1960s Paintings

A painting by Sadamasa Motonaga. This Untitled, abstract, oil on canvas painting in executed in a lush and thick palette of primarily reds, greens, o...

Herbert Ferber Untitled, 1968 Unique Ink and color wash on paper Hand signed and dated by the artist on the front Framed with original Knoedler Gallery label (under the respected dir...

This vibrant British abstract is by noted artist Peter L Field. Painted circa 1960, the composition in reds has relief sculptural impasto. The red works ...

Artist: Leonardo Nierman Title: Un Fuego Magico (Variation) Year: 1965 Medium: Oil on Masonite, signed and dated l.r. Size: 24 x 31.5 inches Frame: 28 x 36 inches

Nicely executed American modernist abstract print. Signed. Image size, 15H by 22L.

Impressive early American modernist abstract seascape oil painting. Framed. Oil on canvas board. Signed. Image size, 16H by 20L.

Canvas mounted on wood Golden wooden frame 89 x 73 x 5 cm

A dynamic and boldly imaginative work by celebrated mid-century Denver artist Edward Marecak, "Witches Entrance" is an original abstract painting dating to the 1960s. Rich in color a...

A wonderful work by the elusive Salvadoran Mauricio Aguilar which is sculptural as well as pictorial. As I hope the video will show, the artwork offers new perpectives when viewed fr...

This vibrant British abstract is by noted artist Peter L Field. Painted circa 1960, the composition is in blues and yellow/browns with Field's striking h...

Artist: John Hultberg, American (1922 - 2005) Title: At The Border Year: 1960 Medium: Oil on Canvas, signed and dated, verso Size: 32 x 40 in. (81.28 x 101.6 cm)

Prophet (31) John F. Leonard American (1921–1987) Date: circa 1965 Oil on board Size: 22 in. x 25 in. (55.88 cm x 63.5 cm)

Dancer (26) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 24 in. x 20 in. (60.96 cm x 50.8 cm)

Seagulls On The Shore Vibrant Abstract Impressionist. Artist singed lower right canvas 30x36. Judith Sobel was born in Lwow Poland in 1924. After World W...

Roger Lersy, French (1920 - 2004) Painting on paper (not sure if this is watercolor, acrylic or oil, the paper has a velvet finish and texture to it and there is some texture to the ...

Add some life to your room with this bright & colorful Mid-Century, Abstract Expressionist painting by artist Harold Haydon. Floated in a black, wooden frame. Image size: 10" x 14...

This is an oil on canvas. it is unsigned. Yona Lotan (1926-1998) Engineer and Painter. Yona Lotan was born in Lithuania. The family moved to Tel-Aviv, Palestine in 1936. He served as...

Multi-Color Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer A bold mid-century abstract expressionist piece exploding with heavy texture and vivid color by San Francisco artist Peter Witwer (American, 1928-1968). Darker colors are layered atop each other, building up from white, yellow, and red through greens and blues into dark purple and black. The composition is surrounded by an orange field, creating a strong contrast. Unsigned, but was acquired with a collection of Witwer pieces. Displayed in a vintage wood frame. Linen size: 30"H x 16"W Framed size: 31.25"W x 17.25"W Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Then to a San Francisco Collector and then to Robert Azensky fine Art Born George Peter...

Signed lower left. About the artist: Rolph Scarlett was a painter of geometric abstraction during the American avant-garde movement of the 1930s and 1940s. Born in Guelph, Ontario,...

Impressive early American modernist abstract surreal landscape oil painting. Framed. Oil on canvas. Signed. Image size, 36H by 36L.

Brighten up your life with this vibrant & large Abstract Expressionist painting by Danish artist Helge Jacobsen in purples, greens and yellows. Artwork size: 27 1/2" x 39 1/2".

Oskar D'Amico (1923-2003). Fisherman at Dusk, c.1960. Oil on linen canvas, 16 x 30 inches; 18 x 32 inches (frame). Signed lower right. Excellent condition with no damage or conservation. Biography: Oskar Maria D'Amico (February 22, 1923 – May 3, 2003) was an active Italian artist in Rome, Naples, Lanciano, Cisterna, Milan, Gallarate, Torino, Zagabria, Paris, Toulouse, Melun, Carenac, Maubeuge, Madrid, Barcelona, Zaragoza, Budapest, Győr, Mexico City, Cuernavaca, Morelia, Toronto, New York City, Philadelphia, Los Angeles, San Francisco, Miami, Denver, Santa Fe, Albuquerque and Socorro, between 1943 and 2003. He is considered a Nomad artist because of his ability to work in various styles. He had three major periods in his artistic life: Figurative, Materic and Geometric. [1]He also was an outstanding art director for more than 75 epic movies. D'Amico had a very outgoing personality. He was a non-conformist, which was reflected in his work throughout his life. D'Amico was born in CastelFrentano, Italy, a small village in Abruzzo. At a young age, he felt he had to leave and dive into the big world. After being a seminarist with the Salesiani during World War II, he left Naples, where he studied architecture, and began a great adventure in Rome. He specialized at the time in decorating nightclubs and bars, and invented a special type of double ceiling to hide the lights. D'Amico, who was self-taught as a teenager in drawing and painting, burst onto the filmmaking scene in Rome when an art director asked him to do a perspective of a set design. Soon other moviemakers were calling him.[2] D'Amico was an art director on 75 films including two by Orson Welles. D’Amico was able to create a real marble floor in the set of the palace of the King Saul, in "David and Goliath" directed by Orson Welles. Art directors previously painted a simulated marble on top of concrete due to the cost of the real thing. D'Amico became an associate of Jadran Films in ex-Yugoslavia, which specialized in Roman and Egyptian constructions. While an art director, he never stopped painting. His faceless clowns, reflecting the people who had no identity after World War II, were a big success. In the early 1960s, D'Amico moved with his family to Toronto, Canada, another place he felt was too small. He left for Philadelphia and New York City, which affected his work. He turned his focus to abstract, and for more than a decade created abstract Expressionist paintings "on the plane of all matter" that he called "Materic". The Materic style, which he invented, was done in several media and could not be changed once on the canvas. The paintings were very well received. D’Amico sold more than 400 in Philadelphia and New York City. Unfortunately he had to stop doing the Materics because the colors he used were harmful to his liver. In the mid 1970s, he returned to his architectural roots and developed a new vision for Abstract Constructivism using just acrylic colors. Presented in Paris by his French Art dealer, Francoise Tournier, at the Grand Palais de Paris, and in Mexico City, D'Amico's interpretation of the "New Geometry" was widely admired. In 1983, when he presented the work at the Bodley Gallery, people whispered that he had the potential to be the new Picasso because of his eclecticism and the Nomad nature of his styles. In 1987, D'Amico abandoned the gypsy life and settled in New Mexico. Albuquerque was the perfect place to dedicate himself 100 percent to his work.[3] There were no distractions and a good climate that reminded him of his beloved Cuernavaca in Mexico. Staying in close contact with his French art dealer Tournier, D’Amico had several shows in Denver at the Helen Karsh Gallery and in Albuquerque at the Black Swan and Café Galleries. At least once a year, D’Amico went to Europe to immerse himself in the antique world and visit museums and galleries. In 1992, visiting Tournier at the Castle of Saint Cirq Lapopie, he met the man who founded the MADI movement in 1940, Carmelo Arden Quin...

Mid-Century - Horse Race #28 Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 9 /78 x 6 7/8 (17 7/8 x 14 5/8 inches, frame size) *Frame appears to be original and made by the art...

Painted by Dora Masters (American, 1913-2003) and painted circa 1960. Stamped verso with certification of authenticity. Dora Masters exhibited widely and with success throughout th...

Unknown/ Unidentified Artist, Untitled Still Life, Abstract Still Life, 18 x 14, 1968 Colors: Black, White, Red, Green, Blue, Brown, Purple Note: Artist Signature on bottom right ha...

Ross Bleckner (American, b. 1949) Untitled (Geometric Abstraction) Acrylic on board 19 1/2 x 16 3/4 in. Signed lower right: Ross '66 Ross Bleckner grew up in Hewlett, Long Island, N...

Signed lower right, 'Kurt Weber' for Kurt Oscar Weber (Swiss-American, 1938-2011); additionally dated, verso, May 1963, and signed. Framed dimensions: 46 H x 1.5 D x 58.5 W inches. ...

Signed lower right, 'Kurt Weber' for Kurt Oscar Weber (Swiss-American, 1938-2011); additionally dated, verso, May 1963, and signed. Framed dimensions: 46 H x 1.5 D x 58.5 W inches. ...

Cityscape on Water II by Miriam 'Midge' Karr, American Date: circa 1965 Oil on Canvas, signed verso Size: 10 x 14 in. (25.4 x 35.56 cm) Frame Size: 15 x 19 inches

Cityscape on Water II by Miriam 'Midge' Karr, American Date: circa 1965 Oil on Canvas, signed verso Size: 24 x 20 in. (60.96 x 50.8 cm) Frame Size: 32 x 27.5 inches

Pat Adams Extended Alike, 1969 Gouache on Paper Mounted to Canvas (Zabriskie Gallery 25th Anniversary & Contemporary Arts Center, Ohio Exhibition Labels) Signed 'Pat Adams 12.69' upper left front In vintage period frame This unique, hand signed gouache on paper, mounted to canvas by renowned artist and longtime member of the Bennington College art department and National Academician Pat Adams, bears labels verso from the following exhibitions: 'Pat Adams Paintings', The Contemporary Arts Center, Cincinnati Ohio, Dec. 7-Jan. 20th. Adams at Zabriskie '(25th Anniversary Exhibition) Zabriskie Gallery, New York, NY, Dec. 5, 1978-Jan. 6, 1979, Cat. no. 41 and' Zabriskie Gallery, New York, Jan. 6-Jan 24, 1970 Measurements: Framed: 19 1/2" H x 13 1/4" W Artwork: 18" H x 11 1/2" W; Excellent condition, held in a vintage frame PAT ADAMS BIOGRAPHY: Pat Adams Biography: Pat Adams (American, b. 1928) was raised in Stockton, California, and began painting at the age of ten. She studied painting at UC Berkeley from 1945–49, where she first encountered the ideas of Hans Hofmann as she studied under his former students—Worth Ryder and Margaret Peterson O’Hagan, who had arranged for Hofmann’s migration to the States in 1932, among them. During her summers at Berkeley she pursued programs at the California College of Arts and Crafts (1945), the College of the Pacific (1946), and the Art Institute of Chicago (1948). In 1950, following her graduation from Berkeley the previous year, she attended a summer session at Brooklyn Museum Art School, remaining in the city after its completion. She received her first solo exhibition in 1954 at the Korman Gallery—later to be renamed the Zabriskie Gallery, which would continue to represent her through 2018. Her work was greatly motivated by her international travel during the 1950s: in Italy in 1951, after her first husband, painter and printmaker Vincent Longo was awarded a Fulbright scholarship, and in France in 1956, after she received her own Fulbright scholarship. In the fall of 1964 she was invited by professor Paul Feeley to teach at Bennington college, where she joined the social circle of the famous “Green Mountain Boys,” including Kenneth Noland and Jules Olitski. In 1972 she married fellow Bennington professor R. Arnold Ricks, and they set off with her two sons on a four month journey through Egypt, Iran, Turkey, and all of Europe, which impacted her work significantly. She continued teaching at Bennington through 1993. Her lengthy career has also included many teaching appointments at Yale, as both a visiting professor and artist, as well as the Rhode Island School of Design, among numerous other institutions across the country. She has received notable awards from the National Endowment for the Arts, the Academy of Arts and Letters, the National Academy of Design, and the College Art Association. In 1995 she was awarded the Vermont Governor’s Award for Excellence in the Arts. Her work has been the subject of over fifty solo exhibitions. She lives in Bennington, Vermont. -Courtesy of Alexandre Gallery

Daniel Newman, American (1927 - 1994) - Storm Clouds, Year: 1960, Medium: Oil on board, signed and dated on verso, Size: 20 x 34 in. (50.8 x 86.36 cm)

Stunning large-scale, Bay Area Figurative School, painting of a woman sitting by a window overlooking a lakeside view, influenced by her teacher Richard Diebenkorn, by Sally Kissing...

Mid-Century Modernist Multi-Color Bouquet Still Life Vivid and fun mid century modern still-life of vase of flowers by California artist Virginia Sevier Rogers (American, 1917-2015). A CAL Berkeley...

The Dance of water oil on canvas 1968 Abstract expressionist painting of three fish circling the water as the focal point. Hues of dark blue fade to light with hints of yellows and reds. Signed "Mary T...

Edward Avedisian ( 1936-2007 ) 17.5 X 8.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Alber...

Diana Kurz Large Red, #3, 1960 Oil on canvas 77 x 69 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England...

An incredible presence and painted thickly, this is an early work by French Abstractionist Francois Aubrun. It is framed in a white contemporary float...

Artist: Lowell Nesbitt (1933-1993) Title: Green Oval Year: 1962 Medium: Oil on canvas Size: 48 x 28 inches Condition: Good Inscription: Signed, dated, titled by the artist, verso LO...

Work on canvas

Three Dancers (60) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 14 in. x 24 in. (35.56 cm x 60.96 cm) Frame Size: 17.5 x 28 inches

Work on canvas

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas and features a warm muted pink rectangular shape at the center of the composition, with a...

India ink on paper Handsigned by the artist in pencil LCD4792

Portrait with Crown (24) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 23 in. x 21.5 in. (58.42 cm x 54.61 cm)

Figure Study (35) John F. Leonard American (1921–1987) Date: circa 1965 Charcoal on Board Size: 17.5 in. x 20.5 in. (44.45 cm x 52.07 cm)

Work on wood

Figure in Shadows (19) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, signed verso Size: 15 in. x 12 in. (38.1 cm x 30.48 cm)

Nude with Crown (23) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, signed Size: 22 in. x 20.5 in. (55.88 cm x 52.07 cm)

Still Life with Nude (15) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas Mounted to Board Size: 15 in. x 22.5 in. (38.1 cm x 57.15 cm)

Figure with Hands Raised (17) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board (Double-Sided) Size: 18 in. x 10 in. (45.72 cm x 25.4 cm)

This pink, blue, red, minimalist abstract, acrylic on canvas is by Canadian artist Milly Ristvedt. In bold colours and striking abstract form, Canadian artist Milly Ristvedt created...

Resilience - Abstract Watercolor and Ink on Paper Abstracted watercolor and ink painting depicting a deep orange background, with black contrasting string formations. Signed and da...

Diana Kurz Big Orange Signed lower right Oil on canvas 44 x 38 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first ...

Head is an original contemporary artwork realized by Gianni Dova in 1960. Mixed colored oil and malta painting on canvas. Hand signed, titled and date...

Artist: Frank Roth, American (1936 - ) Title: The Cat's Pajamas Year: 1968 Medium: Oil on Canvas, signed, titled and dated verso Size: 66 x 72 in. (167.64 x 182.88 cm)

Artist: Lou Fink, American (1925 - 1980) Title: Asphalt Year: 1967 Medium: Oil on Canvas, signed verso Size: 40 x 48 in. (101.6 x 121.92 cm)

Abstract landscape view overlook mountain, Woodstock, NY , 1960's.Oil on canvas, estate signature stamp lower right. Also, Pinajian estate signature stamped back of the canvas. Arc...

Clarence Holbrook Carter (American, 1904-2000) Mandala No. 5, 1968 Acrylic on scintilla Signed on verso 29.5 x 22 inches Clarence Holbrook Carter achieved a level of national artist...