Perle Fine

Signed, Midcentury, Perle Fine Oil Painting

1964

Vibrant, large, signed and dated, oil-on-canvas painting by listed American artist, Erle Loran (1905-1999). Among Loran's many exhibitions were in 1924 at the Minnesota State Fair; the Museum of Modern Art in New York City, 1933; the Rockefeller Center, 1935; Oakland Art Gallery, 1936-1946; the San Francisco Art Museum annuals from 1936; the Golden Gate International Exposition of 1939; California Palace of the Legion of Honor, 1945; California Watercolor Society, 1947, among many others. His works can be seen at the San Francisco Museum of Modern Art, the Denver Museum, the University of Minnesota...

Vibrant, original, signed and dated, 1962, abstract, oil-on-canvas painting by esteemed, award winning American artist, Cleve Gray (1918-2004). Select collections: The Brooklyn Museu...

Framed oil on canvas by Swiss-American abstract expressionist artist Hans Burkhardt (1904-1994). Signed and dated in lower right corner, 1967. Silver gilt wood frame.

Framed abstract oil on canvas, signed and dated 1968 in the lower right corner. Canvas size 30"H x 25"W Gilt-wood frame.

Gorgeous large midcentury oil on canvas by W. Heffel, 1963.

Abstract Mid-Century Modern Painting This Light and Dark Abstract Mid-Century artwork is a captivating abstract painting that measures 36 inches in width and 48 inches in height....

Wonderful early American modernist abstract expressionist oil painting. Framed. Oil on canvas. Signed.

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...