Synthetic Resin Paintings

#5-3516 Bouquet of flower ,still life acrylic on canvas applied to a board, signed by C.Motta lower right, displayed in a wood frame.

Beautiful Orient, Long Island, New York painting by well known Hampton artist, John Crimmins. Acrylic on masonite. Circa 1995. Signed lower left. Condition is excellent. The painting is housed in a a new contemporary antique silver frame 26 by 30.25 inches. Provenance: A Southampton, New York collector. East End artist, John Crimmins was born in New York in 1963. As an American Impressionist painter, he lives in New York and he is very active in the Hamptons. Incredibly, he is self-taught, having studied the works and techniques of the prominent American artist Charles Hawthorne and living by his saying “Let Color make form”. If you view John’s paintings at close inspection you will see single spots of color silhouetted with another which not only shows his skill but his passion and intricate dedication to his work. His paintings are done 'alla prima', that in Italian means 'at first attempt', it is a painting technique, used mostly in oil painting, in which layers of wet paint are applied to previously administered layers of wet paint. With this style of painting the work is to be completed while the paint is still wet, so once started his works are finished in one session. He is a member of the East End Arts Council and his paintings are a part of the Ken Ratner Collection and the Southold Historical Society in New York. His works were a part of the Islip Art Museum IAM Pocket sized open Call Exhibition in 2015. He is mostly known for his flag and local Hampton beach paintings...

Dimensions w/Frame 12.5" x 15" Artist: INY SUWIJA Medium: Acrylic on Canvas Subject: Landscape Style: Surrealism Region of Origin: Asia "Ubud, a town in central Bali, is far remo...

5-3610 Acrylic on artist board Set in a vintage ornate wood frame Image size 10.5x9"

"A Field for the Birds" is an original acrylic painting on canvas by Tom Shelton. The artist signed the painting in the lower right. This painting depicts a diagonal line of birds cu...

Untitled Diptych, painting by Suzanne Law. Framed Overall size: Image size: 12.6 in. H x 34.2 in W Frame size: 18.1 in. H x 44.8 in W x 1 in D Individual size: Image size: 12.6 in. ...

Figurative eye by outsider artist Phillip Q.

Today we can consider the artist Bette Ridgeway as the one and only true heir of Paul Jenkins: her mentor and teacher. Ridgeway's painting is dynamic and rhythmic; like the most “en...

Today we can consider the artist Bette Ridgeway as the one and only true heir of Paul Jenkins: her mentor and teacher. Ridgeway's painting is dynamic and rhythmic; like the most “en...

Signed lower right, 'Pauer' for Jacalyn Pauer (American, 20th century) and dated 1991. Additionally signed, verso, and titled, 'The Family Dinner'. A su...

Artist: Peter Max Title: Heart Size: 16 x 16 Inches (Framed: 20 x 20 Inches) Medium: Acrylic on Canvas Edition: Original Year: 1992 Notes: Max Studio Catalog Number: 11998. ...

Emergence of Woman The Cosmic Dance A Visionary Figurative in Acrylic Flowing and stylized figurative work by Visionary artist Kimberlee Kuwica (American, b. 1967). From GAIA: "As t...

Gloria Petyarre, sometimes referred to as Gloria Pitjara, was one of Australia s most successful and significant female artists. Her depiction of the Kurrajong bush medicine leaves-with her layered, free-flowing, swirling brushstrokes that scatter across the canvas-became her iconic motif. Her career took off when she won the coveted 'Wynne Prize for Landscape' at the New South Wales Gallery in 1999. It was a triumph for Aboriginal art. Gloria became the first Indigenous Australian artist ever to win a major art prize at the Gallery of New South Wales. The painting was an extraordinary new artistic statement, quite unlike any other Aboriginal artwork at that time. A huge, gold and green abstract work, it was made up of swirling leaf shaped brush strokes positioned close together on a black background. It brilliantly captured the energy and flow of leaves being scattered by a fitful wind, seaweed swirling in a change of tide, or grass billowing in the wind. So much did this artwork fascinate the essentially nature-loving people of this country, that it was to become one of the most popular styles in Aboriginal art, bringing many a devotee to the genre because of its resonance with the viewer. Gloria continued to paint this style for the next 20 years until her retirement in 2019 due to health issues. During that time and subsequently, the style has been adopted and adapted by several generations of her family members. However, Gloria was and is credited with being the creator of this popular style and its most collectable proponent. Gloria's origins are in a region called Utopia, covering an area approximately 230 - 300km from Alice Springs, itself a remote town to many people. Many of Australia's foremost Indigenous artists spring from this area, including Gloria's renowned aunt, Emily Kame Kngwarreye, deceased since 1996, and the most famous and accomplished female Indigenous Artist Australia has produced. Gloria, her family members and her skin family, first became interested in art making by participating in the Utopia Women's Silk Batik Group introduced in 1977 and initiated by CAAMA (the Central Australian Aboriginal Media Association). Both Gloria and Emily were founding members of the group. With up to 80 members at a time, the Batik and Tie-die project became the seeding inspiration for the artists, and its tremendous success both in Australia and overseas led to another successful project introduced in 1988, again by CAAMA. This time, the artists were to paint on primed, stretched canvas, and many of the women took to the new medium with ease and enthusiasm, finding it more exciting to work with than the silk and batik techniques they had hitherto used. The resulting works were exhibited at the S.H.Erwin Gallery in Sydney and several other notable galleries across Australia. It was the beginning of the Utopian Art Movement, and it was impressive enough to gain international attention. Gloria was one of the artists at the very centre of it. As demand for Utopian art grew, so did Gloria's career. She travelled with her art to many countries and exhibited in France, Germany, the United Kingdom, Belgium, the Netherlands, Italy, the USA and Japan, and of course in regional and commercial galleries throughout Australia. It would be easy to think that Gloria's works were limited to bush medicine leaves works, so popular were they. In fact she had quite a number of Dreamings in her portfolio. She painted the 'Thorny Mountain Devil Lizard Dreaming', a pattern of swirling coloured lines which imitate the tracks made in the sand by the lizard's tail. Yam Dreaming, popularly executed by her aunt Emily, was also one of her commonly painted stories. She also painted Grass Seed, Pencil Yam, Emu, Bean, Small Brown Grass and Body Paint Dreamings. This breadth of subject matter and style has made her an extremely versatile artist. Later in her career, Gloria began to paint massive 'Big Leaf' paintings, expressionistically rendered with giant brush...

The coming 1994, acrylic on cardboard, 40x50 cm Ilze Avotina (1952) "Painting for me as dedication myself for a higher authority, that is, how a man loves a woman, as a mother loves...

Phenomenon East of the River by Paul Jenkins (1923 - 2012) Acrylic on canvas 97.2 x 130.2 cm (38 ¹/₄ x 51 ¹/₄ inches) Signed lower right, Paul Jenkins Signed, titled and dated 1993 on the reverse Provenance Private collection, New York, acquired directly from the artist Artist's Biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

A wonderful, large, important painting by Aboriginal female artist, Maureen Nampajinpa Hudson. Acrylic on Linen Signed and titled verso "Six Dreamings" (Fire Dreaming; Snake Dreamin...

A beautiful Menashe Kadishman painting made with the artist's signature style and technique. The painting depicts a colorful and special sheep with a rainbow underneath. creating a c...

Miriam LaTour Shapiro Mardi Gras, 1997 Acrylic and mixed media Hand-signed by artist, signed in acrylic paint on the front Unframed (the work was removed from its original vintage frame, affixed to backing) Miriam Latour Shapiro began painting at the late age of 70 years old. The result was a remarkable series of works, including the present work, documented in a monograph by Colleen Becker called "Mysterious Late Excellence", a referring to that elusive quality that sometimes graces an older artist, as John Berryman wrote memorably of William Carlos Williams...

This is hand signed and dated in English and appears to have Chinese (or Taiwanese) calligraphic characters above it. This depicts an Asian porcelain or pottery vase in a vibrant blue green color with a dragon motif filled with colorful flowers. This is a bold color painting...

This is a one of a kind original painting by southern California artist, Peter J. Geise. Its dimensions are 12" x 12" x 1.5" (HxWxD). It is acrylic on canvas, it is already framed. A...

"And I Think Of Yoouu...Night and Daaayyyy..." is an original acrylic painting on canvas signed by Reginald K. Gee. It depicts a man in a spotlight singing. The artist signed the pie...

A charming and substantial work with a strong, rhythmic compositional sense, vivid color and excellent naturalistic detail. Signed indistinctly lower right, 'Pisuri', inscribed 'Hai...

José González Veites (Mexican, born Mexico City 1957) Works in the collection of the Metropolitan Museum of New York City. Born in Mexico City, w...

MORNING BREAKFAST is an original mixed media collage on board by Brooklyn artist Karl A. McIntosh. MORNING BREAKFAST is a colorful abstract dinner table scene portraying three black people seated together having breakfast. McIntosh's inventive use of cut bits of colored paper in shades of red, brown, blue, pink, black, and magazine print clippings for facial details, dishes, lettering layered with wildly expressive yellow, blue, green and white painted accents create an energetic and rambunctious morning gathering to start the day! The cacophony of colors fills the dining scene with lively engagement. The viewer can't help but continue gazing at the frenzied movement and visual chatter going on in MORNING BREAKFAST, a captivating and irresistible painted collage by Karl A. McIntosh. Framed size - 27.25 in. x 33.5 in. Image size - 221.25 in. x 27.5 in. Excellent condition, archival framing, cherry tone bevel wood frame accented with green wood/gold edge liner, hand signed by the artist "K.A.McIntosh" on upper left edge. About the artist: Karl A. McIntosh is a self taught artist who works is pastel, watercolor, acrylic, stone, wood and metal and is a known for his imaginative transformation of found objects into works of art. Born in Kingston, Jamaica, McIntosh moved to the United States at an early age and later took up art. Among his mentors are artist Otto Neals with whom he worked at the Bob Blackburn Printmaking Working Workshop and artist Marian Griffin. McIntosh is also a poet, drummer and dancer who draws his creative inspiration and expression from his study of African art and culture. McIntosh’s bold, bright colors dance off the page and tantalize the senses. His work is profound in its statement and deliciously whimsical. His work is an honest portrayal of everyday life and the people who live it but on occasion, takes on public figures and world events most often employing satire as thick as the layers of paint or paper he uses to depict them. McIntosh’s work has been exhibited at numerous venues across the country including Dorsey’s Art Gallery, The Skylight Gallery, MOCADA (The Museum of Contemporary Diasporan Art), 843 Studio Gallery, The National Black Fine Art...

"Convention Speaker" is an acrylic painting on parchment paper by Reginald K. Gee. The artist signed the piece lower right. In Convention Speaker, a neo-Expressionistic work from 199...

“There is that Far-off Tall Dog Singing to a Hole in Bank” (Frill Dog series). A colorful contemporary dog painting of Foxhounds dogs singing to a fox in a hole with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog. Nancy van Meter...

An Annoying Flower in a Hail Storm, 1998 Acrylic and ink on paper 18 x 14 inches

Unique piece, acrylic on canvas. Created approximately between 1989-1992. Signed and titled on back of frame in pencil. Piece is in excellent shape. Back of frame has water damage.

This is a one of a kind original painting by southern California artist, Peter J. Geise. Its dimensions are 16" x 16" x 1.5" (HxWxD). It is acrylic on canvas, it is already framed. A...

This is a one of a kind original painting by southern California artist, Peter J. Geise. Its dimensions are 16" x 16" x 1.5" (HxWxD). It is acrylic on canvas, it is already framed. A...

This is a one of a kind original painting by southern California artist, Peter J. Geise. Its dimensions are 7.75" x 6" x 1.5" (HxWxD). It is acrylic on canvas, it is already framed. ...

Gloria Petyarre, sometimes referred to as Gloria Pitjara, was one of Australia s most successful and significant female artists. Her depiction of the Kurrajong bush medicine leaves-with her layered, free-flowing, swirling brushstrokes that scatter across the canvas-became her iconic motif. Her career took off when she won the coveted 'Wynne Prize for Landscape' at the New South Wales Gallery in 1999. It was a triumph for Aboriginal art. Gloria became the first Indigenous Australian artist ever to win a major art prize at the Gallery of New South Wales. The painting was an extraordinary new artistic statement, quite unlike any other Aboriginal artwork at that time. A huge, gold and green abstract work, it was made up of swirling leaf shaped brush strokes positioned close together on a black background. It brilliantly captured the energy and flow of leaves being scattered by a fitful wind, seaweed swirling in a change of tide, or grass billowing in the wind. So much did this artwork fascinate the essentially nature-loving people of this country, that it was to become one of the most popular styles in Aboriginal art, bringing many a devotee to the genre because of its resonance with the viewer. Gloria continued to paint this style for the next 20 years until her retirement in 2019 due to health issues. During that time and subsequently, the style has been adopted and adapted by several generations of her family members. However, Gloria was and is credited with being the creator of this popular style and its most collectable proponent. Gloria's origins are in a region called Utopia, covering an area approximately 230 - 300km from Alice Springs, itself a remote town to many people. Many of Australia's foremost Indigenous artists spring from this area, including Gloria's renowned aunt, Emily Kame Kngwarreye, deceased since 1996, and the most famous and accomplished female Indigenous Artist Australia has produced. Gloria, her family members and her skin family, first became interested in art making by participating in the Utopia Women's Silk Batik Group introduced in 1977 and initiated by CAAMA (the Central Australian Aboriginal Media Association). Both Gloria and Emily were founding members of the group. With up to 80 members at a time, the Batik and Tie-die project became the seeding inspiration for the artists, and its tremendous success both in Australia and overseas led to another successful project introduced in 1988, again by CAAMA. This time, the artists were to paint on primed, stretched canvas, and many of the women took to the new medium with ease and enthusiasm, finding it more exciting to work with than the silk and batik techniques they had hitherto used. The resulting works were exhibited at the S.H.Erwin Gallery in Sydney and several other notable galleries across Australia. It was the beginning of the Utopian Art Movement, and it was impressive enough to gain international attention. Gloria was one of the artists at the very centre of it. As demand for Utopian art grew, so did Gloria's career. She travelled with her art to many countries and exhibited in France, Germany, the United Kingdom, Belgium, the Netherlands, Italy, the USA and Japan, and of course in regional and commercial galleries throughout Australia. It would be easy to think that Gloria's works were limited to bush medicine leaves works, so popular were they. In fact she had quite a number of Dreamings in her portfolio. She painted the 'Thorny Mountain Devil Lizard Dreaming', a pattern of swirling coloured lines which imitate the tracks made in the sand by the lizard's tail. Yam Dreaming, popularly executed by her aunt Emily, was also one of her commonly painted stories. She also painted Grass Seed, Pencil Yam, Emu, Bean, Small Brown Grass and Body Paint Dreamings. This breadth of subject matter and style has made her an extremely versatile artist. Later in her career, Gloria began to paint massive 'Big Leaf' paintings, expressionistically rendered with giant brush...

The Cosmic Dream - Visionary Figurative Nude Composition in Acrylic on Masonite Flowing and stylized figurative work by Kimberlee Kuwica (American, b. 1967). A figure is dancing tho...

A striking contemporary assemblage that exudes warmth and an botanical-inspired charm. Thin strips of newspaper have been expertly bundled together and consistently duplicated in a longline pattern, creating an eye-catching and highly decorative piece that's sure to capture attention. The artwork was acquired from the artist atelier and is attributed to Swedish artist Bo Sällström...

"Walk" is an original oil pastel and acrylic painting on paper by Reginald K. Gee. The artist signed the piece on the back. This piece features a line of three people walking in fron...

This is a one of a kind original painting by southern California artist, Peter J. Geise. Its dimensions are 7.625" x 7" x 1.5" (HxWxD). It is acrylic on canvas, it is unframed. A cer...

Nigel Hall Untitled Acrylic and Charcoal Painting on Canvas, 1997 Acrylic and charcoal painting on canvas Signed and titled by the artist on the front. Date...

Vibrant and dynamic monoprint by David Stephens (American, 20th Century). Several white and purple flowers sit in a vase with a few other plant cuttings. The background is filled with vibrant blue...

Anthony Benjamin, 'Green Dots', acrylic and gouache on gold leaf board, image size 9" x 12", signed and dated 1999. Artist Estate Stamp on verso Provenance: From the Artist Estate A...

"Man In Green Shirt" is an acrylic and pastel on paper signed by Reginald K Gee. A male figure is set against a colorful, expressionistic background. Art: 12 x 9 in Reginald K. Ge...

Kenneth Noland Untitled Target, 2001 Acrylic paint on offset lithograph Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01 Framed This original acrylic target painting on offset lithograph paper was gifted by the artist to the influential publishers, authors, and film producers Howard and Susan Kaminsky, and it bears a warm personal inscription followed by the artist's signature. Measurements: Framed: 22 x 21.75 x 1.25 inches Unframed: 19 1/2 x 19 inches Provenance: Gifted by Kenneth Noland to the distinguished publishers, authors, and film producers Howard and Susan Kaminsky. (Howard also became a member of the Council on Foreign Relations...

"Cream Soda" is an original acrylic painting on canvas board by Reginald K. Gee. The artist signed the artwork on the back. This artwork depicts an abstract...

The Cosmic Dream - Visionary Figurative Nude Composition in Acrylic on Masonite Flowing and stylized figurative work by Kimberlee Kuwica (American, b. 1967). A figure is floating th...

"Untitled" is an original acrylic painting on canvas panel by Reginald K. Gee. The artist signed the piece on the back. This artwork features an abstract portrait of a man in blue, b...

"Rewarding the Screamer With a Tax Okayed Winter Retreat" is an original acrylic painting on canvas board by Reginald K. Gee. The artist signed the piece lower right. It features a t...

This lovely painting by Otto Aguiar depicts five elegantly presented, life-size figures seated on a Botanical Garden bench, that leads to an alluring tropical dimension beyond the ar...

This large contemporary assemblage by Swedish artist Bo Sällström has a strong visual character. It is a assemblage with volume that has an intriguing thr...

Landscape is an artwork realized by an unknown artist in 1998. Colorful landscape with dense and material brushstrokes. Illegible signature in the lower right margin. 21x33 cm. A...

Composition 1992., Canvas, oil, 50x60 cm Abstract composition "Composition" is an abstract artwork created in 1992. The medium used is oil on canvas, and the dimensions of the artwork are 50x60 cm. As an abstract composition, the artwork does not represent specific objects or subjects in a realistic manner. Instead, it focuses on elements such as color, form, line, and texture to create a visual expression of the artist's ideas and emotions. The oil medium provides a rich and vibrant quality to the artwork, allowing for the blending of colors and the creation of various textures. This creates depth and visual interest within the composition. Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, Latvia. Studied in the Art School of Rozental, the Latvian Academy of Arts and private studios of the famous painters and teachers Abram Bikov and Vitaly Karkunov. Participates in exhibitions since 1987. Awards: 1991 – One of the main grants at the International Art Project «Golden Brush» at the Central Painters' House, Moscow, Russia Solo Shows: 2008- Gallery "Antonia", Riga. exhibition "Dream City" 2002 – Open exhibition “Genesis” Austria, Vienna 2002 - «Painting», Blackhead's House, Riga (printed brochure) 2000 - Personal exhibition in Austria, Vienna “Gallery Atelier T” 2000 – Personal exhibition in Riga, Latvia 2000 - Institute of Practical Psyhogy, Riga (printed brochure) 2001 - Gallery «AtelierT», Vienna, Austria 1998 – Joined exhibition with N.Bessonova «Garant», Vienna, Austria 1998 - Gallery «Nelliya», Riga 1998 - Co-project with N.Bessonova «Birds and Fish», Gallery «Nelliya», Riga 1997 - Gallery «Dzintars», Riga 1997 - Insurance Company «New Re» Gallery, Geneva, Switzerland 1997 - Gallery «Rigas Vini», Riga 1997 - Gallery «Goldshidhaus», Gilzenkirken, Germany, with N.Bessonova 1996 – Personal exhibition in “Rigas vini” Gallery, Riga 1996 - Gallery «Sofia», Gilzenkirken, Germany 1991 - Russian Culture Fund, Riga 1991 – Last personal exhibition in Riga Group Shows: 2007 - Museum der stad Bad Ischl”Genesis2000” 2007 -“Art Innsbruck” International Messe. 2004 - Showcase of Latvian painters dedicated to Latvia joining the EU, museum «Horst Shloss», Germany 2004 - «Hungary by the Latvian Painters», Moscow House, Riga 2003 - «Autumn-2003», Latvian State Art Museum 2003 - Autumn exhibitions of Latvian Painters, Gallery «Nelliya», Riga 2003 - «Abstract Art in Latvian Painting», Latvian State Art Museum 2000-2006 - International Project dedicated to the Book «Genesis», Austria 2002 - «Autumn», Latvian State Art Museum 1999 - Participation in exhibition “Gold of Russian Art” Austria, Vienna, “Gallery Atelier T” 1999 – Participation in projects “Genesis” Austria, Vienna, “Gallery Atelier T” 1997 - «Art Expo» New York, USA 1996 - «Art of the Chosen Ones», Latvian State Art Museum «Arsenal» 1995 - «Surrealism in Works of Latvian Painters», Russian Culture Fund, Riga 1994 - «Christmas Exhibition», Embassy of Poland in Latvia, Riga 1993 - «Art of the Russian Painters», Embassy of Russia in Latvia, Riga 1993 - «Golden Brush», Central Painters' House, Moscow, Russia 1993 - «Latvian Painters», Gallery «Sofia», Germany 1992 – sept.,Oct. – exhibition in Baad Goseberg, Germany 1992 - «Artmyth», International Art Festival, Manezh, Moscow, Russia 1992 - «Latvian Art», Berlin, Germany 1991 – «Reshaping», exhibition in Moscow 1991 - «Golden Brush», Central Painters' House, Moscow, Russia 1991 - «Transformation», Youth Palace, Moscow, Russia 1991 - «Latvian Painters», Belver, Germany 1989 - «Artcontact» National Art Project, Culture House of Railroad workers, Riga 1989 - «Artist and Religion», Riga - Moscow 1988 - «Free Art», Rigas Modes, Riga 1987 - First exhibition with painters A.Alekperov and G.Huckivadze in the Culture House of Railroad workers, Riga Auctions: 2002 - «Doroteum» Vienna, Austria - paintings «Russian Art» and «Portrait of Olga...

Diptych, acrylic on canvas. Signed lower right. Two canvases, joined along vertical stretcher on verso. 40 x 60 in. 41 x 61 in. (framed) Custom framed in maple. Provenance Estate of Beatrice Mandelman 203 Fine Art, Taos, NM A certificate of authenticity issued by the Mandelman Ribak Collection at the University of New Mexico Foundation will be provided with this work. Beatrice Mandelman was born on December 31, 1912 in Newark, New Jersey. At age 12, she began taking classes at the Newark School of Fine and Industrial Art, subsequently attending Rutgers University, the Newark School of Fine and Industrial Art, and the Art Students League in New York. In 1935, Mandelman was employed by the Works Progress Administration (WPA), first as a muralist and then as a printmaker with the Graphic Division of the New York Project. One of the original members of the Silk Screen Unit under Anthony Velonis, she worked until the disbandment of the WPA in 1942. During this period, she was associated with numerous New York School artists including Louis Lozowick, Willem de Kooning, Arshile Gorky, Jackson Pollock, and Stuart Davis. Mandelman married fellow artist Louis Ribak in 1942, and two years later they traveled to Santa Fe, NM to visit his teacher and mentor, the artist John Sloan. Finding Santa Fe congested, they took the train along the Rio Grande and a stagecoach up to Taos and decided to settle there. An impulsive and inspired move, it was a decision that would effectively remove them from mainstream art involvement, for which Santa Fe had become an important outpost in the west. While Taos was a well-known within the art community, there were no galleries exhibiting modern art. This changed later in the decade, with an influx of new artists arriving from New York and California. Some of these artists would come to be known collectively as the “Taos Moderns...

Rapidography & acrylic on paper Pascal Plazanet is a French artist born in 1963 who lives and works in Paris, France. For more 30 years, he constantly uses rapidograph pens in his artworks on paper or onto canvas. The rapidograph is a special pen with a capillary tubular tip in which flows a black pigment, an ancient drawing tool...

Signed lower right, 'Rochelle' for Rochelle Tietze (American, born 1952); additionally signed, verso, 'Rochelle Tietze', dated '1994' and titled, 'Spring Bouquet II'. A large and vi...

Artist: Daze (aka Chris Ellis), American (1962 - ) Title: Notorious Year: 1990 Medium: Acrylic and Spray Paint on Canvas, signed, titled and dated verso Size: 62 in. x 52 in. (157.48...

Arboles. original oil canvas painting Josep María Vilá Cañellas (Vic, Osona, 1914 - Barcelona, 2001). Painter and draftsman. He was a disciple of J...

This gorgeous and sophisticated still life by Ken Fleisch features a ceramic white and blue vase and a book surrounded by orange apricots. The backdrop is covered with an ornate brown tapestry...

This Blue Dog work consists of a head shot of the dog with a red outline around the dog and a bold yellow background. The dog has soulful yellow eyes. The frame is the original Rodrigue Gallery gold frame. This pop art animal original Oil and Acrylic on Linen painting is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Original – Give Me a Big Mac...

Daniele Righi Ricco's painting is color spread with the dripping technique, of Pollockian memory; layers of collages from old newspapers; dense acr...

A man stares out across a party while in the sky a faint figure is visible, perhaps the invisible presence that artist Erik Freyman alludes to in the artwork's title. Invisible Pres...