20th Century Portrait Paintings

Pair of French Character Portraits French school, Mid 20th Century Gouache on unframed paper Both stamped and named on the backs, with the artists ...

Work on canvas Golden wooden frame 85.5 x 88 x 4 cm

Portrait of a Girl is an original Contemporary artwork realized in 1970s Century by the italian Contemporary artist Leo Guida (1992 - 2017). Original Oil on Canvas. Dimensions: cm ...

Harlequin with Nude is an original painting realized by Maurice Rouzée in the 1940s. Tempera on paper; good conditions, except for some small folds on the lower right corner and a sm...

This painting depicts a whimsical portrait of a young girl with short brown hair against a light green background and she wears a blue dress. An emotion is felt with in her face. The...

Waiting II Paul Noiret Date: 1983 Oil on Canvas, signed and dated l.r. Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)

Arthur J. Krakower Oil Painting c.1996 Original oil painting by listed Octogenarian artist Arthur J. Krakower. Krakower took up painting later in life. Most of his works are done w...

Original ink and gouache cello with sketch White wooden frame with plastic protection 42.5 x 32.5 x 3.5 cm

Unknown School. Second half of the mid-20th Century. Charcoal, Oil Paint & Spray Paint On Plywood Panel. Signed Indistinctly. Image size 26.8 inches x 21.7 inches ( 68cm x 55cm )....

A beautiful impressionist oil on canvas board by Zlatan Pilipovic depicting a lady reading in the artist's studio with a portrait on an easel. The work is very well painted with a wo...

Nude with Dark Eyes Miriam Bromberg Date: Circa 1970 Oil on Masonite, signed Size: 18 x 14 in. (45.72 x 35.56 cm) Frame Size: 24 x 19.75 inches

Saint John, The Forerunner, after a Russian Icon from the 16th Century. Tempera and gold leave on gesso over a wooden board. Dimensions: (H) 33 x (W) 25,5 x (D) 4 cm. Photos are included with the icon exposed to very different lighting, but all of them are natural. John, The Forerunner, is depicted as an ascetic desert saint with a tousled beard and a coat made from camel hair. The expression that transmits his beautiful face is very intense. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold . Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

Modern abstract figurative portrait painting by Houston, TX artist David Adickes. The work features a central group of three male figures wearing hats set agai...

Please note that painting is for sale without a frame, if you are interested in framed painting please contact us. Contemporary 20th century figurative oil on canvas portrait painting by Polish artist Adam Marczukiewicz. Portrait depicts a young man in renaissance or baroque styled clothing. He has dark curly hair and is looking in his left direction. Artwork is in warm tones. ADAM MARCZUKIEWICZ (born 1958) He studied at the Faculty of Graphic Arts at the Academy of Fine Arts in Krakow at ateliers of professors Jan Swiderski...

A beautiful impressionist oil on board by Zlatan Pilipovic depicting a nude lady reclining on a blanket in the artist's studio. The work is very well ...

Presenting an magnificent original oil on panel by American artist Ron Blumberg (1908-2002) Flamenco, is an original oil on panel, signed, c.1955, with an image dimension of 12 x 9 ...

Henri Émilien Rousseau French 1875 – 1933 Portrait of the Arabian Horse Moscow Oil on board, signed lower left Image size: 15 x 18 inches This splendid rendition of the horse b...

Figurative oil on canvas painting by Iwan Kulik. Painting is in warm tones, main colors are brown, yellow nad green. Iwan Kulik has created his own characteristical style that is rec...

An outstanding oil painting depicitng a portrait of a yong boy with a landscape in the background. The bright colors and quick brush strokes are what makes this piece so attractive a...

Mid-Century "The Emigrants" #34 Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 19 1/2 x 16 1/4 inches, frame size “The savage art of Bosco bears i...

Wild Bill Hickok 1873 by Ceravolo is an oil on canvas featuring Ceravolo's trademark illusion brush strokes painted over his oil on canvas painting. T...

A fine portrait of a French woman gazing to the right. Captured by the well-listed French artist Bertrand Py (1895-1973). Signed lower left. On canvas on stretchers.

Artist: Philippe Alfieri, Italian/American (1921 - 2009) Title: Woman with Flower Basket Year: circa 1970 Medium: Oil on Canvas, signed l.l. S...

This superb British portrait oil painting is attributed to circle of Festus Kelly. Painted circa 1940 it is a half length portrait of an elegant lady in a light blue dress, pearls an...

This painting depicts a whimsical portrait of a Young Boy with a beret with great attention to detail, an emotion is felt in the boy's face. The sepia color used and quick strokes ar...

Artist: Bernard Locca, French (1926 - 1997) Title: Portrait of a Blonde Beauty Year: 1963 Medium: Oil on Canvas, signed l.r. Size: 36 in. x 29 in. (91.44 cm x 73.66 cm) Frame Size: 4...

This painting was purchased directly from the artist, and its sale benefits a midwestern university foundation.

Realistic portrait of an older rabbi visiting and blessing a child in a European marketplace. Here the artist conveys a sense of quiet grandeur th...

Model with swan is an original artwork realized by the Italian artist Antonio Feltrinelli in 1930s. Oil on plywood. Beautiful and representative artwork of a female figure. Anton...

Work on paper Beige wooden frame with glass pane 67 x 58 x 5 cm

Work on canvas Brown wooden frame 63 x 50.5 x 4.7 cm

An incredible photo-realist drypoint etching of a Native American man by Gilbert Adam Shoenbrod (American, 1903-1996), 1937. Titled "The Hunter", this hyper detailed portrait depicts...

Work on canvas Dimension with frame 103 x 63 x 3.5 cm In this striking work, the artist captures an introspective scene of his grandmother Polli smoking in front of her dressing tabl...

A striking c.1930 French post-impressionist oil on board portrait of a gentleman smoking a pipe by Antonin Guéton. Excellent quality and condition post-impressionist portrait. Signed...

Abstract in Blue, Green, and Red Miriam Bromberg Date: 1970s Oil on Canvas Size: 38 x 18 in. (96.52 x 45.72 cm) Frame Size: 45 x 25.5 inches

Rita oil/canvas, 85x60. cm.

Signed lower right, 'Zipin' for Martin Zipin (American, 1920-1991) and painted circa 1960. Displayed in the original, hand-carved giltwood frame. Framed ...

A fine oil portrait of the artist's wife. Her vibrant red jacket stands out against the muted tones of the background. Her serene face looks down at an open book in her lap. The arti...

Artist: Sid Maurer Title: Sophia Lauren Medium: Oil and acrylic on foam core, signed lower left Image Size: 12 x 8.5 inches Mat Size: 17 x 13.25 inches

Joe Rader Roberts (1925 - 1982) Lockhart/Houston Artist Image Size: 10 x 7.5 Frame Size: 17 x 15 Medium: Ink "Indian Portrait" Joe Rader Roberts (192...

Multicolor Flowers IV Miriam Bromberg Date: 1970s Oil on Board Size: 18 x 14 in. (45.72 x 35.56 cm) Frame Size: 24 x 20 inches

Figurative study of women by American painter, Patricia Gren Hayes (b. 1932). Blonde long hair women wearing overalls, side view of same woman and another side view study of a brunette, circa 1970. "Gren Hayes" on verso stretcher. Provenance: Purchased as part of larger collection of artist's work from Larry Miller Fine Art. Unframed. Canvas size: 29"H x 29"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

Very vibrant, dynamic orchestra scene reminiscent of the work of Mopp (Max Oppenheim) David Aronson, (1923-2015) son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

Abstracted portrait of a renaissance era woman by Sonia Gichner (20th Century). This piece is painted with splashes of bright colors, contrasting nicely with skin tones and black lin...

Abram Tromka was born May 1, 1896 in Poland. At the age of seven he immigrated with his family to the United States, settling in New York City. It was on the boat coming to New York ...

Joachim Probst (1913-1980) signed and dated verso 1946 oil on canvas original frame Joachim Probst was an American German Abstract painter Here we have a an image of Christ done i...

Original ink and gouache cello with sketch White wooden frame with plastic protection 42.5 x 32.5 x 3.5 cm

Original ink and gouache cello with sketch White wooden frame with plastic protection 32.5 x 42.5 x 3.5 cm

Acrylic painting by Robert Carroll, realized in 1969 ca. Very good condition. Robert Carroll is an american artist born in 1934 in Painesville, Ohio. He did study Arts at the Cleveland Institute of Arts where he graduated in 1957. Since the end of 1950s he has been associating with some of the most important writers and intellectuals of the beat generation...

Frans Van Holder Ixelles 1881 – 1919 Geneva Belgian Painter 'Portrait of a Young Woman in White – The Artist’s Wife' Signature: Signed top left and dated 1906 Medium: Oil on canvas Dimensions: diameter: image size 96 cm, frame size 120,50 cm Biography: Van Holder Frans, born in Brussels in 1881, emerged as a prominent post-Impressionist painter during the Belle Epoque and Art Nouveau era. Initially a painter-decorator in his father’s workshop, he contributed to the adornment of Brussels’ bourgeoisie interiors, setting the stage for his alignment with the Art Nouveau movement. Van Holder studied under Alfred Cluysenaar at the Saint-Gilles Academy. His artistic evolution embraced Impressionist principles, influenced by luminosity proponents like Manet and Pissarro. After formal training at the Sint-Gillis Academy and travels through Spain, Italy, and Switzerland, Van Holder returned to Brussels in 1905, joining the esteemed ‘Pour l’Art’ association. Rejecting theoretical constraints, he prioritized harmony in his art, viewing color as a musical composition requiring rhythm and balance. Van Holder’s mastery extended to intimate post-impressionist portraits, notably capturing the Brussels aristocracy like the Wolfers family...

Initialed upper right 'A.B.' for Axel Bentzen (Danish, 1893-1952) painted circa 1925. Axel Bentzen studied art as a child and, by the age of 14, was copying Old Master paintings at Copenhagen's National Museum of Art. He traveled to Italy in 1919 and, from 1923-1939, spent every second year there or in Paris, painting and furthering his understanding of the principles of Modernism. Bentzen was the recipient of numerous scholarships including the prestigious Hielmstierne-Rosencrone scholarship which he was awarded twice (1925, 1927) and the Copenhagen Akademie scholarship which he received three times (1927, 1929, 1931). He exhibited internationally with success including, from 1922, at the Charlottenborg as well as at prominent salons in Paris, Berlin, Venice, Budapest, Riga and Belgrade. The artist is listed in all relevant art reference works including both Benezit's Dictionary of Artists and Thieme-Becker's Kunstlexikon (Vollmer Supplement). We are pleased to offer this dramatic and psychologically penetrating oil study of a young man dating to circa 1925. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 2, p. 122; Vollmer Allgemeines Lexikon der Bildenden Künstler des 20. Jarhhunderts, Hans Vollmer, Deutscher Taschenbuch Verlag 1992, Vol. 1, p. 173; et al. Scholarships: Hielmstierne-Rosencrone 1925, 1927; Raben-Levetzau 1926; Bielke 1926; Carlson's Pr. 1926; Akkadian. 1927, 1929, 1931; Oluf Hartmann 1928, 1930; Eckersberg Med. 1930; Kaufmann 1930; March 1931; Zach. Jacobsen 1932, 1936. Exhibitions: KE 1922-26; Charles. Spring 1925; The free Exhibition 1927-38 (inc. from 1930); Association of painters, Helsinki, 1928; Funen Spring Exhibition. 1930, 1938; Tour exhibition 1930-36; Newer Painting, Germany 1932; in Venice 1934, 1954; as exhibited in Budapest, Riga, Bucharest and Belgrade 1936-37; Nerd Mässhallen, Gothenburg 1939; Grønningen 1939-47, 1952 (commemorative issue), 1953, (commemorative issue), 1955, 1965; Icelandic, Swedish art, Mässhallen, Gothenburg 1941; Ny Carlsbergfondet Jubilee Charlottenborg and others 1952; That then buying convention, Fr. 1952 (commemorative issue); The Freeman's Memorial Exhibition, Kunstforen, Kbh 1966; Easter 1974, Skive Museum 1974; Modern art owned by Vejle, Vejle Kunstmuseum 1977; Inside, outside, Mouse at Koldinghus 1981. Solo exhibitions: Anton Hansen, Copenhagen 1917; The free Exhibition building, 1921; Kunstforen, Copenhagen 1937; Jugelsalan, Aarhus 1946-47, 1950; Storstrøm's Kunstmuseum 1953 (commemorative issue); Open Mouse, 1972. Artworks: Egyptian Woman on Balcony (1920); Self-Portrait (1925, Stat. Museum for Art); The Hospital Garden (1925); The Dreamer (1925, Storstrøm Art Museum); The Blind (1925, Carlsons Pr for 3 last names); Marsk Stig's daughters (1926, Nordjyll Kunstmuseum); Young Italian woman on a chair...

Roger Shimomura After the Movies, #2 1994 Acrylic on Canvas Triptych in Wood Frame Size: 48x57in Frame: 50x58x1.5in Signed, dated and titled by hand CO...

Portrait of a Woman and Infant in White - Oil on Canvas Natalie Wood Elegant portrait of a woman and her newborn child (*Natalie Wood and Natasha) by Cindy Gin (Cindy Lin) (American...

A charming and fresh portrait of the musician and composer standing in front of Mendips, the house where he was mostly raised by his mother's sister Mimi, with his aunt standing behind him holding her large ginger and white cat, Timmy, that he grew up with. Signed lower left, 'S. Bower'; additionally inscribed with dedication verso 'To Mrs. Smith - Best Wishes, S. Bower', titled 'John Lennon with his Aunt Mimi and Tim at Mendips' and dated October 1982. This listed English plein-air painter, attended Manchester College of Art from 1970 to 1974 and currently lives in Totnes, Devon. He describes himself as "a colorist who is inspired by flower gardens, especially English cottage gardens in early summer. I have spent successive summers painting in Monet’s garden at Giverny, Northern France." Exhibitions: Nothern Young Contemporaries, Liverpool – 1974 Marlborough Gallery, London (Buddy Holly...

Self-portrait of the artist, in a pensive seated pose, by Lise Lang Crowley (American, 20th century). Signed "L" lower right and signed "Lise Lang Crowley" on verso. Presented in a r...

Signed with monogrammed initials and has his name written on verso. Realistic portrait of an older rabbi. CHARLES E. HANNAFORD, English; 1863-1955, Hannaford was a British waterco...

Contemporary Original Abstracted Figurative of Profile and Detailed Eye Silkscreen - Life's Frustration A compelling abstracted silkscreen of profile of man with detail of his eye w...

Artist: David Stern Title: Portrait Year: 1997 Medium: Acrylic & Mixed Media on Paper, signed l.r. Size: 30 x 22 inches (76.2 x 55.88 cm)

Gorgeous fauvist portrait of man, in a vivd and expressive colorful palette, titled "Ogden" by Henri O’Connor (American, b. 1921), 1996. Signed and dated lower right corner and on verso. Condition: Professionally cleaned and restored three tears and inpainting. Presented in black painted wood frame. Image size: 16"H x 20"W. Framed size: 21.75"H x 17.75"W. Henri O’Connor, the son of an American father and a French mother was born in 1921 and grew up in Nantes, France. He attended the Ecole des Beaux Arts in Nantes and in the late 1930s, studied at the Beaux Arts, the Atelier de la Grande Chaumiere and the Academie de l’Arts et Publicite in Paris “He was basically one degree removed from all of the great masters of the turn of the century,” David Deitch, a freelance art curator in New York, says of O’Connor’s education. “His teachers were associates of Matisse, Derain — all of the big players at the time.” The curator says that the influences of O’Connor’s teachers, which reflect the Fauvist style in vogue at the time, is apparent in his paintings, particularly some of his later work. O’Connor and his parents and siblings left Europe at the beginning of World War II and moved to the United States, eventually settling in Sacramento, where O’Connor’s father had relatives. O’Connor was offered a job teaching art at the Sacramento Art...

Daniel Brennan Title: Partial Nude with Hat Medium: Oil on Canvas Year: 1969 Size: 51 x 31.75 inches Framed in a simple wooden frame (52 x 32.25 x 1 inc...