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Casimir Caziel
Woman in Hat (Impressionist Oil on Canvas)

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    An absolutely lovely portrait of a young woman relaxed on a couch that perfectly captures the slackness in her relaxed body, much harder to achieve than it looks. Portrait/figure pai...
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  • Mother and Child (Framed Early 20th Century Figurative Portrait Painting)
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    A gentle, quiet, lovely portrait of motherhood painted by British artist Arthur Bradbury in 1927, a distinguished painter who over the years exhibited 14 works at the Royal Academy. ...
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  • "The Red Umbrella" - Contemporary Impressionist Woman Portrait
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    A delightful portrait of a young lady in motion, umbrella in hand, with sure brushstrokes and wonderful mastery of color. Proudly presented by Guy Lyman Fine Art...
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    2010s Realist Figurative Paintings

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    Oil

  • "Portrait of a Lady" - 19th-Century French Framed Antique Woman Oil Painting
    Located in New Orleans, LA
    A lovely portrait of a 19th-century French woman, perhaps commissioned by a devoted husband (she has a ring on her right hand, which is more common as a wedding ring in northern and ...
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    Late 19th Century Victorian Portrait Paintings

    Materials

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  • Daydream (WPA Era Oil Painting on Canvas)
    Located in New Orleans, LA
    What is she dreaming about? Something in the book that is open in front of her? And who are the other characters in this moody, quiet, lovely scene? Not only a wonderful painting, but really captures that WPA period feel. A pensive painting sure to bring you peace. With frame it measures 33" x 27"; canvas measures 30" x 24". Frame has some weathering (probably original) but is still serviceable. The following is some bio information about the artist I pulled from AskArt: "Born in Swerzen, Russia, Bernard Green came to the US at a young age and settled in the New York City area. He studied art at the National Academy of Design, the Art Students League, the College of the City of New York and NYU, exhibiting at the NAD as early as 1910, where he won a prize both in 1910 and 1913, as well as at the ASL, winning another prize in 1914. Highly accomplished both as painter and etcher, Green continued exhibiting at the NAD throughout the years 1913-1946, at the Pan-Pacific Exposition in California in 1915, and at various galleries and other venues including a solo show at the Roerich Museum in 1930. His style was early 20th-century American Impressionist, and his interests covered a wide range from landscapes and still life to portraiture, including black subjects...
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    Early 20th Century American Realist Portrait Paintings

    Materials

    Oil

  • Portrait of a Modern Woman (Oil on Canvas, 1933)
    By Edgar Scauflaire
    Located in New Orleans, LA
    This splendid early Modernist painting by Edgar Scauflaire ended up in an auction WAY undervalued and I jumped on it. (I have included a pictu...
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    1930s Modern Portrait Paintings

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  • Impressionist Painting of a Bohemian Woman Budapest 1925 Bertha De Hellebranth
    Located in Rochester, NY
    Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...
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