1840s Paintings

Egron Lundgren (1815–1875) Monk in a Monastic Cell signed and dated Egron Lundgren Rom 1848 oil on relined canvas unframed 62 x 50 cm (24 ½ x 19 ¾ in.) framed 79 x 68 cm (31 x 26 ¾...

Attributed to John Vine, English Folk Art Portrait of a White Park Bull, circa 1840–1850, oil on canvas Not signed A compelling mid-19th century English folk art study depicting a...

Egron Sellif Lundgren (1815–1875) Sweden Interior of a Kitchen, c. 1840 oil on paper laid on cardboard, inscribed “Lundgren Nr. 15” on the reverse. unframed 27.5 x 20.5 cm (10 ¾ x ...

This evocative 19th-century marine scene by English painter Nicholas Matthew Condy captures the dynamic tension and atmospheric drama that typify his maritime works. Known for his ke...

Female Figure in Oriental Dress among the Ruins of Romantic Greece Oil on canvas, 61 × 46 cm (without frame), 74 × 57 cm (with frame) Early to mid-19th century Not signed A youn...

This maritime scene by Nicholas Matthew Condy, the celebrated English marine painter continues to reveal his deep fascination with ships and the shifting moods of the sea. The compos...

Jules SANSON Active in the 1830s and 1840s The arrival of the young girl at the monastery on the shores of Lake Como Oil on canvas 27 x 35.5 cm (31.5 x 39.5 cm with the frame) Signed...

This unsigned painting, attributed to the circle of Martin Theodore Ward around 1840, is an exemplary piece showcasing the talent of this 19th-cen...

This beautiful British mid 19th century oil on board painting is by Edward William Wyon. It was painted in 1843 when Wyon would have been in his early thirties. The composition is a ...

Well painted and very interesting composition attributed to the English landscape painter john Frederick Tennant. His work is very similar to ...

Henry John Boddington (1811–1865) English Landscape, oil on canvas, circa 1840 This richly atmospheric oil painting by Henry John Boddington captures the tranquillity and pastoral c...

Signed lower left, 'E. Brown' (English school, 19th century) and dated 'May, 1844'. A fine, mid-nineteenth century portrait of a lady of quality wearing the hairstyle made popular b...

‘Fabbriche di Careggine’ by Edmund John Niemann (1813-1876). Fabbriche di Careggine is the name of a Italian ghost village that today lies beneath Vagli di Sotto, a man-made lake in Tuscany. Prior to its flooding in 1953 the village was home to a community of subsistence farmers who raised sheep and Garfagnana goats. We only offer original antique artwork for sale in the finest condition it can be for its age having been professionally cleaned, conserved, and re-varnished. Clients should also note that tracked and signed for international tariff-free shipping is always complimentary. It is not uncommon for paintings by one member of famous family of artists to be mistakenly attributed to a relative; a picture by “the Elder” is erroneously credited as being by “the Younger” and the work of one brother is confused with another, and so on. In 19th century British art...

Joshua Shaw Summer Picnic by the River, circa 1840 Signed lower right Oil on canvas 15 1/2 x 13 1/2 inches Born in Bellingborough, Lincolnshire, England, Joshua Shaw became known f...

Outstanding 19th century English warship off the Italian, Mediterranean coast, with village, mountains and hills. A very interesting and somewhat unique oil on slate depicting an English ship at anchor in what looks like an Italian or Mediterranean coastline. The piece has influences from John Thomas Serres...

This enchanting early 19th-century portrait of a young girl in a pastoral landscape, attributed to the esteemed English portraitist Margaret Carpenter, is a rare and captivating exam...

The painting (oil on canvas 120 x 96 cm, with gilded and carved wooden frame 140 x 116 cm) is signed and dated at lower right in italics "G. Giordanello 1846" Little is known about ...

A magnificent Italian painting from the mid-19th century. Oil on canvas, first canvas, painting depicting a mythological scene of great charm and refinement. It is the iconographic p...

Eugène Modeste LE POITTEVIN (Paris, 1806 - Paris, 1870) Diana Resting Original oil on canvas (E. Picart, 16 rue du Bac) H. 33 cm; W. 40.5 cm Unsigned Red wax seal from the posthumous...

Artwork sold with frame (100 x 120 x 7.5 cm) Henri Druard (1821–1877) was a French painter known for his genre scenes and depictions of everyday life in 19th-century France. Born in...

Harriet Peale Portrait of Rebecca, 1840 Inscribed verso, “Portrait of Rebecca Greenwood (?)/ Aged 25 years/ Painted by Harriet C. Cany/ May 1840” Oil on canvas 28 3/4 x 23 3/4 inches...

Félix-Hippolyte LANOÜE (Versailles, 1812 – Versailles, 1872) Italian Landscape with Bathers Oil on canvas, in its original frame D. 41 cm Signed lower right Circa 1840 Trained by Je...

This charming mid-19th-century oil painting by British artist John Robert Wildman (1788-1843) depicts a gentleman wearing a dark brown frock coat with waistcoat, white shirt and crav...

A wonderful view of a river landscape with a rustic cottage and pollarded trees by Henri Sieurac. It isa rare, early and very fresh landscape by this Parisian artist which may well have been painted in the countryside around Barbizon, near the river Loing. Henry Sieurac had studied with his father, François Joseph Sieurac , and of Paul Delaroche...

A fine antique French oil painting on canvas by Isidore Alexandre Augustin Pils (1815–1875), the painting depicting Claude Joseph Rouget de Lisle (1760-1836) singing "La Marseillaise", circa 1849. Isidore Pils was an academic painter, very often painting military subjects. Claude Rouget de Lisle was a French army officer from the French Revolutionary Wars and famously wrote the words to "La Marseillaise" and first performed it to the Mayor of Strasbourg; Baron Philippe-Frederic de Dietrich. This painting dates to the middle of the 19th century and could be by the hand of Pils or possibly a talented copyist who was also a classically trained artist, the work appears to be unsigned. The painting is in excellent condition and is housed in a gilded frame. Isidore Pils produced a number of paintings with this famous scene and one such painting is housed in the collection of The Louvre in Paris. At sight without frame 26.50" x 22" Pils was born in Paris as the son of a soldier François Pils. At the age of twelve, he studied with Guillaume Guillon-Lethière for four years. In 1831 he became a student at the École des Beaux-Arts and studied under François-Édouard Picot. He competed for the Prix de Rome, which he won in 1838 for a history painting, St. Peter Healing a Lame Man at the Door of the Temple. Although in poor health, Pils then spent the customary three years at the French Academy in Rome at the Villa Medici, which then had Jean Auguste Dominique Ingres as its director. While in Italy he visited Naples, Venice, and Florence. Pils's earlier paintings have religious themes. In 1849 he completed his most famous work, Rouget de L'Isle Singing La Marseillaise, which now resides at the Musée historique de Strasbourg. After experiences travelling with French troops through the Crimea, his themes took on military and nationalistic subjects. He later produced many military scenes during the siege of Paris during the Franco-Prussian War of 1870. Pils was appointed professor of painting at the École des Beaux-Arts in 1863 but left the same year for two years in Algeria. In 1868 he was elected to seat #14 of the Académie des Beaux-Arts. Among his students were Adrien Moreau, Paul Adolphe Rajon, Julien Dupré, Luc-Olivier Merson, Ludovic Piette...

➡️Winter scene⬅️ Watercolor from Johannes Franciscus HOPPENBROUWERS (1819-1866) (see wikipedia) ⭐Structural Analysis⭐ This painting depicts a winter scene in a rural village, possibly in the Netherlands or a similar European setting. The composition is well-balanced, featuring: A central building with a distinctive thatched roof covered in snow, creating a focal point. A frozen river or canal, with a person ice skating in the middle ground, adding movement and human presence. A windmill and houses in the background, reinforcing a Dutch setting. Figures engaged in daily life, such as the man near the building carrying a walking stick and a bag, adding a narrative element. The overall scene is tranquil yet lively, capturing a nostalgic winter atmosphere. ⭐Color and Light⭐ The palette consists of muted earth tones, including warm browns, ochres, and soft grays, giving a rustic and aged appearance. The sky has an orange-yellow hue, possibly representing a sunrise or sunset, casting a gentle glow over the cold landscape...

Charles Bouchez (1811-1882) French A Soldier Blowing the Trumpet oil on canvas signed and dated ch. Bouchez 1842 canvas dimensions 6.29 x 4.13 inches (16 x 10.5 cm) frame 10.23 x 7...

After the original by Károly Markó the Elder (1791–1860). A substantial, 19th century figural showing the meeting of Ruth and Boaz, set in a romantic Italianate landscape peopled w...

Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...

John Frederick Kensett (1816 - 1872) Portrait of an Italian Fencer, circa 1845-47 Watercolor on wove paper 13 1/8 x 8 1/8 inches Signed with initials and inscribed lower right "J.F.K. Rome" From October 1845 through the spring of 1847, Kensett lived in Rome. He attended classes where he sketched from live models, and he sketched in the countryside outside Rome and around Florence, Perugia, and Venice, places he visited with his artist friends. He fulfilled commissions for paintings from Americans in Italy, and by 1847 his career was well established. Son of an English immigrant engraver, John Kensett lacked enthusiasm for that medium and became one of the most accomplished painters of the second generation of Hudson River School painters. His reputation is for Luminism, careful depiction of light, weather, and atmosphere as they affect color and texture of natural forms. He was particularly influenced by the painting of Asher Durand in that he focused on realism and detail rather than the highly dramatic views associated with Thomas Cole. Going to the western United States in the mid 1850s and the 1860s, he was the first of the Hudson River School painters to explore and paint the West. Kensett was born and raised in Cheshire, Connecticut, and learned his engraving from his father, Thomas Kensett with whom he worked in New Haven, Connecticut until 1829. He continued working until 1840 as an engraver of labels, banknotes and maps and was employed part of that time by the American Bank Note Company in New York City. There he met Thomas Rossiter, John Casilear, and other artists who urged him to pursue painting. In 1840, he and Rossiter, Asher Durand, and Casilear went to Europe where Kensett stayed for seven years and supported himself by doing engraving but became accomplished in landscape painting. Having sent canvases of Italian landscapes back to New York, he had a reputation for skillful painting that preceded him. When he returned to New York City in 1847, he was an "instant success" and very sought after by collectors. Two of his Italian landscapes had already been purchased by the American Art Union. By 1849, he was a full member of the National Academy of Design and was generally popular among his peers. His studio was a gathering place with travelers stopping by to see his canvases and to identify "precise locations in the Catskills or Newport or New England in the oil sketches and drawings that covered his walls." (Zellman 170). For the women, he was a popular bachelor, "romantic looking with high forehead and sensitive expression." (Samuels 262) He was also sought after by many organizations. Among his activities were serving on the committee to oversee the decoration of the United States Capitol in Washington DC, and becoming one of the founders of the Metropolitan Museum in New York. An inveterate traveler, Kensett spent summers on painting excursions away from New York City. One of these trips was a special painting excursion with fifteen other artists sponsored by the B & O Railroad from Baltimore, Maryland to Wheeling, West Virginia. Unlike many of the Hudson River painters...

This superb British Victorian Pre-Raphaelite conversation piece figurative oil painting is attributed to Thomas Musgrave Joy, artist to Queen Victoria. Painted circa 1845 the composi...

Well painted 19th-century portrait of a young boy possible in a School Uniform. With the label on the reverse being from Scottish panel makers, we bel...

William Richard Waters Picture Size: 36 x 28" (92 x 72cm) Outside Frame Size: 44 x 36" (112 x 92 cm) Oil on Canvas signed bottom right and dated 1847 This painting is nearly 200 year...

James Henry Cafferty Landscape and Figures (New Jersey or Long Island), 1845 Signed lower right Oil on canvas 21 x 17 1/4 inches Provenance The artist John L. Schoolcraft, Albany, N...

First Edition lithograph Full plate: 20 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

This lovely British Victorian oil painting is attributed noted landscape and animal artist George Cole ans ascribed verso. Painted in 1840 it is a superb portrait of two horses, one ...

Jacob THOMPSON (1806 – 1879) Deer by the Banks of a Lake 1842 oil on canvas 18.9 x 27.6 inches; 22.5 x 31 inches Inc. frame Jacob Thompson (1806–1879) was an English landscape-pa...

Victor de Grailly Niagara Falls, circa 1840-45 Oil on canvas 28 7/8 x 21 1/4 inches Provenance: Mark Borghi Fine Art, New York Private Collection, Nyack, New York Little is known a...

Original oil on wooden oak panel of a traditional figural landscape of an incoming storm with figures fishing in the foreground. No visible signature. Condition is excellent. Wonder...

Thomas Creswick R.A. 1811 - 1869, was an English landscape painter and illustrator. Creswick was one of the leading members of the Birmingham School of landscape painters and exhibit...

This charming mid-19th-century English oil painting, by an artist acutely aware of the works of Clarkson Frederick Stanfield RA RBA (1793-1867), depicts a Dutch river scene with vari...

Philip Westcott 1815-1878, was a British born artist. This portrait is of the former Prime Minister Charles Grey 2nd Earl of the House of Howick, he was Prime Minister from 1830 to ...

Thomas Birch is considered one of the earliest American Marine painters of importance both in his own time and historically, forming the foundation of what would become a great American Maritime movement in the successive years of the 19th century. Born in England, Birch started as a landscape painter but after the War of 1812 he turned to marine subjects, taking inspiration from the best of both English and Dutch maritime traditions but refining these techniques into a very recognizable style all his own. The work featured here is a classic of Birch's later period, when he focused specifically on maritime subjects, mainly the busy waterways of Philadelphia Harbor. Here we see one of those scenes- a series of ships plying their trade, all framed by the city as it sits across the Delaware River, with the tall, white spire of what is either Independence Hall or Christ Church to the left of the main vessel. The details of the city are particularly good in this painting, with the wharf building to the left and the long line of buildings all along the shore. The American Merchant Bark at the center of this painting is rendered in excellent detail, from her house flag and pennant, to her rigging and sails, and down to her deck filled with the activity of crewmembers readying the ship to head out, her gilt billet...

‘Old Trent Bridge, Nottingham’ by Andrew MacCallum (1821-1902). The painting - which depicts the ancient 14th century viaduct in its final years prior to demolition in 1871 - is si...

Théophile Clément BLANCHARD 1820 - 1849 Oil on canvas 27 x 40 cm (45 x 58 cm with the frame) Signed lower right "Blanchard" Very nice 19th century gilded wooden frame French painter, lithographer and illustrator, Théophile Clément Blanchard is part of of those painters of the romantic era who represented picturesque views of France like Alexis Daligé de Fontenay or Eugène Cicéri. These painters traveled a lot and sought out picturesque sites, particularly in Normandy, Brittany, Switzerland and the Pyrenees. Blanchard participated in the illustration of “Picturesque and Romantic Travels in the Old France”. But the works of this romantic painter are rare because Blanchard died very young at twenty-nine year old ! We still know of him, in particular, a view of Bugey (dated 1846) which is at the Louvre Museum and a “Delicious Landscape” (from the 1840s) at the Salies museum at Bagnères de Bigorre...

A magnificent 19th-century Italian painting. Painting oil on canvas, on the first canvas, depicts a splendid penitent Magdalene, captured in a moment of intense mystical contemplatio...

Dog in a landscape French oil painting on canvas 19Th by Augustin Luc Demoussy French oil painting signed and date 1947 French painter and lithographer, born October 5 1809 in Paris...

William James Müller Tribesmen beside ruins at Pinara, Lycia, c. 1844 ​ Oil on canvas Signed indistinctly to the stretcher frame verso, ‘Wm Müller’ 35.5 x 55.7 cm.; (within frame) 4...

Signed and dated, along the bottom of the oval: Dõr. Juan Ygnacio Galves nació el año de 1797. / Por J. Celestino Figueroa año de 1841. Provenance: Luis Alberto Acuña (1904–1994), ...

Pair of Portraits, attributed to the Prior-Hamblen School American, ca. 1840–1855 The painting is not signed Oil on panel, housed in original gilt frames with patterned borders This...

Camille Joseph Etienne ROQUEPLAN 1803 - 1855 A fantastic oppotunity to buy a piece by Camill Roqueplan.His works do not come up often in auction but in 1989 one reached FF 200 000. ...

French school circa 1810 Portrait of a woman in front of a landscape in a trompe l'oeil H. 106 cm; L. 91 cm Oil on canvas Preserved in its original vine leaf frame, this large portr...

French School of the 19th century, Attributed to Achille Deveria (1800-1857) A Lady and a boy with a dog, a Renaissance style scene Oil on wood panel 22 x 13 cm A label on the revers...

Painted with unsurpassed detail, Robert Salmon's works are desirable to collectors the world over, due to the impressive amount of historic subject matter presented through artistic compositions of the highest order. As an artist Salmon was one of the most important to come out of England and immigrate to America in this period, influencing the art of Fitz Henry Lane...

Jasper F. Cropsey Janetta Falls, New Jersey, circa 1846 Signed J.F. Cropsey Oil on canvas 12½ x 10¾ inches Provenance Private Collection, New York, 1930s Thence by descent to the pr...

Claude-Lorraine Ferneley Sir Richard Sutton's Most Famous Hunter Hotspur c.1840 24 X 28.5 inches framed A genuinely famous hunter! Even mention in...

André CHOLET Bassanne (Gironde), 1807 - ? A Little Milkmaid from the Bordeaux Region (circa 1840) Oil on canvas 40 x 32 cm (52 ​​x 45 cm with frame) Signed lower right "André Cholet"...

Oil on canvas, signed bottom right and dated '1840' Image size: 22 x 30 inches (56 x 76.25 cm) Albert Bierstadt Recognized as the foremost painter of the American frontier during the nineteenth-century, Albert Bierstadt was born in Solingen, Germany, in 1830. At the age of two, he and his family emigrated to the United States, settling in New Bedford, Massachusetts. Nothing is known of his early art training; however, he might possibly have been influenced by local landscape painters. By the time he was twenty, he was supporting himself by teaching "monochromatic" painting and his work was beginning to attract the attention of New Bedford collectors. In 1853, Bierstadt traveled to Düsseldorf in order to broaden his art education. It was there that he was associated with such American artists as Worthington Whittredge and Carl Wimar, all of whom frequently gathered in the studio of the German-American history painter, Emanuel Leutze...

Théodore Rousseau (French, 1812-1867) Personnages sur un sentier escarpé au coucher de soleil, 1845-50 Oil on paper laid on canvas Canvas: 12 x 9.75 inches (30.5 x 24.8 cm) Frame: 18...

LUNA, Charles de (1812-1866) Horses and carriage hunting Oil on canvas signed low left and dated 1841 Old original frame gilded with leaves Dim canvas : 39 X 75 cm Dim frame : 89 X 52 cm Certificate of authenticity LUNA, Charles de (1812-1866) French Painter 19th century Born in 1812 in Châlon sur Saone Genre scenes, military subjects, Orientalism Pupil of Léon Cogniet...