work in a Los Angeles Times review as perfectly smooth, glass-like surfaces when viewed from afar that seemed to decay as one approached. They make pain palpable and evoke mortality’s inevitability, Pagel wrote of Giffin’s creations, which used layers of paint, gesso and tar that he pulled apart as they dried. “His corporeal abstractions bypass your mind to hit you in the stomach.” Giffin was one of 10 Los Angeles, California artists whose work was featured in the 1997 Biennial of the Orange County Museum of Art. (including Robert Blanchon, Jessica Bronson, Julia Couzens, Terri Friedman, Don Giffin, Dennis Hollingsworth, Carlos Mollura, Carter Potter, Monique Prieto, and Chris Wilder.) In reviewing that exhibition for The Times, Cathy Curtis wrote: Don Giffin reinvents stain painting by layering color in such a way that it emits an inner radiance verging on iridescence. The artist continued to push boundaries, and when he displayed his 6 X 5-foot acrylics at the Grimes Gallery in 2000, Pagel described them as mesmerizing works. The cross-fertilization between painting and photography that has been cropping up in some of the most intriguing works being made today takes breathless shape in Don Giffin’s physically resplendent paintings,” the critic wrote. “When I work,” he once said, “it’s like I’m doing a dance with the painting, and I’m not always leading. When the imagery is mysterious, the surface is perfectly smooth and the color contrast is just right with that glow of pale color coming through it’s sheer delight. Finish Fetish denotes a style of art related to the LA Look, pop art, minimalism, and light and space originating in southern California in the 1960s. Artwork of this type often has a glossy and slick finish and features an abstract design on a two-or three-dimensional surface made from fiberglass or resins. The style is similar to the simplicity and abstraction of minimalism and the bright colors and reference to commercial products found in pop art. To the world of postwar art it was a substantive addition. Artists included Peter Alexander, Larry Bell, Billy Al Bengston, Judy Chicago, Joe Goode, Robert Irwin, Craig Kauffman, John McCracken, Kenneth Price, DeWain Valentine...

Mixed-Media / Oil Painting / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Representations of Everyday Objects / Illustration / Interiors / Figurative Art / Outsider Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Chess with a Comic Collector" is an incredible figurative, pop surrealist piece made with oil and acrylic and a PLA plastic filament drawing affixed to wood panel. The 3D piece features a "a bearded and bespectacled young man, beer bottle close at hand, cut-outs of the Incredible Hulk...

Interior design paintings. Diptych. Each work is 30 by 40 inches in size. Rosy Water (Diptych)- abstraction art, made in black, rose, salmon red, white and beige on canvas. Lena C...

Marc Scheff's "Whelming Over" is a multi-layered resin painting that is made using acrylic, pan pastel, pencil, gold leaf, layered resin and dep...

Interior design paintings. Diptych. Each work is 36 by 48 inches in size. Abstraction art, made in black, white, blue on canvas. Lena Chernyavskaya / LENA C...

The war, cruelty, racism, political games, the age of gluttony in consumption, making money and of course the race for youth and beauty, when it’s hard to find out who you are and wh...

Texan artist Ash Almonte's vibrant original paintings are inspired by abstract expressionism combined with an optimistic contemporary outlook. Almonte is inspired by beautiful color,...

Mixed-Media / Pop and Contemporary Pop / Representations of Everyday Objects / Illustration / Human Figure / Interiors / Landscape / Still Life / Technology / Bright and Vivid Colors / Figurative Art / Outsider Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Spaghetti Western...

Interior design paintings. Abstraction art, made in orange, yellow, turquoise and black. Can be positioned in horizontal or vertical mode, be part of diptych and as a proper art piece. Lena Cher...

Interior design paintings. Abstraction art, made in yellow, blue, black and white color. Lena Chernyavskaya / LENA CHER Born in 1986. She lives and works i...

Marc Scheff's "Reach" is a multi-layered resin painting that is made using oil, acrylic, gold leaf caran d'ache, pencil, layered resin depicting...

Interior design paintings. Abstraction art, made in yellow, orange, light blue, black and white. Can be positioned in horizontal or vertical mode, can be a part of diptych. Lena Ch...

Marc Scheff's "Masculinity" is a multi-layered resin painting that is made using oil, acrylic, pencil, pan pastel, caran d'ache, layered resin a...

Big Love, Original Reclaimed Wood Figurative Composition, 2019 48" x 96" x 2" (HxWxD) Wood, Resin, Paint, Lights This large, figurative work is created using found, repurposed wood ...

Wings by artist Anke Schofield is a brown and tan contemporary figurative resin coated mixed media on panel that measures 48 x 72 and is priced at $10,500. Anke Schofield was born i...

This is a one of a kind original oil and resin quadriptych painting by San Diego artist, Julia San Roman. Its dimensions are 60x60 It is unframed. A certificate of authenticity will ...

In this square painting in ballpoint pen and resin on panel, the artist's unique ballpoint ink process creates undulating, layered striations of bright pink, blue, green, violet and ...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...

A sense of wonder and whimsy is conveyed in McAdams' blending of fantasy and realism. The artist's unique ballpoint ink process creates striations of bright pink, blue, and yellow in...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...