1960s Paintings

Artist: Julien Dinou, Swiss (1895 - 1983) Title: Jeu de Taches Year: 1966 Medium: Oil on Board, Signed and dated Size: 20 x 26 inches; 50.8 x 66.04 cm Frame: 24...

Elizabeth Osborne (American, b. 1936) Interior with Figure Oil on paper, 10 3/4 x 13 3/4 inches; Framed: 18 1/2 x 21 1/2 inches Signed and dated at lower right: "Osborne 68" Note attached to backing: (handwritten) "Soc/Happy Spring!/I decided life is too/short and I want you to have this--Liz"; "(over)"; (verso) "This is referring to a/drawing of a figure/oil on paper 1968/given to me in exchange for one of my watercolors S.P." Provenance: the artist; Socrates and Rhea Perakis, NJ" Elizabeth Osborne was born in Philadelphia PA. Encouraged by her high school art teacher—the artist Hobson Pittman—to attend the Pennsylvania Academy of the Fine Arts (PAFA), she enrolled there in 1954 in a joint BFA program with the University of Pennsylvania. Only the third woman to have joined the faculty of PAFA in 1963, she was for many years the sole female faculty member. She retired from the Academy faculty in 2011. Her work is in the collections of the Philadelphia Museum of Art, the Pennsylvania Academy of the Fine Arts, the McNay Art Museum, the Reading Art...

Fusain on paper, signed lower right.

Oil on canvas, signed lower left. Gérard Souzay (né Gérard Marcel Tisserand le 8 décembre 1918 à Angers, Maine-et-Loire, et mort le 17 août 2004 à Antib...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Pierre Vlerick’s work shows...

Red abstract painting that was hand manipulated to strategically place holes in the center by the Catalan artist Carlos Planell. Artist name listed on reverse along with "Escuela de ...

This work is one of a group of over 100 works personally selected by the artist, and gifted to a close personal friend in 1969. Exhibited: 1967 National Academy Annual Exhibition -...

Non-objective abstract oil on canvas from the estate of Bert Miripolsky. American artist Miripolsky studied painting at Chicago Art Institute in the early 1940s and has exhibited th...

Dipinto astratto firmato, titolato e datato sul retro della tela M. Nuti "MARE SILENZIOSO" 1964. Segnato e datato anche in fronte: Nuti 64. Olio su tela, 50 x 100 cm. Mario Nuti è ...

Suzanne Bloomfield’s 1969 painting, After the Storm, is a striking blend of oil and encaustic that immerses viewers in a world of renewal and transformation. Deep reds, earthy brown...

The painting is being offered with a work and authenticity certificate

It is somewhat hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history. Born to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jew...

The painting is being offered with a work and authenticity certificate

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

"Expressionist Abstract #5" is a 50 x 60 inches oil on board work by Philadelphia artist Morris Lewis Blackman. The painting is signed in the artist's monogram "MLB" and dated 1964-6...

"Expressionist Abstract #3" is a 50 x 55 inches oil on board work by Philadelphia artist Morris Lewis Blackman. The painting is signed in the artist's monogram "MLB" and dated 1964-6...

Football players cloaked in oversized Browns jackets are seen from behind running off the field. Always the graphic innovator, legendary illustrator Bob Peak creates a radical composition by leaving the bottom two-thirds of the picture plane empty of detail. To convey a sense of motion, Peak uses broad strokes of paint similar to the action painters Franz Kline and Willem de Kooning, who were the dominant force in the fine art world in the 1960s. Clearly, one can see a cross-over influence from Fine Art to commercial illustration as Peak strikes a balance between abstract versus figurative art. This work was done on an assignment for Sports Illustrated...

Brilliant American Illustrator Bob Peak captures the fury and power of a punch to the face with rapid broad strokes of the brush. Combined with a somber color scheme and gestural bru...

Signed and dated 'Al Held 61' (lower right) Price: $75,000 (+5% import VAT) Provenance: Robert Miller Gallery, New York (stock no.1179359 HELD-0075) Private collection, New York Private collection, New York (acquired from the above in 2012) Exhibited: New York, Queens Museum; Norfolk, Virginia, Chrysler Museum; Maine, Portland Museum of Art; Miami Beach, Bass Museum of Art; Washington, D.C., The Phillips Collection...

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 1969. He is considered to be a master of colour, in his painting Gard creates original formal and compositional solutions of forms and colours. Exploring the geometric composition with chromatic and special themes Gards clasps the complexity of black and white and the extremes of the tonal scale of colours. Gard's work have been the subject of many writers, including Piero Dorazio and Virgilio Guidi, as well as renowned poets art art curators such as Jorge Amado...

Marc Vaux Untitled (BY) 1965 Acrylic on cotton duck 77 x 77.5 cms (30.3 x 30.5 ins) MV20871

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and titled verso. 40.25 x 56.25 in. 40.75 x 56.75 in. (framed) Custom framed in a wh...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Sketch SF65-076, 1965 Technique: Signed and Dated Acrylic Painting on Paper Size: 33 x 55.9 ...

"Paesaggio" is Stefanelli’s celebration of the Italian landscape and its power and warmth. Strokes of geometric shapes in swaths of orange hint at the presence of manmade structures ...

Price: $75,000 (+5% import VAT) Provenance: Robert Miller Gallery, New York Private collection, New York (acquired from the above in 1980) Exhibited: Montpellier, Musee Fabre, "...

SF64-045, Sam Francis, Acrylic, American Abstraction, Postwar, Work on paper 1964 Acrylic on paper 73 x 56.5 cm 94 x 75 cm / 37 x 29.5 in. (w...

Jim’s of Lambertville is proud to offer this artwork by: Rex Ashlock (1918 – 1999) Born in Spokane, Washington in 1918 Rex Ashlock was known for his abstract, figurative expression...

JUNKO FRANK (Junko Tsuchihachi) b. 1930 Wakayama, Japan 1930 (Japanese) Title: Je ne sais ou il va?, 1969 Technique: Original Signed and Dated Oil Painting on Canvas size: ...

Signed Verso Rex Ashlock (1918 - 1999) Born in Spokane, WA on Aug. 23, 1918. Ashlock moved to San Francisco in 1937 and was a copy boy for Associated Press while studying at the C...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Jim’s of Lambertville is proud to offer this artwork by: Rex Ashlock (1918 - 1999) Born in Spokane, WA on Aug. 23, 1918. Ashlock moved to San Francisco in 1937 and was a copy boy...

Artwork size: 195x97 cm. Frame size 222x123 cm. Provenance: Private collection Stockholm, Sweden Certificate of authenticity from the Comité Lanskoy in Paris André Lanskoy was born ...

JOHN PIPER (1903-1992) JAZENNES, 1967 Watercolour, pen, ink & gouache on paper 56x75cm Signed & titled and dated lower right From the mid 1950s, Piper travelled frequently in France...

‘ My pictures are painted to be listened to ‘Ivon Hitchens One of the foremost Modernists of his age, Hitchens was known as ‘ the painter in the woods ’. This picture is an exception...

Robert Natkin Untitled, 1963 Acrylic on canvas 62.75 x 38 inches 159.4 x 96.5 cm RNa031 Celebrated as an unsurpassed colorist and for the beauty of his large-scale abstract works, R...

Robert Motherwell (1915-1991) Open No. 45: In Blue with Brown 1969 Acrylic and charcoal on canvas 55.9 x 71.1 cms (22 x 28 ins) RM9741 P447 Exhibited: Art Galleries, American Academy of Arts and Letters, New York, Exhibition of Work by Newly Elected Members and Recipients of Awards, 1970, no. 55. Galerie Templon, Paris, Robert Motherwell Open...

Robert Motherwell Elegy to the Spanish Republic No. 60 1960 Oil on paperboard 17.8 x 23.8 cms (7 x 9 3/8 ins) RM14624 W111 Provenance: Harriet Mnuchin Weiner, 1961. Christie's, New ...

Blue Gaze, 1977, by Robert Natkin (1930-2010) Acrylic on canvas 66 x 66 inches framed 25.98 x 25.98 cm) Signed on bottom right In childhood, Natkin recalls a dream where he dives into an Oriental rug and as he floats down into the rug he passes through bejeweled mazes of color that appear exotic to him. This recurring dream is not surprising to anyone familiar with this artist's work, since much of Natkin's work reminds one of textiles. He achieves this look by his use of cross-hatching, blottings, dottings and his own technique of transferring textures right onto the canvas by pressing with a heavy cloth or paper towel. Exhibitions: In 1957, Momentum, Chicago, IL In 1968, Pointdexter Gallery, New York, NY (solo) In 1969, San Francisco Museum of Art (retrospective 1952-1969), San Francisco, CA (solo) In 1974, Within the Decade: Selections from the Guggenheim Museum Permanent Collection, The Solomon R. Guggenheim Museum, New York, NY In 1980, Masters of American Watercolor, The Oklahoma Art Center, Oklahoma City, OK In 1992, Gimpel Fils Gallery, London, UK (solo) In 2007, LewAllen Contemporary, Santa Fe...

Pastel, 1961 Handsigned by the artist in pencil Certificate of authenticity Pastel, graphite and scratching Framed work : 57 x 72 cm Support: baryta cardboard laminated on wood pane...

Oswaldo Vigas Terricola, 1963 Oil on Canvas 116 x 90 cm 45.6 x 35.4 in. The painting is accompanied by a certificate of authenticity. Cat. Rais. 1963.131 Provenance: Private Collect...

Kestutis Edward Zapkus was born in Lithuania in 1938. He was predominantly influenced creatively by the Abstract Expressionist movement in Post War New York. Zapkus soon immigrated t...

Signed lower right. An exquisite painting executed during his travels, “Still Life on the Beach, France” depicts a vase of chrysanthemums perched along a sandy beach with sailboats ...

Robert Motherwell Open #125: Jeannie 1969 Acrylic and charcoal on canvasboard 76.2 x 50.8 cms (30 x 20 ins) RM9796 P532 The title of this painting refers to Motherwell's elder daugh...

Robert Motherwell Automatism No. 11 1965 Ink and oil on paper 67.3 x 61.6 cms (26 1/2 x 24 1/4 ins) Part of the Beside the Sea series, a series of oil paintings influenced by Mother...

Robert Motherwell Elegy to the Spanish Republic No. 110C 1968 Acrylic and graphite on paper 15.2 x 20.3 cms (6 x 8 ins) Robert Motherwell's Elegies series represent one of the iconic motifs of Abstract Expressionism.  Based on a 1948 ink illustration the artist executed accompanying a Harold Rosenberg poem, “A Bird for every bird,” the drawing shows the hypnotically repetitive patterning of ovoids and vertical beams.  The stark contrast of the black ink on white paper references the symbolic use of the color black by artists such as Goya, Manet and Matisse to convey death, loss, and tragedy.  Motherwell was quite affected by the turbulence of the Spanish Civil War and alludes to the Spanish republic in his Elegies. Motherwell’s plumbing the depths of poetry, history, and primordial art in the Elegies is considered a hallmark of nascent Abstract Expressionist painting in its desire to "excavate" essential imagery of mankind. Motherwell, who originally trained as a philosophy scholar and later became of the great editors of 20th century art documents, grasped very early on the crucial importance that in order to contribute meaningfully to the canon of modern art, one must create a principle of aesthetics. Through the surrealist concept of automatism, the artist finally found the creative principle that eventually governed his extraordinary artistic output and produced the Elegies, one of the most salient, immediate painterly images of 20th century abstract painting. In fact, he has alluded to the fact that each one of his Elegies begins as an automatic drawing, and certain shapes are then blocked to create the signature armature of the vertical bars and ovals. The Elegies seem to possess the power of an archetypal image, an image the mind already grasps on a subconscious level. Motherwell's play of dualities of black and white as well as other dichotomies—the geometric versus the organic, chaos versus order, death versus life—was a condition of living through a tumultuous period in American history. During an interview, he vividly recalled the 1940s as the time when society was ordered by a set of contradictions.  In Motherwell's Elegies, he not only discovered an incredibly elastic pictorial language that would communicate on multiple levels but also acknowledged these contradictions in a manner that would resonate in abstract form.  The present work served as a model for a painting, Spanish Elegy...

Dark Image, 1960 by Will Barnet (1911-2012) Oil on canvas 53 x 30 ½ inches unframed (134.62 x 77.47 cm) 55 ½ x 32 ⅞ inches framed (140.979 x 96.2152 cm) Signed and dated on top right on the reverse Description: This abstract oil painting by Will Barnet uses minute gradations in value to achieve a work that presents a contextual understanding of color. Upon first inspection, it looks as if Barnet has created a completely black canvas with some hints at forms in the darkness; however, upon a closer look, the canvas is, in fact, not black, but instead comprised of varied shades of dark, muted blues, grays, and purples. Barnet presents us with an illusion of vision, asking the viewer to question his perspective and understanding of color interplay. At the beginning of his career, Will Barnet was known for his figural depictions of domestic scenes. But, as he continued to stylistically develop, Barnet arrived at abstract geometric paintings far removed from his original career. A part of the Indian Space...

Unique work on wax paper, signed by artist in pencil and paint

Presenting a just discovered mixed media painting by American artist Robert McIntosh, (1916-2010.) Endeavor, is an original mixed media oil and collage on canvas board, signed, c. ...

Abstract black and blue painting by Spanish artist Carlos Planell of two blocky figures from the 1960's. The black dots across the canvas penet...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...

Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core prac...