Oil Portrait Paintings

Johann Ferdinand J. Hintze (1849–1877) – Genre Scene of Children Artist: Johann Ferdinand J. Hintze Period: 19th Century (Dated 1874) Medium: Oil on Panel Dimensions: Framed: 42 x 33...

Fruit Still Life Miriam Bromberg Date: circa 1970 Oil on Canvas Size: 16 x 12 in. (40.64 x 30.48 cm)

The paintings from Willard Dixon's "NEWS series" are generally taken from small black and white newspaper photos from the artist's daily reading of the news. He changes the images somewhat by cropping them, taking things out, adding color, etc. But the image is definitely something seen originally by someone else. “I must say”, says Dixon, “I have rather strong feelings about these images myself. I see them at least in part as an homage to the intrepid photographers on the front lines who are telling truth to the world about what’s actually going on out there.” This is 'Surya', which is hindu for sun; A 48 x 60 inch oil on canvas painting depicting a kaleidoscope of colorful women...

The Nude Model British School, circa 1970's oil on board, unframed board: 20 x 28 inches provenance: private collection, Cotswolds, England condition: good and sound condition

Antonio GUANSE (1926-2008) Pipe Smoker, 1977 Oil on canvas Signed and dated Countersigned and dated on the back On canvas 61 x 50 cm Presented with the wooden frame 62.5 x 51 cm Ve...

Title: Portrait of a Gentleman in Red - Expressive Contemporary Oil Painting Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 14 (height) x 10.75 (width) (Mo...

'Portrait of a Young Man', oil on board, by Peter Robert Keil (1983). Big, bold with brash brush strokes painted in exuberant colours is the tr...

James Fellowes Flourished 1719 - 1750 Portrait of William Henry Kerr, Earl of Ancram, 4th Marquess of Lothian Oil on canvas, signed & dated 1747 Image size: 29 1/2 x 24 1/2 inches (75 x 62 cm) Original gilt wood frame William Henry Kerr was born a member of the Scottish peerage to William, third Marquess of Lothian, and his first wife Margaret, daughter of Sir Thomas Nicholson of Kemnay, first Baronet. William was styled Master Jedburgh until 1722, when his father was elevated to a Marquessate, after which he was referred to as Lord Jedburgh until 1735. Following his father’s military footsteps, on 20 June 1735 Ancram was commissioned as a cornet to the regiment (11th Dragoons) of his grand-uncle, Lord Mark Kerr. Ancram married Lady Caroline...

18th/19th Century School 'A scene of Christ entering Jerusalem' Medium: oil on canvas, framed Size of painting: 21.5" x 18.25" inches condition: overa...

"Tyler" (2024) by Nicolas Martin is an original handmade oil painting on panel that depicts a portrait of a man wearing a black shirt and a red jacket on an abstracted background. ...

The realist portrait is of a no-nonsense woman. A mystery woman, one accustomed to being respected. By her subdued costume, not selected to flatter her, as well as by her analytical ...

This captivating antique oil painting on canvas is a fine example of Dutch School genre art, evoking the style of the 17th-century master Adriaen van Ostade. The composition features...

An oil painting by Contemporary American painter, Kelly Carmody. A woman, seated in a yellow room, wears a patterned dress and holds a book, turned down, onto her lap. She rests her ...

"D'apres Delacroix" Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed and dated '47 by the artist on the lower left hand corner Oil pai...

Sir Peter Lely (Soest 1618 – 1680 London) Portrait of lady with a crown, possibly Bridget Drury Lady Shaw, formerly Viscountess Kilmorey, later Lady Baber (d.1696) c.1665 Oil on canvas 46 1/2 x 40 3/4 inches, Framed 42 1/4 x 36 1/4 inches, Unframed Inscribed left [……….]Isabella James Mulraine wrote the following for this piece: This portrait dates to the middle of the 1660s, the decade when Lely’s career took off as successor to Sir Anthony van Dyck. At the Restoration Charles II had appointed him Principal Painter to the King and paid a pension £200 per annum ‘as formerly to Sr. Vandyke...’1 Lely had trained in Haarlem and he was in his early twenties when he came to London in 1643. He was an astute businessman and a wise courtier. In 1650 he painted a portrait of Oliver Cromwell (Birmingham Museum and Art Gallery) while maintaining links with the Royalist exiles through the 1650s. He had arrived in England as a painter of small-scale portraits and lush scenes of nymphs in landscapes in a Dutch style. His experience of Van Dyck in English collections transformed his painting. His lavish and alluring vision of Arcadia exactly captured the spirit of the Court and as Principal Painter he dominated English portraiture for the next twenty years. Lely ran a highly efficient studio along Netherlandish lines, employing a team of specialists like the drapery painter John Baptist Gaspars and young artists-in-training like Nicolas de Largilliere. He had numerous rivals during that period, and by 1670 he had introduced numbered standard poses to speed up production, while collaborating with printmakers for further revenue and advertising. He died in 1680 of a stroke while painting, working to the last. The portrait, painted at a date when Lely’s poses and execution were still individual and inventive shows a lady sitting at three-quarter length facing away from the viewer. She has begun to turn towards the viewer, a pose with a long pedigree in art, first used by Leonardo da Vinci in the Mona Lisa (Louvre). She steadies her blue drapery where it might slip from her arm with the movement, a flash of realism beautifully captured. Like Van Dyck, Lely painted his female sitters in a timeless costume rather than contemporary fashion, showing a loose gown and floating silk draperies. It presented the sitter as a classical ideal. The portrait would not date. The saffron dress may be the work of a drapery painter but the brown scarf must be by Lely himself, and appears unfinished, broadly sketched in behind the shoulder. The delicate blue glaze and nervous highlights suggest shimmering translucence. Lely was a master of painting hands – his hand studies are marvels of drawing – and the lady’s hands are superb, exactly drawn, delicately modelled and expressive. The fidgety gestures, clutching the gown, fiddling with the edge of the scarf, give the portrait psychological bite, suggesting the personality behind the calm courtier’s expression, adding to the sense shown in the look of the eyes and mouth that the lady is about to speak. The portrait’s language is Vandykian. The inspiration comes directly from Van Dyck’s English portraits of women. Lely owned Van Dyck’s Portrait of Lady Elizabeth Thimbleby and Dorothy Viscountess Andover (National Gallery, London) and the sitter’s costume quotes Lady Andover’s saffron dress and brown scarf. But Lely paints a generation who sat nearer to the ground and through a dialogue of expression and gesture he shows sitters who are more flesh and blood than Van Dyck’s. The background with a column and curtain is different to those shown in most of Lely’s portraits of women. They tend to include trees or fountains, with a glimpse of landscape. But there are other examples. A portrait of the King’s reigning mistress, Barbara Villiers Duchess of Cleveland...

"Musician in Blue" Artist: Bartolome Sastre Medium: Oil on canvas Size: 28.75" x 36.25" Framed

Faceless Wonder Woman Female POWER Oil Painting There are more super hero painting Comes ROLLED in a tube Needs framing NY Artist Y.M. Lo oil painting. ...

Work on wood Molded frame in plaster and gilded wood 65 x 57 x 8 cm

Portrait of a Woman in Red - Bay Area Figurative School Abstract Expressionist Abstracted portrait of a woman in red by San Francisco artist Heather Speck (American, b. 1978). A wom...

DAVID CRISMON "I felt it was appropriate to use an 'old' process, such as painting, to speak about a 'new' processes or technologies. Digital imaging, scans and photocopies alter an...

"Forest Bathing" is a contemprary oil painting on canvas. Orsolic is known for her melodic landscapes and precise attention to detail, however, in this painting, she branches away fr...

Fritz Muller (1913 - 1972) oil painting on board, framed signed framed: 17 x 14.5 inches board: 14 x 12 inches provenance: private collection, England condition: very good and sound ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Jason Langa...

"3/3" by Conrado López is a delicate yet expressive 2024 artwork, utilizing acrylic, gold leaf and oil on a canvas sized at 15.75 x 15.75 in (40 x 40cm). This piece is a prime exa...

Beautiful original oil on canvas double portrait painting of a young boy and girl with cat (moist likely brother and sister) attributed to the hand of American artist, John Carlin. ...

This lovely British Victorian portrait oil painting is by British portrait artist Edward Spilsbury Swinson. It was painted in 1891 and is dated and signed lower right. It is a half l...

I have made the world where I am coming from a stepping stone in my life's journey. I believe in myself and keep striving to be the better version of myself. I read and reading has p...

The Angel Of The Annunciation, 19th Century after CARLO DOLCI (1616-1686) Large 19th Century Italian School depiction of the Angel of the Annunciation, oil on canvas. Devotional sc...

This late 19th century oil on board portrait, created in the style of Rembrandt, showcases chiaroscuro technique. The subject, wearing a wide-brimmed hat and ornate collar, emerges f...

Oil on canvas mounted on board, realized by Francesco Settimj in 1930s. Good condition.

This recently rediscovered portrait of Santi di Tito depicts a Florentine senator, with a letter in his hand indicating that the painting was executed in 1574 when the sitter was 66 years old. On the basis of these clues, it is tempting to view it as a portrait of Bartolomeo Panciatichi, who was painted some thirty years before by Bronzino (1503 - 1572). While the treatment of the hands recalls the Florentine tradition of Mannerist portraits, the comparison with Bronzino's portrait illustrates Santi di Tito's search for greater realism, despite the stereotyped composition. 1. Santi di Tito, Counter-Reformation painter and portraitist Santi di Tito was the great painter of the Florentine Counter-Reformation. He proposed a new artistic language that broke away from Mannerism. Little is known about his training in Florence (perhaps alongside Bronzino or Baccio Bandinelli), but this period of training enabled him to join the Company of Saint Luke, the guild of Florentine painters, in 1554. Between 1560 and 1564, Santi di Tito spent time in Rome, where he frequented the workshop of Taddeo Zuccari. This stay had a fundamental influence on his work, thanks to the discovery of the late work of Raphael, but also his encounters with the painters Francesco Salviati and Federico Barocci. Around 1565, Santi di Tito returned to Florence, where he remained until the end of his life, dividing his talents between the creation of important religious paintings and countless portraits. He became one of the city's leading painters, distinguishing himself, in particular, in the creation of large religious compositions in which the spirit of the Counter-Reformation was reflected. In 1568, Santi di Tito became a member of the Confraternity of Saint Thomas Aquinas...

This painting depicts a whimsical portrait of a young girl with brown hair against a light blue background. The bright colors used and quick brush strokes are what makes this paintin...

Artus WOLFAERTS (1581-1641) Study of a head Oil on paper, transferred on panel. 39,5 x 29 cm Unsigned Provenance Private collection, France Firstly thought to be from Rubens’s S...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of the finest quality. This is...

Portrait of Johann Theodor of Bavaria (1703-1763) by Joseph Vivien Johann Theodor of Bavaria (* September 3, 1703 in Munich; † January 27, 1763 in Lièg...

From the artist: "The symbol of the Apple has held significance for humans throughout recorded history. In the bible it represents the forbidden. It was used by Newton to explain gra...

Signed in Cyrillic "F. Zakharov" (lower right) and signed again and inscribed "Fedor Zakharov/Football" (on reverse) Oil on card laid down on panel Undoubtedly, football, or socc...

Portrait Holy Roman Emperor Charles VI (1685-1740), 18th Century bv Franz De Backer (1680-1749) Large early 18th Century portrait of Charles VI, ruler of t...

Lady Seated in Interior Room Setting by Georges PACOUIL (1903-1996) French circa 1950 signed lower front corner oil on canvas canvas: 25.5 x 18 inches provenance: private collection,...

The Death Of Patroclus, 18th Century School of Jacques-Louis David (1748-1825) 18th Century French Neo-Classical scene of the Death Of Patroclus, oil on panel. Excellent quality an...

Original painting on board. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.

This evocative portrait captures a young boy in school uniform, with a striking orange tie contrasting against his pale shirt and background. The loose, impressionistic brushwork cre...

The painting is signed Sykes and dated 1960 lower right. It has "Maltby Sykes, 1911- for Leon" written on the stretcher verso It is a Surrealist Folk Art figure of an African woman oil painting...

This charming British Victorian portrait oil painting is by noted portrait artist Gilbert Baldry. A half length portrait painted in 1892, the sitter is a young boy in a red coat with...

Calvin Lai's (US based) "Deep Breath" is an original, handmade oil painting that depicts two acrobats, cast in red light, with the female figure balancing on the male figure. Artis...

This artwork "Red lipstick with orange dress" a vibrant, expressive portrait of a woman rendered in bold, sweeping brushstrokes. This piece makes part of the artworks dedicated to...

Coreen Mary Spellman (1905 - 1978) Dallas Artist Image Size: 20 x 14 Frame Size: 25 x 19 Medium: Oil Bio: Exhibited in the Ninth Annual Student Art show at the State University of Iowa Coreen Spellman Biography Coreen Mary Spellman (1905 - 1978) Coreen Mary Spellman was a fine-art teacher as well as a painter, designer, illustrator, lithographer and muralist. Many of her paintings depicted human-made structures and industrial landscapes in a style combining realism, precisionism and abstraction. Often the central subject such as in "Railroad Signal" was the only suggestion of humanity against a backdrop of stark Texas landscape. Of her painting these isolated subjects she said: "I enjoy taking some rather obscure or unimportant subject or theme and making something fine and important out of it . . . It always gives me great pleasure to discover something which has been passed over as being inadequate material". (Trenton 199) Spellman was born in Forney, Texas in 1905. At an early age she moved to Dallas, Texas and studied under Vivian Aunspaugh before attending the College of Industrial Arts (Texas Woman's University). She received a Master of Arts degree from Columbia University and a Masters Degree from the University of Iowa, Iowa City in 1942. In addition, Spellman received a Carnegie Scholarship for study at Harvard University, followed by studies with Kenneth Hayes Miller, Vaclav Vytlacil, and Charles Wheeler...

Jean-Baptiste SANTERRE (Magny en Véxins 1651 - Paris 1717) Portrait of a couple Oil on original oval canvas H. 115 cm; L. 90 cm (140 x 115 cm with frame) Around 1695 Jean-Baptiste S...

Oil on canvas Signed in red, u.r. 14 x 11 inches, canvas size 14.5 x 11.5 inches in distressed gold leaf frame This artwork is offered by ClampArt, located in New York City. “Bruc...

Francesco Solimena (Canale di Serino 1657 - Barra 1747) workshop/circle The Allegory of Europe oil on canvas 102 x 76 cm. - with frame: 119 x 92 cm. The work, which can be placed ...

A unique, abstracted portrait oil painting on stretched Belgian linen canvas, ready to hang. Framing options available on request.

“Friends of Friends” explores a playful world where dreams and reality meld together to create surreal moments. When engaging with Piussi's work, we enter an arena where we are imme...

Work on canvas Molded frame in plaster and gilded wood 72 x 56 x 6 cm

Rebecca Venn's (US based) "Untitled" is an original, handmade oil painting on canvas paper that depicts a nude female model laying on her back. This pai...

This striking Art Deco portrait oil painting is by female artist Jolan Polatschek Williams. Williams was born in Austria but settled in England in the 1920's where she remained. Pain...

On Your Tomb, They Won't Smell Nice is an original painting by Obeka Simon. Simon created On Your Tomb, They Won't Smell Nice with Oil on a 40W by 45H inches primed canvas. Simon Obeka...

This authentic 19th-century Mexican ex-voto is a powerful testament to faith and survival, painted in oil on tin with ink circa 1869 by an anonymous Mexican artist. It is elegantly displayed in a custom, hand-carved frame enhancing its historical and artistic significance. The ex-voto itself measures 6 ½ x 9 ¾ inches, while the outer frame spans 14 ¼ x 17 ½ inches, making it a compelling piece for collectors of religious folk art. A Miraculous Healing – A Story of Devotion The heartfelt inscription tells the story of Mrs. Dia Anacleto Rodriguez, who, in 1860, faced a life-threatening childbirth with little hope of survival. In desperation, her husband, Mr. Epimenio Manzano, turned to Santo Niño de Atocha...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Artist/ School: 18th/ 19th century Continental School, after Murillo Title: Figures eating Grapes Medium: signed oil painting on metal, framed. Size:...

"Le Pattiwork" Stylish Woman, Portrait By French artist, N.Dosser, 20th Century Signed by the artist on lower right hand corner, also titled "Le Pattiwiork" and signed verso. Oil pai...