1960s Paintings

Oil Painting on canvas Hand signed to lower right Lauro. Provenance: Eleonore Austerer Gallery, San Francisco, CA Work Size: 39.5 x 39.5 in. framed 44 X 44 inches. Roberto Lauro is a British-Swiss Post War & Contemporary artist who was born in 1932. Roberto Lauro was born in 1932 in Gorey Harbor on the island of Jersey (Great Britain) the son of a Swiss mother, Rosa Ramseier, from Oberdiessbach / Emmental, Switzerland, and and Italian father Innocenzo Roberto Lauro, born in Mondovi, Italy. In 1941 he moved to Switzerland with his mother. 1949-1953 he lived in Gunten (Switzerland) where he did an Apprenticeship as a lithograph and offset printer and graphic designer in Thun. There he was introduced to the color theory of Johannes Itten by Hermann Oberli at the Bern School of Applied Arts. From 1953 to 1955 he worked as a fine art printer in Norway where he was influenced by the color theory of Edvard Munch. These works bears the influence of Russian artist Andre Lanskoy, Tachisme and the Cobra artists Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret. In 1955-1956 he worked as an offset printer in Amsterdam (Netherlands). Visit to the Instituut voor Kunstnijverheidsonderwijs. In 1957 he returned to Gunten, Switzerland. Where he started working in printmaking and and oil painting. He resumed his studies at the Bern School of Applied Arts. He was greatly impacted and influenced by abstract art on the occasion of a large Paul KIee exhibition. In 1958 he moved to Zurich where he worked part-time work as an offset copyist; fulfilling graphic orders for advertising agencies. In 1962 he took his final examination as graphic designer at the Zurich School of Applied Arts. In 1980 he begins his development of three-dimensional picture objects, Sculpture, detachment from the canvas, using metal as a support and play space for light and color. By 1981 he has turned full time to fine art. He spends the next years growing and developing his considerable talent. Inspired by classical music, the rhythm, mood and lightness of which form the basis for the large swings and loops of his colorfully lacquered metal and blown glass sculptures. These are "pensieri", thought sketches that capture the emotions in countless versions. There is something dance-like about his rotating sculptures. Everything becomes music and the rhythm of colors. In 1988, after exhibitions in Europe, he has his first exhibitions in Atlanta and San Francisco (USA), In 1989 he does his first glass and metal sculptures at the Roberto Niederer...

Work on canvas Wooden frame with golden patina 65,6 x 56,5 x 3,5 cm

- Colourful, decorative, impressionistic work capturing the refreshing quality and colour refraction of light rain - The composition is beautifully balanced the houses either side of the lane, with a strong foreground and light background recreating the visual depth of the landscape - The purple, blue, green, pink, and earth tones of the palette create liveliness and softness within the work and the light tones of the water on the lane have the strong reflective quality of a water - Injecting colour and atmosphere into the interior Basil Nubel ARCA, British 1923-1981 : Village in the Rain Signed & Dated 1969 lower right, reverse canvas inscribed 1.12.69 and varnished In the original wooden box frame The reverse bearing remains of Gallery Petit, Marble Arch, London W1 Basil Nubel was a landscape painter in oil and watercolour born in Great Yarmouth, Norfolk, to an English mother and German father. Nubel studied at Leeds College of Art under Alfred Daniels and Maurice de Sausmarez, then at the Royal College of Art under Carel Weight, Robert Buhler...

George Dannatt (1915-2009) was an outstanding and inspirational figure in the story of the later St Ives School. He represented a rare breed of cultural polymath: musician, critic, p...

Dynamic, mid century multi colored abstract by Erle Loran (American, 1905-1999). Depicts a group of hunters and their horses participati...

"Untitled 4" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime in the 1...

Like many of his peers--including de Kooning, Pollock, Rothko and others--Loew painted in a figurative style before the war and participated in the WPA mural project which gave othe...

Wonderful mid century modern abstracted landscape oil painting of the ruins at Chichen Itza by Jose Nacho (Mexican, 20th Century), 1968. Touches of gold met...

An emblematic example of Paul Jenkins mastery. It is not by hazard that Phenomena West Mantle was chosen as the cover of the catalogue for the groundbreaking exhibition "Paul Jenkins...

The story of the post-WWII New York School artists is still being written. The role of women in the art of the day still needs examination and study. Kurz is one such example. Diana Kurz (b. 1938) was born into a wealthy Austrian-Jewish family whose business was Aryanized after the Anschluss forcing the family to flee, first to Spain, then across Europe, and finally to the United States. Brought up as a "normal" American girl, Kurz always wanted to be an artist. She studied at Brandeis, at Hunter with Robert Motherwell and received her MFA from Columbia. She received instruction from Hans Hoffmann, studied with Phillip Guston and Phillip Pearlstein...

Wonderful mid-century abstract figurative by North Carolina artist Charles Chapin (American, 20th Century), 1964. signed and dated lower right (Chapin 8/64). Condition: Excellent. Image size: 38"H x 28"W. Presented in painted slat rustic frame. Framed size:: 39"H x 30"W x 1". Charles Chapin received his BA from North Carolina and was associated with the Chapel Hill...

'Still Life with Fruit', oil on board (1968), by Juliane Solignac. An engaging yet unusual artwork with vibrant colours, thickly applied with a painting knife. Nonetheless, through the thick paint there is an unfinished quality to the work leaving the impression that the raw canvas - or board in this case - is revealed. Some of the colour seems to have been scored on to the work with an artist's knife leaving lines and creating angles as in a cubist painting. There are layers of paint with no evident brush strokes. One may believe in this instance, Madame Solignac used this technique to create a visual effect which would deliberately have upset traditionalists. Be reminded that the Impressionists were criticised for creating patchy, incomplete works because there were strong notions about the correct way to paint in those days. Picasso once said, 'To finish a work is to kill it.' It is unsure how Mme Solignac would have felt about that. Regardless of this conjecture, the painting is colourful, compelling and rewards the viewer with a curious interest. The work is in fair vintage condition, newly framed with a linen slip. It is signed: 'Julian Solignac 68'. About the Artist: Juliane Solignac (born 1904). Regrettably, there is not much information available about the artist (including what year she may have died). She is referenced as a resident artist in Montmartre in the 1930s, one of only a handful of women in an otherwise sea of male names. In addition, Solignac is mentioned in both French and Dutch references as a creator of fabrics. These may have been more artistic 'tapis' which are hung on the wall like a painting. A Dutch museum references having one of her designs in their collection. Here is a quote from the magazine, 'COTE', Edition Nº 9 (March 2009): "Until 20 April, Pierre Frey is exhibiting 50 printed fabric works from their own collection dating from 1936 to today. Most were produced in liaison with artists like Jean Chatanay, Irène Rohr, Juliane Solignac, Rieffel Anossof, Janine Janet...

An original mid century modern abstract expressionist painting by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whose w...

Substantial California School large abstracted landscape painting of a small fishing village in Northern California, with boats along the shore by Da...

Note; Estate stamped and accompanied by COA Oil pastel on Arches paper The history of the New York School painters is still being written, but Price earned a well-deserved place fr...

Born in Philadelphia, Ben Wilson was a New York abstract expressionist painter. His work was exhibited frequently from the mid-thirties through sixties, and less frequently but consi...

A British painter who showed often in Italy.

American school abstract painting. Watercolor on paper, circa 1960. Unsigned. Image size, 12"L x 9"H.

Masaaki Yamada (1929-2010) Work C.030 Executed in 1963 Oil on canvas 34 x 24.5 cm. (13 ⁷/₆₄ x 9 ⁴¹/₆₄ in.) Signed and dated in Japanese and Western characters (on the reverse)

Œuvre abstraite par Jean Piaubert sur panneau de bois. L'œuvre est réalisé avec une mélange de sable et peinture acrylique. Encadré et signé en bas à droite. Né à Bordeaux le 27.1.1...

Ralph Rosenborg (American, 1913-1992) Mountain Weed with Two Clouds, oil on jute canvas, canvas is hand signed recto and verso, artists label and Snyder Fine Art gallery label, The painting is dated 1965. Dimensions: 24 x 36 canvas, framed size is 44.5 x 32.5. Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years. Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art. In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn. At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...

Gorgeous watercolor by Adine Stix. Wonderful colors on heavy paper with great edges. Signed “Adine” and dated ‘63 lower right.

The story of the post-WWII New York School artists is still being written. The role of women in the art of the day still needs examination and study. Kurz is one such example. Diana Kurz (b. 1938) was born into a wealthy Austrian-Jewish family whose business was Aryanized after the Anschluss forcing the family to flee, first to Spain, then across Europe, and finally to the United States. Brought up as a "normal" American girl, Kurz always wanted to be an artist. She studied at Brandeis, at Hunter with Robert Motherwell and received her MFA from Columbia. She received instruction from Hans Hoffmann, studied with Phillip Guston and Phillip Pearlstein...

Signed lower right, 'Chambliss' for Charlotte J Chambliss (American, 1910-2002) and dated 1962. A large mid-century, American Abstract oil comprising overlaid and adjacent biomorphi...

Signed lower right, 'Shaha' and dated, '69'; additionally signed and dated upper right. A large and bright, mid-century abstract oil by this French-born California artist. Giselle S...

Neuman's work assimilated a wide variety of influences, including Bay Area Abstraction, the New York School and European Art Informel. Not bad for a young man raised in the rural min...

Cleve Gray Roman Wall (blue), 1979 Roman Walls Series Mixed media on paper 22 1/2 x 30 inches

Vintage 1960s original semi abstract oil painting, "Sybils Telling Cosmic Jokes On Mankind", by 20th century Denver modernist, Edward Marecak (1919-1993). Painted in bright colors of...

Dark Image, 1960 by Will Barnet (1911-2012) Oil on canvas 53 x 30 ½ inches unframed (134.62 x 77.47 cm) 55 ½ x 32 ⅞ inches framed (140.979 x 96.2152 cm) Signed and dated on top right on the reverse Description: This abstract oil painting by Will Barnet uses minute gradations in value to achieve a work that presents a contextual understanding of color. Upon first inspection, it looks as if Barnet has created a completely black canvas with some hints at forms in the darkness; however, upon a closer look, the canvas is, in fact, not black, but instead comprised of varied shades of dark, muted blues, grays, and purples. Barnet presents us with an illusion of vision, asking the viewer to question his perspective and understanding of color interplay. At the beginning of his career, Will Barnet was known for his figural depictions of domestic scenes. But, as he continued to stylistically develop, Barnet arrived at abstract geometric paintings far removed from his original career. A part of the Indian Space...

An original mid-century modern abstract expressionist painting by American artist Toma Yovanovich. This work comes housed in an original artist made frame. The painting is signed,...

Work on canvas blue wooden frame 74,5 x 61,5 x 2,5 cm

Oil on Canvas by Carlos Carnero. He was friend and pupil of Fernard Léger and friend of the most important artist of his time, such as Picasso and Matisse. This is from his abstract ...

Oil abstract comprising interconnected organic shapes in variegated shades of turquoise, vermilion, coral, and lime, outlined in deep ebony. Signed with monogram lower right, 'P.T.'...

"Untitled 7 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime ...

Note: Estate stamped; accompanied by a letter of authenticity from the artist's nephew and executor. The history of the New York School painters is still being written, but Price earned a well-deserved place from the beginning. Price was one of the youngest of the first generation Abstract Expressionist circle of painters working in New York after WWII. Though only in his late twenties he began exhibiting in 1948 in New York at Hugo, Bodely, Iolas and Egan galleries. In a 1949, showing at Peridot galleries, Price was hailed for his breakthrough "Maze Series." A complex interweaving of organic shapes, automatic in nature and sometimes resembling bones or body parts, the "Maze" paintings exuded a pulsating energy that brought him critical acclaim. He received rave reviews in Art Digest, the New York Times and the New York Tribune. Price's earliest work was biomorphic or surrealist in nature, influenced by the automatism of Andre Breton and his school. By 1946, his work began to move away from this style to an all-over, decentralized style which became the "Maze" works and ultimately AbEx works which saw their culmination in the "Black Warrior...

"Untitled 2 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is an abstract enamel painting on metal tile from a series created sometime in t...

Senkichiro Nasaka (1923-2014) WORK Mixed media on paper 15.5 x 40 cm ( 6 ¹/₈ x 15 ³/₄ in) not considering the frame Executed in 1962 The present work is one of the few paintings pre-dating Senkichiro Nasaka’s affiliation to the Gutai Group. The particular choice of means and technique, inspired by Senkichiro Nasaka’s mastery of both Japanese and Western painting, conveys the semblance of geological accretions, and clearly adheres to Jiro Yoshihara’s motto: “create what has never been done before” About the Artist: Born in Osaka Prefecture in 1923, in 1942 Senkichiro Nasaka entered the Kyoto City Painting University. where he was a contemporary of Kazuo Shiraga. In 1960s he made a career switch from Japanese traditional painting to Western style oil painting, creating works under the influence of the informel style. In 1965 Nasaka presented his work to the 15th Gutai Art...

Abstract oil on canvas painting by Ivan Freitas. 25" x 31" inch canvas, framed to 30" x 36". Bearing a Barcinski Art Gallery label verso and a second lab...

This Mount Fuji inspired work is what Noel called a Palimpseste. Meaning like an ancient piece of papyrus paper, man would use the paper over and over again, making his markings. There is sand on the canvas and he worked on this wet to incise in and build up the surface so there is beautiful texture. It is elegantly framed in a gold leaf float frame - 24 karat gold. Noel is an avant grade artist that worked alongside Cy Twombly in his early years at Fachetti Galleries in Paris - both artists used writing/.graffiti to form their compositions. Beginning in the late 1950s through 2000, Georges Noël produced both canvases and works on hand-made papers inspired by palimpsests, 6th century manuscript pages...

Beautiful oil on canvas by Alfred Angeletti. dated and signed. Alfred Angeletti, Artiste peintre (1919 - 1991),

A mid-century modern geometric abstract painting by American artist Richard Huntington. Richard Huntington (b. 1936) is an American painter, printmaker, and writer, is Critic Emerit...

Blue Navy Abstract, Size: 31x36.5 framed 32x37.7 Walter Swyrydenko was born in Sloviansk, Ukraine in 1942. A graduate of Kent State University, receiving a B.S. in Art Education and an M.A. in Painting. Studied in Paris, France. Professor of Art at Lakeland Community College. He was awarded the rank of Professor Emeritus in 2002 by Lakeland Community College, and held a retrospective of his work, "A Look Back 1965-2001," at the LCC Gallery in 2003. Listed in Marquis’ “Who’s Who Dictionary of International Biography,” “ Leaders of America,” “Who’s Who in the Arts, 1971-1972,” Artists/USA, 1972-1973, 1974-1975,” “Outstanding Young Men of America,”1971,” International Who’s Who in Art and Antiques, 1972,” Annuaire De L’Art International, 1974-1975, 1975-1976,” “Library Of Human Resources...

Dynamic abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009).Oil on masonite. Titled "Ghostly Touching" on verso. Signed "Les Anderson" bottom left....

Hilaire Hiler (1898-1966) original vintage 1960 abstract painting (structuralism), mid-20th century New Mexico artist, signed lower right and painted in tones of pink and blue. Framed dimensions measure 15 ½ x 18 ¾ inches. Image size is 14 x 17 ½ inches. Painting is clean and in very good vintage condition - please contact us for a complete condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and was raised in Providence, Rhode Island. Hiler took art classes as a child at the Rhode Island School of Design. When he was older, Hiler studied at the Pennsylvania Academy of the Fine Arts, the Pennsylvania School of Industrial Art, Wharton School of Finance and Commerce, and William Server’s studio. He also studied at the University of Pennsylvania, the University of Denver, Golden State University, and National College in Ontario, Canada. He continued on to France, studying at the University of Paris in 1919. Hiler lived in Paris from 1919-1934, supporting himself as a jazz musician and a piano player for The Jockey Club. Hiler moved back to America in 1934, settling in San Francisco. He was commissioned by the Works Progress Administration to paint murals in the Aquatic Park...

JACOB EL HANANI b. 1947 1947 Casablanca (Israeli) Title: Untitled, 1968 Technique: Signed and Dated Acrylic on Canvas Size: 73 x 93 cm. / 28.7 x 36.6 in. Additional Information...

Stunning mid century mixed media collage of Roman travel items and photos by James A. Couglin, a Berkeley Abstract Expressionist (American, 1929-1979), c.1966. Painted during his Par...

Senkichiro Nasaka (1923-2014) WORK Mixed media on paper 34 x 22 cm (13.4 x 8.7 in) not considering the frame Executed in 1962 The present work is one of the few paintings pre-dating Senkichiro Nasaka’s affiliation to the Gutai Group. The particular choice of means and technique, inspired by Senkichiro Nasaka’s mastery of both Japanese and Western painting, conveys the semblance of geological accretions, and clearly adheres to Jiro Yoshihara’s motto: “create what has never been done before” About the Artist: Born in Osaka Prefecture in 1923, in 1942 Senkichiro Nasaka entered the Kyoto City Painting University. where he was a contemporary of Kazuo Shiraga. In 1960s he made a career switch from Japanese traditional painting to Western style oil painting, creating works under the influence of the informel style. In 1965 Nasaka presented his work to the 15th Gutai Art...

A painting by Sadamasa Motonaga. This Untitled, abstract, oil on canvas painting in executed in a lush and thick palette of primarily reds, greens, o...

Dramatic abstract expressionist landscape with vibrant hues of green and blue like feathers by unknown artist Gottlieb (American,20th Century) c.1965. Signed "Gottlieb" lower left. P...

Tadashi Sugimata (1914-1994) WORK V oil on canvas 41 x 53.2 cm (16 1/8 x 20 7/8 in) not considering the frame Executed in 1961 Signed Signed and titled in Japanese in the back A...

American school abstract painting. Watercolor on paper, circa 1960. Unsigned. Image size, 12"L x 9"H.

Composition by Aika Brown (1937-1964) Mixed media on canvas 130 x 89cm (51 ¹/₈ x 35 inches) Signed and dated on the reverse, B. AIKA Paris 1961 Executed in ...

Penthouse, 1960's (Bank Street Series), acrylic on arches paper, signed lower right Bertschmann.

Note: Estate stamped; accompanied by a letter of authenticity from the artist's nephew and executor. The history of the New York School painters is still being written, but Price earned a well-deserved place from the beginning. Price was one of the youngest of the first generation Abstract Expressionist circle of painters working in New York after WWII. Though only in his late twenties he began exhibiting in 1948 in New York at Hugo, Bodely, Iolas and Egan galleries. In a 1949, showing at Peridot galleries, Price was hailed for his breakthrough "Maze Series." A complex interweaving of organic shapes, automatic in nature and sometimes resembling bones or body parts, the "Maze" paintings exuded a pulsating energy that brought him critical acclaim. He received rave reviews in Art Digest, the New York Times and the New York Tribune. Price's earliest work was biomorphic or surrealist in nature, influenced by the automatism of Andre Breton and his school. By 1946, his work began to move away from this style to an all-over, decentralized style which became the "Maze" works and ultimately AbEx works which saw their culmination in the "Black Warrior...

John Bolam was born in 1922 in Amersham, Buckinghamshire. He originally studied painting at Hornsey School of Art and furniture design at High Wycombe School of Art. He subsequently became a member of the Great Bardfield group of artists (named after the village in Essex where many of the members settled). Close friends and colleagues from that time included Michael Rotherstein, Edward Bawden, John Aldridge...

A vibrant and captivating abstract painting by Greek artist Constantin Karahalios featuring incredible texture and color. A custom frame presentation would be included in the price....

Caradoc Ehrenhalt would often accompany his mother, the artist Amaranth Ehrenhalt, on her visits to the Louvre in Paris and the Metropolitan Museum of Art in New York. She enjoyed ta...

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 1969. He is considered to be a master of colour, in his painting Gard creates original formal and compositional solutions of forms and colours. Exploring the geometric composition with chromatic and special themes Gards clasps the complexity of black and white and the extremes of the tonal scale of colours. Gard's work have been the subject of many writers, including Piero Dorazio and Virgilio Guidi, as well as renowned poets art art curators such as Jorge Amado...