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Nikki WheelerLight before the Storm, Painting, Oil on Canvas2020
2020
$3,728
£2,834.98
€3,270.01
CA$5,222.25
A$5,844.72
CHF 3,051.86
MX$71,305.99
NOK 38,739.34
SEK 36,761.25
DKK 24,418.90
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About the Item
This artwork was created using oil on deep edge box canvas which is ready to hang or can be framed if desired. It is signed on the back, and the sides of the canvas are painted white. The painting is inspired by constant observation of the sea. Taking in it moods which can change so fast because of the light that effects change so dramatically and frequently . It is built up in layers, allowing each one to dry before moving on to the next. Painted intuitively with no reference material this oil has instead relied on an instinctive approach creating a emotional response using memories and feelings :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Location: on reverse :: Canvas :: Portrait :: Original :: Framed: No
- Creator:Nikki Wheeler
- Creation Year:2020
- Dimensions:Height: 48 in (121.92 cm)Width: 40.2 in (102.11 cm)Depth: 0.6 in (1.53 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Yardley, PA
- Reference Number:1stDibs: LU802112431762
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My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark. I enjoy using a palette knife for the immediate bold statement it offers. I started painting as a young child and studied for a while at the School of the Art Institute of Chicago but ultimately decided to be a self-taught artist, My style of painting is called abstract impressionism. I work Alla Prima, wet into wet, not reworking a picture that has dried. I started using the palette knife to do color charts, then kept using it for immediate effects and fun texture. The challenge is making the whole painting cohesive enough in a single session, which can be a fun challenge working big!. I paint intuitively, and I enjoy painting landscapes best, scenes all people can relate to at a fundamental level, green fields in Ireland, Paris alleys, and little white barns.
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