Wood Portrait Paintings

The short signature lower left a monogram of joined Cyrillic letters "V" and "P" with date 77, leads to the Russian painter Vasily Dmitrievich Polenov (1844 - 1927). Here we have pl...

The signature at the bottom right with the date and ink inscriptions on the stretcher lead us to the Norwegian painter Henrik Asor Hansen (1862 - 1929). In the center of the scene is...

This tender depiction of the Holy Family represents a subject which was central to Raphael's oeuvre. The painting is based on the famous panel by Giulio Romano, called Madonna della ...

Signed at the back of canvas the painting "Samuel F. B. Morse", revealing the full name of the artist, Samuel Finley Breese Morse (1791 - 1872). The portrait in question is a strikin...

Gospel of Apostle Luke, Chapter 22: 61. and the Lord turned and looked at Peter; and Peter remembered the word of the Lord, how he had said to him, “Befor...

Orientalist portrait painting by Bridell-Fox, 1865 English, 1865 Canvas: Height 33cm, width 25cm Frame: Height 49.5cm, width 42cm, depth 6cm This intimate portrait depicts a seated ...

Attributed by Nikolay Alekseyevich Kasatkin (1859 - 1930). In this touching artwork, the artist perfectly conveyed the character of the old woman, who has seen a lot in her life. The hands, tired out and riddled with veins, lie helplessly on the knees. Her slouched body tells us about the load of years lived. The painter skillfully conveys a sense of wisdom, kindness, and humility through her wrinkled face and detached gaze. The painting exudes warmth with a subtle touch of sadness and reflection on a life lived. Thanks to moderately contrasting colors, the portrait comes to life and shows us the depth of the artist's intention. Kasatkin not only continued the traditions of the best masters of portraiture in Russia in the 19th century, but also introduced new principles into it. He sought to display on canvas not only the external features of a person, but also to demonstrate his spiritual world. Antique oil painting on canvas, signed bottom left, framed. Size app.: 68.5 x 52.3 cm (roughly 27 x 20.6 in), frame is 80.5 x 63.5 cm (roughly 31.7 x 25 in). Very good condition, very well preserved recently conserved condition with minimal wear (notice few micro losses here and there). Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 5.4 kg is going to measure 8 kg packed for shipment. Nikolay Alekseyevich Kasatkin (1859 - 1930) was a Russian painter, considered to be one of the founders of Social Realism in Russia. From 1873 to 1883 he studied at the Moscow School of Painting, Sculpture and Architecture with Vasily Perov and Illarion Pryanishnikov. Upon graduating, he received a medal for his painting "Beggars at the Church Door". In 1891, he began exhibiting with the Peredvizhniki and, from 1894 to 1917, was a teacher at his alma mater. For thirty years, beginning in 1883, he worked with Ivan Sytin, providing illustrations for his popular almanac/calendars and teaching lithography. He also contributed The Great Reform, an encyclopedia that celebrated the fiftieth anniversary of the Emancipation (1861), and a collection called "Russian History in Pictures". In 1903, he became a member of the Imperial Academy of Arts. He participated in the Exposition Universelle (1900), where he won a silver medal, and the Louisiana Purchase Exposition (1904), among others. In 1923, following the Civil War, he was named the first "People's Artist of the Republic" and became a member of the AKhRR (Association of Artists). He is considered to be one of the forerunners of Socialist Realism in the arts and was sometimes called the "Gorky of Painters". In 1956, the Soviet Union honored him with a 40 kopeck commemorative postage stamp. In 1971, his painting of a female mine worker...

Johann August Frederik Carl‏ Lorange (1833 - 1875) was highly skilled Danish artist of German roots. Not much known on his biography, unfortunately, but most of his works were produc...

An early 19th century, figural oil of a young woman with chestnut hair, shown wearing a headscarf and glancing towards the viewers left. A detail from a copy of 'Rebeca at the Well',...

Pacifying painting of cozy scene with Italian family perhaps having rest on the long road. Warm autumn featuring soft sun create this peaceful atmosphere. By anonymous professional o...

We are delighted to offer a unique and evocative piece by the Swedish artist Ingeborg Westfelt-Eggertz. This small oil sketch captures a moment in time, portraying a young man seated...

Painted in June of 1874 in Bad Driburg by gifted painter Princess Marie Alexandrine of Saxe - Weimar - Eisenach (1849 – 1922), eldest daughter and second child of Charles Alexander, ...

Signature lower left: Paul Louis Narcisse Grolleron (1848 - 1901). The French painter and illustrator, Paul Grolleron, remains best known for his many well-observed images of the Fra...

Unsigned but attributed to acknowledged master Francois-Xavier Fabre (François-Xavier Fabre, 1766 – 1837), French painter of historical subjects. Stylish and perfect portrait of beau...

Ceremonial Portrait of Noble German Lady - amazing discovery of hidden monogram "J.E. 1826" disclosing Great American portraitist Jacob Eichholtz (17...

Signed bottom right: Jozef Israëls (1824 – 1911). Painting was certified by Pierre Noelmans of Reveil Galerie in Maastricht in early 1970s. Jozef Israëls, was best-known second hal...

Portrait of John Manners, Eton School leavers portrait by Margaret Sarah Carpenter 1835. Oval 8.5”x6.5” Oil on mahogany R. Davy panel (stamped) (10.7...

Carl Lasch (1822-1888 German) "The Walk Back Home" A Monumental Exhibition Painting, Oil on canvas laid to masonite in original gilt-wood frame. ...

Antique Dog Portrait "A Fine Gourmet!" Louis Godefroy Jadin (1805-1882) Oil on wood panel Signed and dated "1855" 18 x 14 frame size inches Louis God...

Artist/ School: French School, 19th century Title: The Soldiers Camp Medium: oil painting on thick wooden panel, with a bevel edge Size: painting: 12.5 x 22 inches, frame: 16.5 ...

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

A pair of paintings, dancing ladies. Around 1900. Oil on wood. Signed. Unknown artist. Good condition. Dimensions Including frame.