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17th c. Dutch School William III, Prince of Orange, studio Constantin Netscher

Price:$8,369.36

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Portrait of a Lady with Jewels Dutch School 18th century Signed with Frame
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Boy with a flute
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Located in Gent, VOV
Léon HERBO (1850-1907), Young boy with a flute, oil on canvas, signed upper left and dated 1879. This painting seems inspired by the painting "Singing Boy with a Flute" by the Dutch ...
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Boy with a flute
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H 38.19 in W 33.47 in
After Rembrandt "The Prodigal Son in the Tavern" Old Master Style Painting
Located in San Francisco, CA
After Rembrandt "The Prodigal Son in the Tavern" Old Master Style Painting Late 19th century - Early 20th century Oil on Canvas 36.75 x 44.5 unframed 40.5" x 48.5" framed
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Antique German Genre Oil Painting Portrait Cavalier Drinking Wine
By Albert Friedrich Schroder
Located in Portland, OR
A fine German classical oil on canvas by the genre and portrait artist Albert Friedrich Schröder (1854-1939), signed & dated 1899. The painting is by one of Germany's prolific cl...
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Late 19th Century Dutch School Portrait Paintings

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Bearded man with pipe and hat
Located in Genève, GE
Work on wood Carved wooden frame 41 x 36.5 x 7 cm
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Bearded man with pipe and hat
$1,241
H 9.85 in W 7.29 in D 0.2 in
Diana the huntress with her dogs
Located in BELEYMAS, FR
Barend GRAAT (Amsterdam 1628 – Amsterdam 1709) Diana the Huntress Oil on wood H. 33.5 cm ; L. 44 cm Signed lower right on the stone A discreet painter with respect to history, Baren...
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Portrait of a young fisherman in a landscape
Located in BELEYMAS, FR
Attributed to Godfried SCHALKEN (Made 1643 – The Hague 1706) Young fischer Oil on panel in one board H. 32.5 cm; L. 25.5 cm Around 1670/75 Related works: - Autograph version with nu...
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Knitting woman by Anne Marie Mulder - Oil on canvas 30x40 cm
Located in Geneva, CH
Oil on canvas sold with frame Total size with frame 48x58 cm Anne Marie Mulder was born in 1921. After secondary school she trained at the national Academy of Visual Art in Amsterd...
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Knitting woman by Anne Marie Mulder - Oil on canvas 30x40 cm
$1,520 Sale Price
20% Off
H 15.75 in W 11.82 in D 0.79 in
'Traveller in a Duch Village' by Jan Meerhoud (1633 – 1677) Dutch - Golden Age
Located in Knokke, BE
Jan Meerhoud Gorinchem 1633 – 1677 Amsterdam Dutch School Golden Age 'Traveller in a Dutch Village' Signature: signed lower left Medium: oil on panel Dimensions: image size 21 x 2...
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Early 17th Century Dutch School Landscape Paintings

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The Virgin and Child Enthroned
Located in London, GB
Studio of Adriaen Isenbrandt 1510 - 1551 The Virgin and Child Enthroned Oil on oak panel, wax seal verso Image size: 10 3/4 x 8 inches (27 x 20.5 cm) Contemporary style frame (image below) POA Provenance Collection of Mrs Marianne Hudson Mary, holding Jesus in her arms, is centrally positioned against a gold detailed architectural backdrop, reflecting the traditional iconography of the enthroned Virgin and Child. This composition suggests the theme of “Maestà” or “Majesty,” emphasising the figures religious significance. In the painting from the studio of Adriaen Isenbrandt, the artist masterfully infuses the scene with rich symbolism and hidden meanings that reflect the cultural and religious context of the period. The infant Christ, seated on the Virgin Mary’s lap, is draped in a delicate, translucent white garment that symbolises his purity. In his hand, he clutches a piece of coral, a multifaceted symbol representing immortality, youth, and health. Notably, coral was also a common teething tool during that era, adding another layer of contemporary relevance. A scarlet-headed blackbird, native to South America, perches gracefully on Christ’s outstretched finger. This bird is a potent symbol of creation and protection, enhancing the divine narrative of the scene. Mary, with a tender and loving gesture, caresses Christ’s back while gazing adoringly at her son, underscoring her role as the nurturing mother of God. Mary is centrally positioned within an architectural alcove, which subtly suggests a heavenly halo without explicitly depicting one. The alcove’s niches, traditionally used to emphasise the importance of sculptures, further highlight her significance. She is adorned in a voluminous red gown, with the undulating folds of the fabric accentuated by white highlights. The red colour of her dress symbolises maternal qualities, while the iridescent blue undercoat, visible in certain areas, signifies sanctity and purity due to its rarity and expense at the time. Moreover, Mary is depicted as the epitome of contemporary Medieval...
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16th Century Dutch School Portrait Paintings

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Portrait of a French lady by Robert Le Vrac Tournieres, circa 1725
Located in PARIS, FR
Portrait of a young Lady Robert Le Vrac Tournières (1667-1752) 18th century French school, circa 1725 Oil on canvas Dimensions: h. 81 cm, w. 65 cm Important 18th century Régence per...
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18th c. French Portrait of a Lady as Venus, attributed to Pierre Gobert
By Pierre Gobert
Located in PARIS, FR
Portrait of a Lady as Venus ATTRIBUTED TO PIERRE GOBERT (1662-1744) FRENCH SCHOOL AROUND 1720 OIL ON CANVAS: H. 55.51 in, W. 42.91 in. IMPORTANT 18TH CENTURY GILTWOOD FRAME (RE-GILT)...
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18th c. French Portrait of a Lady by Jean Ranc (1674 - 1735), Paris circa 1700
Located in PARIS, FR
Portrait of a Lady with carnations By Jean Ranc (Montpellier 1674 - Madrid 1735), circa 1700 Oil on canvas in oval shape, Dimensions: h. 35.82, w. 28.34 in. Period Louis XIV giltwood and carved frame with laurel leaves. Framed dimensions: h. 42.52 in, w. 33.85 in. Provenance: Collection of the Marquis de Bailleul at the Château d'Angerville-Bailleul (before 1942). To be included in the catalog raisonné of the artist by Stephane Perreau Important portrait of a young woman depicted half-length turned three-quarters, her face looking at the viewer. Dressed in a brick red velvet dress, an elegant blue scarf envelops her figure. Hair styled “a la Fontange”, her powdered hair is raised and tied at the back with a red ribbon, several curly locks escape from her bun and fall on her back and shoulders. The perfectly oval face with regular features dominated by her straight nose is softened by her gray eyes with slightly lowered lids. The red tinged skin tones on the cheeks and cheekbones color the face and make the portrait come alive. The young woman is portrayed standing near a pot of carnations. Her strongly lighted figure stands out against an architectural background of columns. The artist's palette is made of contrasts opposing warm to cold hues. The icy electric blue contrasts with the fiery brick red, the hair powdered with white accentuates even more the flush of the cheeks. The left arm bent at the elbow, extending the open hand with slightly bent fingers in the foreground brings depth to the composition. Our portrait, an interesting testimony in the corpus of works of the painter, is part of his youthful period, around 1700-1705. The former belonging of this portrait to the Marquis de Bailleul reinforces the remarkable character of our painting. The portrait has been examined by Stéphane Perreau, specialist of Jean Ranc and will be included in the catalog raisonné currently being written, under number P. 43. The notice edited by Mr Perreau is below: "Painted around 1700-1705, this portrait of a woman is directly inherited from Hyacinthe Rigaud, the master of Jean Ranc (the hand turned over the front, in a watch...
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Portrait of a Lady, French 18th century, signed Pierre Allais (Paris 1700-1782)
Located in PARIS, FR
Portrait of a Young Woman as Flora by Pierre Allais (Paris, 1700/1705 - 1781/1782) 18th century French school Signed "allais" and dated 175? in the right corner above the hand (the l...
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Louis XIV on horseback before Mons, signed Charles Chastelain, French 18th c.
Located in PARIS, FR
Equestrian portrait of Louis XIV before Mons By Charles Chastelain (Paris, 1672-1755) Signed « chastellain » at the bottom Oil on canvas: h. 99 cm, w. 78 cm Important Louis XIV giltw...
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Equestrian portrait of Louis XIV, workshop of René-Antoine Houasse, c. 1690
Located in PARIS, FR
Equestrian portrait of Louis XIV, Workshop of René-Antoine Houasse, (Paris, c. 1645 - Paris, 1710) Late 17th century French school, c. 1690 Oil on canvas, h. 100 cm, w. 80 cm Importa...
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