Paper Portrait Paintings

Mecano is a painting on paper by French contemporary artist Christophe Dupety, dimensions are 50 × 64 cm (19.7 x 25.2 in). The artwork is signed, sold unframed and comes with a certi...

Overflight over the city. 1947, paper, mixed media, 23x20 cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his arti...

Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present...

"Locked Out" - A Face and a Figure in Acrylic on Paper A bold figurative painting by California-based artist, Ricardo de Silva (Brazilian, 20th Century). A face and a figure have been superimposed upon each other, with no clear indication as to which in in the foreground. They are composed of red, brown, and black, with a stippled texture at the bottom. From a collection of Ricardo de Silva's work and memorabilia. DeSilva was born in Brazil and grew up in Los Angeles. He was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve Alastra...

An original acrylic on paper painting by emerging contemporary artist Anthony Leone, currently featured as part of the artists's solo exhibition Grape Farm. This piece comes framed ...

This painting depicts a whimsical portrait of a Young Boy with a cap. There is great attention to detail, while an emotion is felt in the boy's face. The sepia color used and quick s...

Andy Warhol print on rice paper Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock (Ukiyo-e) style.

Translated title: "Face". Marker on paper. This is part of an album. The price refers to the single drawing.

"PORTRAIT OF CHARLIE KELLER" ARTIST OIL ON PAPER C.1970 23 X 17.5 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...

Evocative pop art/fauvist treatment of the return of Ayatollah Khomeini to Iran by Monterey, California aritst Dick Crispo (American, b.1945). Presented in a mat. Signed and dated "D. Crispo 79" upper left corner. Image size, 29"H x 23"W. “I am an abstract journalist of the landscape and a choreographer of the dance of the mind, eye and hand. The plastic, the decorative, the horrible and the serene that pepper the visual landscape of the present time challenges the artists who address the age of information. I consider myself a global artist, not an American artist. This galactical view is the true basis of my work–Nature is my teacher–the Master. I’m the apprentice.” –Dick Crispo Dick Crispo, born in New York City on January 13, 1945, has resided on the Monterey Peninsula since 1955. An award winning artist, Crispo has studied at the Carmel Art Institute under John Cunningham and Sam Colburn...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Masri (Lebanese-Italian, 1965) 'Amused' 2023 Oil paint, Acrylic paint, Mixed Media, Paper The painting is signed on the bottom right of the painting and on the back. 'Amused' by Mas...

Signed lower left "Di Gesu" for Victor Di Gesu (American, 1914-1988) and dated 1954. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before moving to Paris where he studied with Andre L’Hote...

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

This work by classically trained, Gammellian painter James Childs was gifted to fellow artist colleague Audrey Anastasi. it is a delicately observed watercolor painted on location d...

The portraits of Christopher Veggetti are not just works of art; they embody a tangible testimony of the deep need for social inclusion at a national level. In an Italy undergoing co...

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

Anita Roy Chowdhury - Untitled Charcoal on Paper 10 x 16 inches, 1960 (Framed & Delivered) In this tender charcoal sketch, Anita Roy Chowdhury captures the gentle innocence of a you...

The portraits of Christopher Veggetti are not just works of art; they embody a tangible testimony of the deep need for social inclusion at a national level. In an Italy undergoing co...

Ayline Olukman is a multimedia artist whose work addresses the notion of intimacy, solitude and wandering. She creates with photography, painting, writing, etching and drawing. This multimedia series is from the artist's vacation, road trip across the West Coast of the USA. The palm trees are reflected in the stillness of the pool, the sky is has blue clouds floating happily across a white sky as a motel, hotel frames...

Swimmer in the Jump with the Kitten by Marco Silombria. Italian Pop art Large scale painting on paper. Mixed tecnique with glitter dust on corners. Created by Italian Pop - Art ar...

Gianluca Vialli - Juventus Football Legend, UEFA Champions League 1994-95 - The Roar of Victory. Technique: Charcoal on paper, Signed and dated ’96 Author: Marco Silombria (Savona, ...

A sensitively drawn pastel study of a young woman with red hair shown wearing a blue dress and gazing to the viewers right. Signed lower left, 'Sarah H. Hobson' and painted circa 19...

Two Men and a Horse, 2024 by contemporary African American artist Bai (Carl Karni-Bain), is a 30 x 22in acrylic, oil pastel, and ballpoint pen abstract figurative painting on etching...

"PROFILE OF A WOMAN" OIL ON PANEL C.1960 PAINTED IN ITALY 16 X 12 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...

"Starnosed Mole" is an acrylic painting with litho ink and charcoal on paper, measuring 36" high by 24" wide. It is one of 50 portraits that comprise Profiles in Democracy. Savage in their execution, they are nevertheless heartfelt expressions from the artist – politically, socially, culturally – in some cases featuring text and language in the portrait. In this case, one individual musters faith and fortitude to press on, fight on. The words at top read: "Audacity – said the mole – shall root that mountain down." From Dale Williams: "Profiles in Democracy is a group of 50 portraits completed in 2019. They are an expression of sorrow at the fracturing ideals that our country now teeters upon. The portraits are mostly – not exclusively – imaginary: a populace viewed from the inside out, people that someone like our current president might call losers. They perhaps “live in gaudy poverty, powerful destitution,” to quote Osip Mandelstam...

"Alas" is an acrylic painting with litho crayon, ink and collage elements on paper, measuring 36" high by 24" wide. It is one of 50 portraits that comprise Profiles in Democracy. Savage in their execution, they are nevertheless heartfelt expressions from the artist – politically, socially, culturally – in some cases featuring text and language in the portrait. From Dale Williams: "Profiles in Democracy is a group of 50 portraits completed in 2019. They are an expression of sorrow at the fracturing ideals that our country now teeters upon. The portraits are mostly – not exclusively – imaginary: a populace viewed from the inside out, people that someone like our current president might call losers. They perhaps “live in gaudy poverty, powerful destitution,” to quote Osip Mandelstam...

Young Model Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

Master portrait artist and illustration legend Bob Peak captures the likeness, dignity and essence of Saudi Arabia's King Faisal for Time Magazine Cover ...

"Human Welfare" is an acrylic painting on paper measuring 36" high by 24" wide. It is one of 50 portraits that comprise Profiles in Democracy. Savage in their execution, they are nevertheless heartfelt expressions from the artist – politically, socially, culturally – in some cases featuring text and language in the portrait. In this case, the reference to Paris October 1979, Boulevard de Sebastopol, marks the afternoon Dale Williams was in Paris and sketched the woman in the portrait. From Dale Williams: "Profiles in Democracy is a group of 50 portraits completed in 2019. They are an expression of sorrow at the fracturing ideals that our country now teeters upon. The portraits are mostly – not exclusively – imaginary: a populace viewed from the inside out, people that someone like our current president might call losers. They perhaps “live in gaudy poverty, powerful destitution,” to quote Osip Mandelstam...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Celebrating our common colors as well as our diversity is Linden Godlove’s latest series of encaustics, “The Muses.” The paintings are modeled after icons, with a direct gaze that hearkens a response to their spirit, to find company in their character. This particular piece is the "Muse of Mystery" and is part of a set of nine that are sold separately from one another. Encaustic painting is an ancient art form (some early icons are encaustic), where hot wax is mixed with pigment and resin, and painted while liquid. Throughout the process, everything is repeatedly fused with fire and sometimes things melt in an unintended direction. Linden’s process involves repeatedly carving parts out and filling them back in, so the works are splayed out in a loose application of hot liquid, then cut back, then washed over with brushes of hot wax again. It’s a combination of chaos and control. The series draws inspiration from women all over the globe, as originally photographed by Mihaela Noroc for her book The Atlas of Beauty. A portion of the proceeds from these sales will go towards her project. While internationally influenced, the pieces were painted, scraped, and carved at the artist’s hundred year old Detroit...

Masri (Lebanese, born 1965) "The Muse" 2023 Acrylic paint, Oil paint, Paper The artist signed the bottom right of the painting. Masri’s The Muse is a breathtaking exploration of dua...

"Inner Strength" is a contemporary acrylic painting portraying a faceless woman with flowing brown hair against a rich dark orange background. The woman’s face is divided into two co...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. This painting depicts a young woman who suffered the death of her beloved father, who was a pillar in her life, and this affected her greatly, and she ended up running out of strength. After a long time of internal mental struggle, she decided to become an incredible woman in honor of her late father. About Artist Penuel Heber Madeira...

This painting features a faceless portrait of a woman wearing a head green covering and pink dangle earrings. I wanted to explore the theme “Freedom of Choice”: I believe every woman has the right to decide what she wants to wear. Some women cover their heads for their own religious or spiritual reasons assuming that the crown of the head...

An original pair of acrylic on paper paintings (diptych) by emerging contemporary artist Anthony Leone, currently featured as part of the artists's solo exhibition Grape Farm. These...

Folk art, Naive, Latin American art , Family portrait in the style of a Chinese ancestor portrait. Maria Teresa Vieco is a Colombian artist born in 1953 in Bogota. She studied at th...

The portraits of Christopher Veggetti are not just works of art; they embody a tangible testimony of the deep need for social inclusion at a national level. In an Italy undergoing co...

The portraits of Christopher Veggetti are not just works of art; they embody a tangible testimony of the deep need for social inclusion at a national level. In an Italy undergoing co...

The portraits of Christopher Veggetti are not just works of art; they embody a tangible testimony of the deep need for social inclusion at a national level. In an Italy undergoing co...

In creating this piece, I poured my heart into capturing the essence of innocence and wonder. Utilizing acrylic, spray, and ink, I embraced fine art and impressionist techniques to i...

Andy Warhol Japanese style PINK Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock (Ukiyo-e) style.

"RAMO" Figurative Painting (FRAMED) 30" x 24" inch by Isaac Pelayo Medium: Oil stick & aerosol on paper Size framed: 33.5" x 27.5" inch ABOUT THE ARTIST: Isaac Pelayo is a he...

Artist: David Stern Title: Portrait Year: 1997 Medium: Acrylic & Mixed Media on Paper, signed l.r. Size: 30 x 22 inches (76.2 x 55.88 cm)

I enjoy working on impressionist artworks with an expressive touch. This artwork makes part of one of my favorite series dedicated to women whom I always want to represent as strong,...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. This piece symbolizes the remarkable traits of African women, likening their beauty and resilience to that of the hibiscus flower in full bloom. It acknowledges their strength and ability to flourish despite adversity, celebrating their vibrant spirit and unwavering perseverance. About Artist Olalekan Odunbori...

A 10” x 11.5” x 1” Magical Realism Acrylic Portrait Painting executed on Vellum by artist Christopher Polentz. A certificate of authenticity will accompany the piece upon its purchas...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Heights & fast sketch. 1961. Paper, mixed media, 9,5x6 cm; 9x6cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in...

Unique oil painting on hand made paper, framed and ready to hang. Size of 71 x 50 cm is that of the artwork itself, excluding the frame.

Agent X has created a bright and brilliant mash-up of iconic Pop Art aesthetics and digital collage techniques. Agent X intercuts Pop art imagery with panels of poppy pattern, colour...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Memories of Love III (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and signatur...

Two framed graphic portraits. Diptych. Based on the film “Leon: The Professional.” One depicts the film's main character, Matilda, a girl with a short bob haircut and a velvet choker...

"Anamnesis" (2022) by J. Adam McGalliard is an original, handmade pastel illustration that depicts a portrait of a woman looking up and out of a window. J. Adam McGalliard is a Con...

"Float" (2020) by J. Adam McGalliard is an original, handmade pen an ink drawing that depicts an abstract portrait of a man laying down. J. Adam McGalliard is a Contemporary Realis...

Pavlo Marinets "Girl"