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Nemo JantzenCoastal Minimalist Elegant Photographic Portrait by Nemo Jantzen — Amnesia2024
2024
About the Item
Handmade resin domes on board with unparalleled craftsmanship by Nemo Jantzen. Every inch of this piece is made by hand, with careful attention to detail. "Amnesia" is a stunning piece that transforms the elegance into a work of art—a sculptural form, encapsulating over 2,000 curated images that embody cultural significance.
This is no ordinary piece; it’s a tribute to style, made with intricate detail and a reverence for the worlds of music, art, fashion, and design. Perfect for collectors, art lovers, and trendsetters.
The technique used by Nemo Jantzen in this particular piece does not only preserves the integrity of each image, but also gives the artwork a sleek, modern finish that catches light beautifully. With its rich layers of cultural history and modern resin finish, this artwork adds depth, sophistication, and an energizing vibrancy to any room. It complements diverse aesthetics, from minimalist to eclectic interiors.
Over the past 20 years, Nemo Jantzen has been exhibiting worldwide in art galleries, art fairs, and solo exhibitions to high acclaim. His work can be found in numerous private and public collections around the world.
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- Creator:Nemo Jantzen (1974, Dutch)
- Creation Year:2024
- Dimensions:Height: 57 in (144.78 cm)Width: 63 in (160.02 cm)Depth: 4 in (10.16 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Singapore, SG
- Reference Number:1stDibs: LU1820215299302
Nemo Jantzen
Nemo Jantzen plays with focus, creating a sense of depth, thus bringing into question the act of voyeurism and the anticlimactic and revelatory nature of privacy. In his hyperrealistic work, Nemo Jantzen is much inspired by film and tries to capture details of highly enlarged objects or photographic moments in time. These scenes portray often decadent and noir-style subject matters with a story to tell - like a movie still with an open ending - deliberately avoiding eye contact that could give away the personality of the painted subjects, as to not interfere with the imagination of the spectator. This compells us to think and imagine what has happened or what will happen next. Intrigued by light and the mystery of darkness, Jantzen plays with focus, creating a sense of depth and connecting the image and viewer through the inclusion of the optical vocabulary of cinematography, and the allusion to the constraints of the instant polaroid. In his mixed-media body work of painted ceramics on wood, Nemo Jantzen wishes to capture and address the times we live in. In particular the voyeurism of hidden cameras and video surveillance that have become accepted in our society, creating awareness of this invasion of privacy for our own perverted need to watch and to know everything. In the name of safety and control, and fed by the media, this imagery has changed into entertainment and pleasure. He depicts public figures that became common good and through a language of blurred and pixelated imagery, photographic stills and scenes that can tell whole stories in one glance. In these pieces, built up out of hand-painted ceramic tiles which he uses as building blocks, that by themselves are nothing more than that, but together form pixelated shapes that merely suggest an image that our imagination transforms into flowing and complete figures. The missing details and shortage of information stimulates our imagination to fill in the blanks and create the excitement. With large-scale images built out of hundreds of small images; stories incapsulated in glass spheres the work simply keeps repeating to the viewers. In a word : “The closer you look, the less you see”.

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