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Francesc Domingo SeguraPortrait of a Lady with Red Fan oil on canvas paintingc.1945
c.1945
$1,892.96
$2,366.2120% Off
£1,438.97
£1,798.7120% Off
€1,600
€2,00020% Off
CA$2,660.28
CA$3,325.3520% Off
A$2,893.11
A$3,616.3920% Off
CHF 1,524.16
CHF 1,905.1920% Off
MX$35,137.39
MX$43,921.7320% Off
NOK 19,161.72
NOK 23,952.1520% Off
SEK 17,962.56
SEK 22,453.2020% Off
DKK 12,252.59
DKK 15,315.7420% Off
About the Item
Artist: Francesc Domingo i Segura (Barcelona, 1893 – São Paulo, 1974)
Title: Portrait of a Lady with Red Fan
Technique: Oil on canvas
Dimensions: 76 × 56 cm (29.9 × 22 in), unframed
Signature: Signed lower left “F. Domingo”
Estimated Date: ca. 1945–1955
Provenance: Private collection
Condition Report: Homogeneous superficial craquelure across the surface, especially in the background; varnish possibly not original, with slight yellowing. No paint losses or visible dirt. Canvas stable and well-stretched.
DESCRIPTION
This female portrait depicts a distinguished woman dressed in a floral-patterned gown in green and pink tones, holding a red fan that provides contrast and character to the composition. The sitter, with a serene expression and a slightly melancholic gaze, is softly illuminated, highlighting the texture of her hair and the delicacy of her skin.
The work exemplifies Francesc Domingo’s mature style, where his academic beginnings merge with a livelier palette and touches of modernity, particularly visible in the treatment of patterns. The pink background, with loose brushwork and an almost abstract texture, enhances the sitter’s presence.
ARTIST BIOGRAPHY
Francesc Domingo i Segura (Barcelona, 1893 – São Paulo, 1974) was one of the most versatile Catalan painters of the 20th century. Trained at the Escola Superior de Belles Oficis of the Mancomunitat, he began in the Noucentisme movement and later traveled to Paris, where he absorbed the influence of Cézanne, Cubism, and modern currents.
In the 1930s, he cultivated social realism with scenes of Barcelona’s Paral·lel district and the working-class world. After the Spanish Civil War, he went into exile in Latin America, residing first in Buenos Aires and later in São Paulo, where he taught printmaking and co-founded the Grupo Bisonte. His work, with both European influences and local echoes, is represented in museums such as the MNAC and in international collections.
SIMILAR ARTISTS
For his focus on portraiture and the fusion of academicism and modernity, Francesc Domingo can be compared with:
Ricardo Macarrón, portraitist of 20th-century aristocracy.
Manuel Benedito, heir to Sorolla’s classicism.
José Cruz Herrera, for his chromatic refinement and elegant compositions.
In his Parisian period, echoes of Juan Gris and André Lhote in the construction of color and volume.
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