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Period: 18th Century
Medium: Wood
Portrait of Young English aristocrat with Straw Hat. English School circa 1720
Located in Firenze, IT
Portrait of a young aristocratic girl - 18th century English style
Oil on canvas.
Silvered wood frame.
Size with frame cm 85 x 72.5
Size without frame cm 74.5 x 62.5
At the hear...
Category
1720s English School Wood Portrait Paintings
Materials
Oil, Canvas, Wood
Portrait of Teenager Student 18th Century Oil Painting by British Master
Located in Stockholm, SE
Portrait of boy aged 12-14 painted in late 18th century presumably by RA John Opie, 1761 – 1807 (or his studio, circle), English historical and portrait painter. He painted many grea...
Category
Late 18th Century Realist Wood Portrait Paintings
Materials
Canvas, Wood, Oil
Portrait of Languid Girl in Blue Camisole 18th century Italian Rococo Master
Located in Stockholm, SE
Attributed to Pietro Antonio Rotari (1707 - 1762), Italian painter of the Rococo era. His portraits, mostly of women, are renowned for being beautiful and realistic. The details and ...
Category
Mid-18th Century Realist Wood Portrait Paintings
Materials
Canvas, Wood, Oil
Portrait of a Сhild 18th century French master Baroque Oil Painting
Located in Stockholm, SE
The portrait is attributed to the French painter Monique Daniche (1737 - 1824)
Magnificently painted baroque portrait of unidentified noble child wearing fashionable dress and holdin...
Category
Late 18th Century Baroque Wood Portrait Paintings
Materials
Canvas, Wood, Oil
Children w Lamb Scene 18th century Oil painting by French Rococo Master
By Jean Baptist Marie Huet
Located in Stockholm, SE
Painting was attributed to Jean-Baptiste Marie Huet (1745 - 1811) by Cabinet Turquin (France). A cute scene with children tying a ribbon around the neck of a young lamb. Rococo in th...
Category
Late 18th Century Rococo Wood Portrait Paintings
Materials
Canvas, Wood, Oil
Self-Portrait - Royal Academy Founding Member, 18th Century
By Francis Hayman
Located in London, GB
Francis Hayman RA
1708–1776
Self-Portrait
Oil on oak panel
Image size: 8 x 6¼ inches
Contemporary gilt frame
This newly discovered work is the earliest known self portrait by Francis Hayman, dated to the mid to late 1720’s. The small scale of the portrait gives it a strong sense of intimacy. Whereas clients would often dress themselves in their best clothes for a sitting, Hayman has portrayed himself in informal attire, with his shirt unbuttoned and a wig cap.
Born in 1708 to a respectable Devonshire family, his training began at the tender age of ten under the tutelage of the historical painter Robert Brown, who was probably an uncle. By the 1730’s he is known to have been engaged in painting scenery for the popular theatres on Goodman’s Fields and Drury Lane. He established a studio on St Martin’s Lane, and demonstrated his versatility as one of the most
important painters of his time in portraits, illustration and history painting.
Indeed, he was one of the first English painters deemed to have the skill and proficiency to rival that of the foreign masters, such as Holbein and Kneller, who were brought in by the court to make up for the perceived shortcomings of the native artists. Led by William Hogarth, Hayman and other artists began to create a new movement in the English art world. Thomas Gainsborough was one of his pupils, whom he is said to have introduced to the more lascivious and debauched underbelly of London life.
After mostly making his living as an illustrator, in the 1740’s Hayman was commissioned by the proprietor of the Vauxhall Pleasure Gardens, Jonathan Tyers, to produce a series of four large celebratory canvases depicting British victories from the Seven Years War. His association with Tyers continued, and over the next ten years he produced a number of large decorative paintings...
Category
18th Century Old Masters Wood Portrait Paintings
Materials
Oil Pastel, Oak
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Portrait of a Young Man, a newly discovered painting by Jean-Baptiste Wicar
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Mrs. Maria Teresa Caracciolo, art historian and specialist of the painter, confirmed after an inspection of the painting that she was in favour of its attribution to Wicar. From a stylistic point of view, we find in this painting the precise and meticulous style of the artist, although no preparatory drawing is known to date.
1. Jean-Baptiste Wicar, disciple and friend of David
Son of a carpenter in Lille, Jean-Baptiste Wicar was first a pupil at the free drawing school of his native town. At the age of 18 he was sent to the workshop of the engraver Jacques-Philippe Le Bas (1707 - 1783), and then admitted in 1781 to the workshop of the painter Jacques-Louis David (1748 - 1825). He accompanied his master to Rome and Florence in 1784-1785 and then stayed on his own in Italy from 1787 to 1793.
Back in Paris in 1793, he was appointed curator of the section of antiques at the Museum thanks to David. In 1795, Wicar left France for Italy. In 1797, during Bonaparte’s Italian Campaign, he was a member of the Commission in charge of seizing artworks to enrich the French national museums.
A member of the Saint-Luke Academy in Rome (from 1805), he was appointed director of the Royal Academy of Naples from 1806 to 1809, before settling permanently in Rome. In Italy Wicar achieved a real success, as the official portraitist of the Bonaparte family and as a history painter. The Resurrection of the Son of the Widow of Naïm (now in the Lille Museum of Fine Arts) is a perfect example of his large, impeccably executed compositions.
Finally, Wicar was a remarkable collector: his drawings of the masters of the Italian Renaissance are now in the Museum of Fine Arts in Lille, following the bequest he made to the Society of Sciences, Agriculture and Arts of Lille.
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According to Maria Teresa Caracciolo : "one of the successes of Wicar's painted and drawn work is his portraits [...]. The artist gave 'the best of himself' in these artworks [...]; they are artworks of remarkable aesthetic quality, in which he shows himself to be both an excellent pupil of David and an autonomous artist in his own right".
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Wood portrait paintings for sale on 1stDibs.
Find a wide variety of authentic Wood portrait paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add portrait paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of pink, blue, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Nemo Jantzen, Michael Porten, Karim Abd Elmalak, and Enzio Wenk. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wood portrait paintings, so small editions measuring 0.1 inches across are also available Prices for portrait paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $1,495,000, while the average work can sell for $3,411.
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