Pamela Mower-Conner

Inferno 2

2020

A delightful new work by the artist

"Elements," a captivating artwork by Rachel Marie, invites viewers into a world of elemental beauty and harmony. Created in 2024, this acrylic masterpiece measures 36 x 24 inches (91...

**Jayne Walther's "Right Frequency, 2024"** Jayne Walther's "Right Frequency, 2024" is a captivating piece that explores the harmony and resonance found within the natural world. Me...

Matt Shane's pictorial worlds follow a Romantic lineage, but arrive at a mercurial ground, at the border of wilderness and civilization, perception and fantasy.

Grosse Pointe, Michigan native Mara Millich created this interesting mixed media abstract in 2004. It is an original and hand signed by Mara Millich.

Inferna! – Large-Scale Contemporary Abstract Painting in Magenta, Red, Gold. Inferna! is a commanding large-scale contemporary abstract painting by Michelle Thomas that channels the...

Fire, 2020

"No Escape from Nature" depicts an early morning walk through the woods. Dappled sunlight makes this scene quite tranquil. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...