George Clint ARA (Attributed), Portrait Of A Lady In A Brown Dress

c. 1830

This fine mid-19th-century German miniature depicts a woman wearing a black dress and a beautiful white and lilac day cap. Produced around 1840, this exquisite piece on porcelain is...

This exceedingly charming mid-18th-century English oil painting depicts a girl wearing a red gown with a train over a white petticoat. She’s holding a posy or nosegay. Evidently once commissioned for an English country house, the identity of this young lady remains a mystery. Her gown appears to be inspired by the popular ‘robe à la française...

This fine late 19th-century portrait by renowned Italian artist Jean Baptiste Discart (1856-1944) depicts a lady wearing a black dress embellished with a lace collar, together with a single yellow rose. It’s catalogued (#3) in Theo P.G. Kralt’s book, Jean Baptiste Discart, Orientalist Paintings and Dutch Portraits. A provocative rose draws one’s eye to the ‘décolletage’. Was it her idea or the bold suggestion of a young Discart, just 21, and bursting with energy? The style of dress came to the fore during the late 19th century and was regarded as somewhat improper by a stoic older generation. But, of course, the glaring eyes only encouraged young ladies to rebel and adopt the fashion regardless. Little is known about the sitter, but it’s conceivable that she’s either Austrian or French, given Discart’s known locations in 1879. It was completed during his training. It bears all the hallmarks of a young and confident painter looking to establish himself. Born in Modena, Italy, Discart’s father, Francesco Ferdinando, moved in particularly distinguished circles and worked for the Duke of Modena. Indeed, the Duke became young Jean’s godfather, so the pair were well-connected. One can only imagine the ostentatious interiors that he witnessed during childhood, and it’s conceivable that these experiences inspired his appreciation for the finer things in life. At 14, he was enrolled at the Academy of Fine Arts in Vienna, where he trained under the German painter, Anselm Feuerbach (1829-1880). It seems that he stayed here until Feuerbach’s retirement in 1877 when the course was handed over to Leopold Carl Müller (1834-1892). His short time under Müller, known for his exquisite ‘orientalist’ work, would be transformative. From here, he left Vienna to immerse himself in the cosmopolitan environs of the French Capital and exhibited at the Paris Salon in 1884. At that point in time, Paris was an exciting place for an emerging artist. In 1884, the Société des Artistes Indépendants held their first show, which included works by Paul Cézanne...

This charming early 18th-century three-quarter length portrait depicts a lady wearing a decolleté blue velvet dress with a slit in the bodice. Red fabric is draped around her, and sh...

Portrait Of A Lady, 19th Century circle of Sir Thomas LAWRENCE (1769-1830) Fine large early 19th Century portrait of a young lady, oil on canvas. Super quality and condition study ...

Portrait of Anna Maria Porter, early 19th Century attributed to THOMAS BARBER (1768-1843) Early 19th century portrait of Anna Maria Porter, oil on canvas attributed to Thomas Porte...

Portrait of Jane Porter, early 19th Century attributed to THOMAS BARBER (1768-1843) Early 19th century portrait of Jane Porter, oil on canvas attributed to Thomas Barber. Excellent...

PORTRAIT OF PRISCILLA, MRS WILLIAM OSBORN half length, oil on canvas, WILLIAM JACOB BAER (1860-1941) housed in the original early 19th c gilt cavetto frame The overall size being 94....