Wood Panel Paintings

Bold figurative abstract composition by Brigitte McReynolds (German, 20th Century). Titled, signed, and dated on verso ("Moonday through Sunday" © Brigitte McReynolds 1999 Acrylic on...

Mary Didoardo Orchid, 2022 oil on wood panel 8 x 8 in. (dido097) This small abstract oil painting on wood by Mary Didoardo features her s...

Edward Avedisian ( 1936-2007 ) 8 X 9 Oil paint on wood plank panel with gold and purple figure This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...

oil on panel

Original oil on wood panel abstract painting by the American artist, Kathy Buist. Signed, titled “Beginning Morning” verso and dated 2023. Signed lower right by the artist. Condition is new. Presently unframed. Framing options are available. Like many Hamptons locals, Painter Kathy Buist has an unimaginable appreciation for the nature that surrounds her everyday. While many only experience one season of the Hamptons each year, Buist enjoys the beauty of her surroundings year-round. Her work has been shown in museums and galleries nationwide including the local Parrish Art Museum, the National Women’s Museum Archives in Washington, D.C., Andrews Museum in Andrews, North Carolina, and the Long Island Museum. Buist also received the highly acclaimed honor of “Today’s Masters” by Fine Art Connoisseur Magazine. Artist's Statement: “Living in New York City my landscapes are of a very different topography. The pieces convey a reverence for the earth, which manifests itself in quite sensual ways. These works play on the elemental values of sun, water, and morning mist to capture the spirit of each environment. It has been observed that some of my paintings almost impart the aroma of the earth. Each has an underlying sensual quality which will emerge in some surprising manner to reveal the paintings essence. This comes from my intimate relationship with the subject matter. In my paintings, I also explore the transformational qualities of light, using the subtle nuances found in refracted morning, afternoon or evening light to embody a particular moment in time. Perhaps these sensibilities are a result of having grown up on a farm in rural Michigan — and a flower farm...

Blue, Orange, Green - Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition by Charles David Francis (American, ...

Mat Tomezko's "Price" series of mixed media collage paintings are constructed from periodicals, circulars, acrylic, asphalt, graffiti, and coal on panel. Using mostly found materials...

"Giant Squid Heart" - Expressionist Composition in Wax and Acrylic on Wood Panel Bold abstract composition from the Studio of David Francis by "Margo" (20th Century). Bright colors ...

4 Cybergraph Enredo (S2). Colourful abstract geometric painting Mixed media and Acrylic Paint on panel, 2025. Dimensions in cm.: 30 x 20 x 4 cm. In inches: 11.8" x 7.87" x 1.57" . ...

Paul (Side Profile), 2024 Oil on Panel 61 x 91 cm 24 x 35 7/8 in

Love Letters to Cornwall (VII) by Mary Scott [2021] original Acrylic and oil on wood panel Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:0.5c...

In James' paintings, he explores how uncertainty can lead to meaning and understanding. How harmony can be experienced even within tension and chaos and how the recognizable can rise out of purely abstract form. In his abstract paintings he responds to these phenomena by creating contemporary icons – works meant to encourage contemplation and meditation. James' more recent works have evolved from the romantic representational ideal into the symbolic, abstract archetype. He comes from a classical background inspired by the great romantic landscape painters such as Turner, Lorrain, Friedrich and Moran, his recent work is more influenced by the work of artists like Klee, Miro, Rothko, Pollock, Riley and Richter. James creates complex abstractions layered in familiarity and veiled in mysteriousness. The unorthodox methods he uses to apply and move oil paint allow him to create compositions that are formally beautiful – infused with tension and drama but also expressive of the spiritual, symbolic, mysterious and eternal. James' work counters...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

"Basket Weave" is an original abstract graphic painting on wooden panel. It has patterns, stripes and a dynamic color palette, featuring pinks and blue. A stunning and contemporary u...

Jim Richter Untitled, c. mid-20th Century Oil on wood panel 10 x 14 in. Framed: 11 x 15 x 1 in. Signed lower right Inscribed verso: To Mrs. Mines from Freda & Jim Richter This charm...

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and grandfather. Becoming an immigrant affects everyone in different ways, and while young, this change of culture, country, and separation helped shape Jandrell as an artist. As she does not identify as British or as South African, this "lack" of cultural identity tends to manifest in her paintings. Her paintings are abstract, visceral and intuitive, as she is drawn to the flexibility and ambiguity of abstraction. Painting is a form of honesty for Jandrell, it allows her to relax and feel centered, almost becoming a style of meditation. "Pandemonium" Contemporary Abstract Art 36 x 48 Acrylic and Oil Stick...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Black and gray abstract contemporary painting by Houston, TX artist Winifred Booth. The painting depicts 3 gray rectangular cloud-like shapes against a ...

Mat Tomezko's latest series of abstract mixed media paintings are constructed from traditional acrylic painting and the incorporation of ash into a hand-mixed paint of his own creation. This piece is part of a body of work that uses evocative materials and imagery of fire, flowers, food, newspapers, asphalt, and ash to illuminate the interconnectedness of destructive and creative forces. "Ash" is a traditional still-life and landscape composition interrupted by broad black geometric chevron lines or "arrows" that divide the composition symmetrically in a geometric balance. This painting is signed and dated on the back. It includes all hanging hardware and is ready to install -- no need for additional framing. Tomezsko is an artist from Philadelphia who creates abstract paintings, public art installations, and community art projects based around participation and everyday visual language. His approach to composition is informed by mid-century formalism and conceptualism. His work was recognized by the 2017 Americans for the Arts Public Art Network Year in Review for outstanding public art. Tomezsko’s work has been exhibited at numerous art spaces regionally and nationally, including the Crane Arts, Woodmere Art Museum, the Center For Emerging Visual Artists (CFEVA), and Wexler Gallery in Philadelphia; Lillstreet Art Center in Chicago, IL; the Delaware Contemporary in Wilmington, DE; and Thomas Hunter Projects in New York, NY. He has created several notable public art projects including "14 Movements: A Symphony in Color and Words," a mile-long temporary mural installed in downtown Philadelphia during the 2016 Democratic National Convention; "Look Long and Look Good," a series of 30 paintings currently installed along Main Street in Manayunk; and "Flowering Axes," a mural in the 5th Street Vehicular Tunnel underneath the Ben Franklin Bridge. His work is in the collection of The Wharton...

This abstract painting is made with acrylic paint over metal leaf on cradled birch panel. The painting features a light tan-colored palette, with white swirling lines which form a ci...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

This is a one-of-a-kind original textural abstract artwork by San Diego artist, Alexander Arshansky. Its dimensions are 12"x12"x1.5". It is unframed. A Certificate of Authenticity wi...

This abstract painting by Roger Mudre features light, translucent outlines of circles which are layered over one another throughout the composition. It has a light, champagne-colored...

In this abstract oil painting, Dintino uses warm and quite angry tones to convey 'revolution'. Dintino's work has to do with the melding of title and piece. His paintings all illu...

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. Her work has a luminous quality ...

This abstract painting by Roger Mudre features an earthy palette, contrasted by greys and blue accents. Imperfect circular shapes are organically layered over one another. The painti...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

red taupe beige green orange rust white blue Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties o...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 12"x12" A certi...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

Melisa Taylor Metzger’s The Seismology of Cantilevered Hearts 5 transforms a circular wood panel into an ethereal, pastel composition that explores the sublime. This piece features a...

In this abstract oil painting Dintino evokes images of childhood, and adulthood. In a very nostalgic way, Dintino uses the peaches and warm toned colors to help recall images of stu...

"The Red is a Distraction" - Abstract Composition in Oil on Cradled Wood Panel Richly textured abstract composition by California artist Devon Brockopp-Hammer (American, b. 1986). Layers of paint are built up to create a textured composition with layers of depth. The piece is mostly shades of blue, with two small patches of green and yellow. There is one dot of red, providing a counterpoint and contrast to the other colors. Panel size: 8"H x 8"W Titled, initialed, and dated on verso "The Red is a Distraction" DJBH 2023 Unframed. Devon Brockopp-Hammer (American, b. 1986) is an artist from Sacramento...

Crowell's abstract paintings are in the challenging media of oil paint and cold wax. "Techniques I originated in my practice 20 years ago are now widely recognized and taught. My pro...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an...

View (Abstract Photography) Unique - Photography/painting, mixed media - Unframed. Signed by the Artist at the back. Artwork exclusive to IdeelArt. Artworks are of the highest a...

Rollercoaster (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as...

In all of James' work, he is intrigued by the ability of the individual to distinguish form when staring into the unrecognizable and, how, when confronted with mystery and uncertaint...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Oil on wood panel - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to bottom of the surface. An interplay of co...

Acrylic on MDF panel - Unframed. Ramsay's work is informed by nature, the seasons, changing landscapes and the passing of time. She is inspired by systems, mathematics and geometry,...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Jeri Ledbetter, POSATOIO DI CORVI, Oil on Panel, 48.00 X 36.00 in, $4,700.00 Jeri Ledbetter is inspired and compelled both by nature’s oddities and man-made structures. She is enthr...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, patterns, brig...

Vertical Lines is an original artwork realized by the Belgian artist Martine Goeyens in 2019. Acrylic on table. Unique exemplar. On the back, the label of the certificate of authen...

"Desert Bloom" is a striking modern geometric abstract painting, with an earth tone mid-century modern contemporary palette. It is painted directly onto panel, with a custom built wooden substrate. The sides show beautifully smoothed wood. Kazaan Viveiros has a background in architecture studies as well as fine art, and this shows in her clean and contemporary works. Artist Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute. She has since exhibited work in solo and group exhibitions in the U.S. and Europe, including solo shows in New York, San Francisco, Berkeley, Scottsdale, AZ, Richmond, VA, and Savannah, GA. In 2003, curator Raffaella Guidobono gave Viveiros a show at TAD Concept Store in Rome. Viveiros’s paintings have been collected by a wide array of corporations, including eBay and Capital One Bank, as well as by individuals such as WalMart’s Rob Walton and novelist Danielle Steel. Her large diptych, The Whale, was purchased by Banner Children’s Hospital and currently hangs in their radiology ward. Summit Medical Group MD Anderson Cancer Center in New Jersey has many of her works in their collection. In addition, five of Viveiros’s paintings were purchased by the Art in Embassies Program and are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia. She was a 2011 Bethesda Painting Awards semi-finalist, was twice chosen as a visiting artist at the Torpedo Factory Art...

Hit it (Abstract painting) Oil on wood panel - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to bottom of the...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

(r)evolution 31 (Abstract painting) Pigmented Beeswax, Oil & Collage on Panel. Unframed. This painting is part of a series titled (r)evolution which started in 2014. This process...

Neutral-toned abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts two gray rectangle shapes with black calligraphic-l...

"A Forest’s Brain" is a deeply evocative painting by Arminée Chahbazian, exploring the silent intelligence and connective systems that bind natural ecosystems. With intricate line wo...

Abstract minimalist composition by California artist Devon Brockopp-Hammer (American, b. 1986). A layer of thick yellow paint was applied to a reclaimed...

Original, uniquie cyanotype. “I love this means of directly using sun and water to create my art,” says Terri Dilling. “It is a collaboration with nature. The weather and the season...

Original, uniquie cyanotype. “I love this means of directly using sun and water to create my art,” says Terri Dilling. “It is a collaboration with nature. The weather and the season...

Butterfly is a contemporary artwork realized by the Belgian artist Martine Goeyens in 2018. Acrylic on table. Hand-signed by the artist in black ink on the lower left margin. Unique...

Circles is an original artwork realized by the Belgian artist Martine Goeyens in 2018. Acrylic on table. Hand-signed in black ink on the lower left margin. Unique exemplar. On the ...