Adriano Goby

Portrait Of A Young Woman

Circa 1890

So American, this sculptor. Both a right brain and left-brain kind of guy. Working in the mid to late 19th century, John Rogers was innovative, imaginative, and stylistically a reali...

Rendered with the etherial background and casual elegance of a mid-century society woman’s portrait slated for her Palm Beach master suite, the subject of this work is instead a youn...

There something so poignant about this 40-something woman, painted sometime after World War I by F. Harding. She’s in her plain but “Sunday best” clothes. Yet she unwrapped for this ...

This cow knows her power; her man’s shirt is color-coordinated to her bridle. It would be hard to imagine any cocky tech bro prouder of his new Verde Mantis (Green) Lambo than this dewy-eyed farmer with his most productive bovine, hopefully the source of a divine cheese. Done in the classic palette of Provence, and abundant with the area’s renowned grape clusters, sunflowers and pears, it comes with a promise to transport you to that land of eternal sunshine (well, except for the Mistral season). The creator, Suzanne Etienne...

Titan Fine Art presents this exquisite oil on panel portrait depicting a handsome young gentleman in an exuberant black damask doublet. The pose, with one hand holding gloves and the other akimbo, was one that was well-established for gentleman of the upper echelons of society by the time this work was painted. The principle governing portraits at this time was the recording and defining in visual terms of the position of a sitter in society. In addition to brilliant and complex symbols of luxury, they often contained many symbolic elements too; the inclusion of gloves was often used in portraits that celebrated a betrothal as in ancient times gloves were used to seal a marriage contract. The extraordinary costume of a black shimmering doublet, the brilliant white reticella ruff, and the cuffs edged with lace were immensely costly… this attire proclaims to every onlooker that this is a superior being. The rendering of the reticella lace ruff is exquisite and the artist has recorded the design that runs through the black damask fabric with meticulous attention to detail. The preservation of this black pigment is remarkable considering the age of the work. Black pigments are especially vulnerable to fade and wear over time partly due to environmental condition but also from unprofessional cleaning. This work is an exquisite example from the period. According to the inscription in the upper right, the gentleman was in his 22nd year of age in 1624. The coat of arms, which is displayed without a crest, may be ‘blazoned’ in the language of heraldry, as: Sable on a Chevron between in chief two Roundels and in base a Billet [or possibly Square] Or three Martlets Sable. In plainer English this means a black (Sable) background, spanned by a gold (Or) chevron, above which are two golden solid circles (Roundels), and below which is a gold rectangle (Billet); on the chevron are three small black birds (Martlets). Martlets are a stylised form of heraldic bird, believed to be based on the swift, which are conventionally drawn with small tufts instead of feet. In Continental Europe it is also conventional for them to be drawn without beaks, as appears to be the case here. The birds in this instance also have a vaguely duck-like appearance. Five families have been identified with very close armorial bearings to the one in our portrait. They are the (van) Houthem’s (of Brabant), the Prévinaire’s (of Flanders and Holland), and the Proveneer’s (of Liège) and it must be noted that the locations of these families also fit with the painting’s Flemish origins. However the French Grenières’s (of Île-de-France) and the Jallot’s (of Normandy) are the next closest matches and plausible matches, as Frans Pourbus had settled in Paris just a few years before our portrait was painted. This painting has been assessed by a professional conservator prior to going on sale, and as thus, it can be hung and enjoyed immediately. Frans Pourbus the Younger...

This exquisite work, presented by Titan Fine Art, is by the notable artist Hans Hysing, who was a noteworthy painter in England; it is significant in its q...

In this exquisite work, painted around the time of the Great Fire of London in 1666, a beautiful young woman is wearing a green dress over a white chemise and a russet-coloured scarf...

ROBERT KENNETH WHITE – "KELLY SLATER" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A PORTRAIT OF FOCUS, LEGACY, AND DEPTH Rendered with near-photographic precision, ...