Late 19th Century Portrait Paintings

Georges Croegaert Antwerp 1848 – 1923 Paris Belgian – French Painter 'Cardinal in His Thoughts' Signature: signed lower right and placed ‘Georges Croegaert Paris’ Medium: oil on pa...

KPM Porcelain Plaque of Queen Louisa Oval shape polychrome enamel hand painted porcelain plaque set in a carved giltwood frame C. 1900 impressed KPM mark Germany Plaque 10.75" x...

Herman Richir 1866 – Brussels – 1942 Belgian Painter 'Lady on the Sofa' Signature: signed lower right Medium: pastel on canvas Dimensions: image size 134 x 106 cm, frame size 152,5...

This compelling full-length figure study depicts a girl dressed in traditional Russian folk attire sitting on a chair. Likely painted by a Russian artist in the second half of the 19...

Luigi Morgari (Italian, 1857–1935) The Nun Oil on canvas mounted on board Signed lower right 14 x 12 inches 21.5 x 19.5 inches, framed Luigi Morgari was an Italian painter, primaril...

Antique Dog Painting of a Terrier Jules Chardigny (1849-1892) Circa 1870 Oil on wood panel. 8 1/8 x 5 5/8 (13 1/4 x 10 3/4 frame) inches This is one of several examples of dogs bein...

Head Portrait of Jack Russell Terrier Dog English School, 19th century signed oil on canvas, framed dated 1895 framed: 16.25 x 14.25 inches canvas: 12 x 10 inches Provenance: privat...

This stunning British Victorian Pre-Raphaelite Royal Academy exhibited oil painting is by note female Suffragette artist Emily Mary Osborn. Painted in 1877 it was exhibited at the RA...

This stunning British Victorian Pre-Raphaelite Royal Academy exhibited oil painting is by noted historical female artist and suffragette Jessie MacGregor. She was tutored by Lord Frederick Leighton at the Royal Academy art schools in the 1870's and his influence can be seen here. Painted in 1892 and exhibited that year, the subject matter is when Dante, (1265-1321) later an Italian Florentine poet, first met Beatrice, the love of his life when he was nine. They met in a gathering at her father's palazzo in Florence. She was a few months younger than Dante and dressed in a crimson dress. They never actually spoke for another nine years although Dante often observed her. They were both married off during this time, as was the custom then and Beatrice died aged only 24. Dante remained devoted to Beatrice for the rest of his life and she was his principal inspiration for much of his well known work, such as La Vita Nuova (The New Life) and La Divina Commedia (The Divine Comedy). (see below biography for more details on Dante and Beatrice). This stunning Pre-Raphaelite oil painting depicts Beatrice kneeling on the grass, holding flowers and gazing up at Dante as he stands beside her, hands over her head, perhaps miming crowning her. Other children and their maids dance around them. Beyond them is a Florentine garden with beautiful arches and some figures to the right. To the left one can glimpse the landscape under a summer's sky. MacGregor has portrayed superb detail in the figures expressions and clothing with rich red and gold tones and the vivid blue sky echoing in the little boy's tunic. The brushwork is fantastic. MacGregor painted some fantastic paintings in her time, many of which were exhibited and now hang in art galleries. This painting is a superb example of her work, with excellent provenance and would grace any wall. Signed twice 'Jessie Macgregor/1892' lower right. Provenance. Anon. sale, Sotheby's, Belgravia, 11 December 1972, lot 195. Exhibited London, Royal Academy, 1892, no. 905 entitled In the Childhood of Dante. From this time forward love ruled my heart. Literature Royal Academy Illustrated, 1892, p. 78. Condition. Oil on canvas, 65 inches by 35 inches and in good condition. Frame. Housed in a gilt frame with ornate flower corners and reeded edge, 87 inches by 57 inches, in good condition. Jessie MacGregor (1847–1919) was a British painter. She was born in Liverpool to a Scottish father, Alexander (1820-1898) and Liverpudlian mother, Sarah (1820-1894). She had an older brother and 7 younger siblings. MacGregor first learned drawing at the drawing academy in Liverpool run by her grandfather Andrew Hunt, a landscape painter. Her mother taught her to use water colours. Her parents went to live in London and she began to study painting there, becoming a pupil at the Royal Academy Schools in 1870 for seven years where her teachers were Lord Leighton, P. H. Calderon, R.A., and John Pettie, R.A. She won a gold medal at the Royal Academy for history painting in December 1871, the prescribed subject being An Act of Mercy. She was the second woman after Louisa Starr's gold medal in 1867, and the last woman to do so until 1909. She first exhibited at the RA whilst still a student, in 1871. She continued with a historical genre when history paintings were broadening their reach towards literature and romance. Her subjects were almost always women or children. MacGregor was made an Academician for the Liverpool Academy of Art in 1874. By 1880 she was using a studio on Elm Tree Road and exhibiting regularly at the Royal Academy. in 1884 her brother Archibald also started working from this address and they both had paintings at the RA that year. In 1888 she moved studio to Hill Road St John's Wood. In 1892 MacGregor had two painting at the RA, a portrait of Miss Phyllis Eden and our painting, In the Childhood of Dante. This was described as a fresh bit of Italian Childhood and harmonious colour grouping by the Western Daily Press. Portraits rarely got a mention in the papers but narrative works were much more popular. She lectured widely for the Victorian University extension scheme at the Arts Clubs of Liverpool, the National Gallery and Leighton House museum and other regional centres. MacGregor had a studio in Chalcot Gardens Hampstead from 1900 and began to get involved with women's issues. In 1904 she was on the committee of the Lyceum Club London along side Henrietta...

The Jewish Bridge antique Dutch School, after the 1660's oil painting by Rembrandt (Rijksmuseum, Amsterdam) oil painting on canvas, framed in its antique gilt frame with ornate mould...

Late 19th century French Impressionist 'The Pipe Smoker' oil on canvas, unframed canvas: 22 x 18 inches Provenance: private collection, Paris Condition: very good condition For mor...

Romantic, pre Raphaelite painting titled 'Cinderella', this oil on canvas painting is in the Victorian period after a painting noted to be in the collection of Sir Andrews Lloyd Webb...

ARTIST: George Henry Grenville Manton (1855-1932) English TITLE: "A Sketch From Life" MEDIUM: oil on canvas SIZE: 86cm x 76cm inc frame CONDITION: original condition, images taken i...

This work by Harry B. Tallman is a pertinent example of his vividly alive works portraying two English Setter Puppies with in a barn filled with hay. The details are truly exquisite,...

The Cornish Fisherman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on board, framed framed: 13 x 11 inches board: 10 x 8 inches Provenance: Private col...

A lovely portrait of a turn-of-the-century elegant woman, perhaps commissioned by a devoted husband (she has a ring on her right hand, which is more common as a wedding ring in north...

Edgard Farasyn 1858 – Antwerp – 1938 Belgian Painter 'The Mischievous Little Artists' Signature: signed middle lower left and dated 'Edg. Farasyn 1881' Medium: oil on canvas Dimens...

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

Double Portrait: Grand Griffon Vendéen Hunting Dogs Jules Chardigny (France, 1842-1892) circa 1870 Oil on canvas, signed 21 3/4 x 18 1/4 (29 1/8 x 25 frame) inches Though pairs of G...

Conditions : Good overall Conditions. Old varnish and minor retouching on the nose. Orignal frame in excellent condition. Medal plate Henner. Jean-Jacques Henner was born on March 5...

J. Bonnevay (active in France in the late 19th century) Portrait of a Gentleman Signed upper left (the signature is quite difficult to read, but without a doubt Bonnevay's) Oil on c...

The Jack Russell Terrier Dog English School, late 19th century circle of Frank Paton (British 1856-1909) oil on canvas, unframed Canvas: 18 x 22 inches Provenance: Private collection...

Adoration of the Madonna & Christ Child German Baroque artist, late 19th century oil painting on canvas framed within highly ornate gilt frame overall size: 68 x 50 inches in total c...

Little Red Riding Hood by John Talbot Adams (1827-1909) oil on canvas, unframed canvas: 50 x 40 inches provenance: private collection, UK condition: very good and sound condition hav...

Portrait of a Young Girl, Auburn Hair wearing a red dress English School, late 19th/ early 20th century period late Victorian/ early Edwardian oil on board, framed Framed: 30.5 x 24 ...

Portrait of a Pomeranian Dog English artist, late 19th century oil on canvas, framed Framed: 14.5 x 12.5 inches Canvas: 10 x 8 inches Provenance: Private collection, Surrey, England ...

"The Old Salt" (Cornish fisherman) by David W. Haddon (British, late 19th/ early 20th century) signed and dated oil on board, framed framed: 18 x 14 inches board: 16 x 12 inches ...

Up for sale is a beautiful Antique 19-century original oil painting on canvas depicting a female portrait . This painting is a classic portrait of a woman, set within an oval fram...

This exquisite oil on canvas by Edwin Frederick Holt, depicting a black and white spaniel with a game bird, is a stunning example of Victorian sporting art, painted circa 1863. Holt's exceptional attention to detail brings the subject to life, from the textured fur of the spaniel to the fine feathers of the game bird and the naturalistic landscape in the background. The artist's ability to capture the loyal and determined expression of the dog highlights his skill in portraying both the beauty and character of animals. For art collectors, this painting represents a piece of history, reflecting the 19th-century English tradition of celebrating hunting and companionship with animals through art. Edwin Frederick Holt's works are sought after for their authenticity and fine craftsmanship, making this a valuable addition to any collection of sporting or animal-themed artwork. For interior designers, this piece offers a perfect blend of elegance and charm, suitable for a variety of settings. The warm tones of the landscape and the golden frame add richness to the painting, making it an ideal choice for classic or traditional interiors. It can become a focal point in a study, library, or living room, enhancing the atmosphere with its timeless sophistication. For collectors of canine art, this painting is more than an aesthetic treasure—it is a heartfelt tribute to the enduring bond between humans and their canine companions. Its historical significance, combined with the artist's skill and the beauty of the composition, ensures it will remain a cherished and admired piece for generations to come. in 1830, Edwin Frederick Holt grew up in Hampstead and went on to spend the majority of his adult life in Dunstable. Edwin began his artistic career by studying at the Royal Academy of Art where he went on to win a Silver medal for his work at the age of 24. From this point on, his work continued to get recognized and many of his pieces were entered into exhibitions. In total, Edwin Frederick Holt exhibited 7 paintings at the RoyalAcademy, 12 at the British Institution and 40 at the Royal Society of Arts. Alongside his exhibitions, Edwin Frederick Holt also illustrated in "Farm Animal Portraits...

‘Jeune Fille en Blanc’ by Jacques-Émile Blanche (1861-1942). The painting – which depicts one of the artist’s favourite models Wanda Zielinska – is signed and dated 1896. It is lis...

Up for sale is a beautiful Antique 19-century original oil painting on canvas depicting a female portrait . This painting is a classic portrait of a woman, set within an oval fram...

A late 19th century oil sketch of a society figure. Though not signed the work is by repute and very much in the style of Charles Auguste Émile Durand. Presented in modern gilt and p...

A compelling late 19th century oil portrait of an elderly gentleman by the artist E.B. Griffin, whose work is held by the Museum of Fine Arts Ghent. Through skilled brushwork and int...

This evocative painting depicts a solitary young boy in tattered clothing traversing a snow-covered rural path, framed by a wooden fence and distant trees against a muted winter sky....

A charming depiction of a young boy reading a paper titled 'The League'. Inscribed verso 'Sketch by E. Brothers'. Presented in a gilt frame with elaborate foliate ornamentation. On c...

This superb British Victorian exhibited portrait oil painting is by noted artist John Scott. It was painted in 1884 and exhibited at the Royal Academy London the same year, entitled An Incident from The Marsh King's Daughter with a quote from the Hans Christian Andersen book, The Marsh King's Daughter. (see details regarding the story below). In the large and vibrant composition, Helga, wearing a long lime green dress...

‘Guinevere’ by Norman Prescott-Davies R.B.A, R.C.A. (1861-1915). The painting – which depicts an English medieval portrait of Queen Guinevere at Amesbury Priory contemplating her lov...

This charming English Victorian painting by Arthur Jackson beautifully captures a rustic scene of chickens in a barn. The artist's meticulou...

‘Jeune Fille en Blanc’ by Jacques-Émile Blanche (1861-1942). The painting – which depicts one of the artist’s favourite models Wanda Zielinska – is signed and dated 1896. It is lis...

Portrait of a Nun by Joseph Albert, signed and dated to the back, 1898 oil painting on canvas, unframed canvas: 24 x 18 inches provenance: private collection, England condition: ove...

This charming English Victorian painting by Arthur Jackson beautifully captures a rustic scene of chickens in a barn. The artist's meticulou...

The Gleaner by Charles Sillem LIDDERDALE (British, 1831-1895) signed & dated 1890 oil painting on canvas, framed in what we believe to be the original frame framed: 51.5 x 37.5 inch...

Initialled 'R.M.' lower left. On canvas on stretchers.

Portrait of a Lady by Theodor Recknagl (1865-1945) German signed oil on board, unframed board : 7.5 x 6 inches Attached provenance documents Provenance: private collection, England C...

This portrait depicts a Dominican monk in robes, his intense gaze directed at the viewer as he holds an open book. The muted colour palette and dramatic chiaroscuro lighting create a...

This is an original antique 19th-century large oil painting on canvas painting depicting a portrait of a Lady in a long black dress, standing near a bright red curtain. The painting...

Literary Origins of Angelica The subject of this painting is Angelica, a princess from the epic chivalric romances of the Italian Renaissance. She first appears in Matteo Maria Boiardo’s Orlando Innamorato (1483) and reappears famously in Ludovico Ariosto’s Orlando Furioso (1532). In these poems – part of the Matter of France cycle of Charlemagne and his paladins – Angelica’s extraordinary beauty ensnares many knights, including Orlando (Roland) and his cousin Rinaldo, sparking rivalries and adventures. Ariosto’s narrative particularly highlights Angelica’s tumultuous journey: at one point she is stripped and chained to a rock as a sacrifice to a sea monster (a scene mirroring the myth of Andromeda) before being dramatically rescued by the valiant knight Ruggiero on his winged horse. Ultimately, however, Angelica chooses her own destiny. She falls in love with a humble Saracen soldier, Medoro, whom she nurses back to health, and she returns with him to her far-off Asian kingdom – an affair that drives the heartbroken Orlando to madness. This independent resolution (marrying outside the circle of Christian knights) made Angelica an emblem of feminine agency and romantic idealism in Renaissance literature. Her story remained popular in art and literature through the centuries, symbolizing the allure and elusiveness of love. Kronberg’s Portrayal and Composition In Julius Kronberg...

‘Guinevere’ by Norman Prescott-Davies R.B.A, R.C.A. (1861-1915). The painting – which depicts an English medieval portrait of Queen Guinevere at Amesbury Priory contemplating her lov...

Portrait and history painter Charles Webber was born in New York State and moved to Cincinnati in the later 19th century. There he became a leader in that city’s art circles. He is ...

This compelling full-length figure study depicts a young girl dressed in traditional Russian folk attire. Likely painted by a Russian artist in the second half of the 19th century, t...

This classical portrait depicts an affluent gentleman in formal 19th-century attire. The subject is depicted against a muted background, with the artist skilfully capturing the textu...

‘Young Beauty holding a Red Rose’ by Étienne Adolphe Piot (1831-1910). The painting is signed by the artist and hangs in a fine quality gold metal leaf frame. Academy Fine Paintings...

This tender scene by German artist Georg Buchner captures a quiet, intimate moment: a young girl carefully watering a potted plant on a windowsill. The warm light gently illuminates ...

'Perdu dans la Poésie’ by Alfred Stevens (1823-1906) The painting - which depicts a young Parisian society beauty reading beside an open window – is signed by the artist and present...

Tobias Edward Rosenthal, known as Toby (Strasbourg 1848 - Munich 1917) - Portrait of a San Francisco gentleman. 123 x 92 cm. Antique oil painting on canvas, without frame. - Work ...

Frédéric Adolphe YVON (Eschviller, 1817 – Paris, 1893) Portrait of Madame Hermann-Joseph REINACH, born Julie BÜDING (1828-1870) Oil on canvas Signed and dated on the left 65 x 54 ...

Antique French important portrait oil painting by Achilles Theodore Cesbron (1849 - 1915). Oil on canvas. Signed. Framed. Measuring 21 by 29 inches overall and 12 by 20 painting alone.

Portrait of a Lady in a Red Dress French artist, late 19th century oil on wooden panel, framed in an ornate antique gilt frame. framed: 16.5 x 13 inches board: 13 x 9.5 inches prove...

Antique elegant Polish beach scene oil painting by Paul Merwart (1855 - 1902). Finely detailed with great color. Oil on canvas. Signed. Framed. Image size, 13L by 16.25H

‘Melancholic Sappho’ by Arthur Hill RBA (1841-1908). The painting – which depicts the celebrated poet of Ancient Greece appealing to the Goddess Aphrodite, with the Parthenon on the...

The Family Group German School, late 19th/ early 20th century oil on board board: 17.5 x 13 inches provenance: private collection condition: sound condition but with various surface ...

A beautiful 19th century French oil on panel portrait of a lady wearing a red hat. Finely painted and unusual portrait, presented in its original ornate frame. Artist: French School...

 Interior of an Harem is a modern artwork realized in the late 19th Century. Oil on Canvas Includes a beautiful gilded frame (fair conditions) Collect a masterpiece of the past

Up for sale is an amazing original antique oil painting on a wooden board depicting a portrait of a nobleman in a red camisole with a guitar. He peers around the corner as if he is a...

Portrait of a Pekingese Dog English artist, late 19th century Watercolour drawing on board, unframed drawing: 7.25 x 5 inches Provenance: Private collection, UK Condition: This paint...

Herman Richir 1866 – Brussels – 1942 Belgian Painter 'Lady on the Sofa' Signature: signed lower right Medium: pastel on canvas Dimensions: image size 134 x 106 cm, frame size 152,5...

The Cornish Fisherwoman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on board, framed framed: 13 x 11 inches board: 10 x 8 inches Provenance: Private c...

19th century English Antique oil portrait of a Terrier dog in an interior Earl was the brother of George Earl and the uncle of Maud Earl and Percy Earl. H...

This lovely British Victorian portrait oil painting is by British portrait artist Edward Spilsbury Swinson. It was painted in 1891 and is dated and signed lower right. It is a half l...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of t...

Richard Waller 1811 - 1882 Canvas Size: 24 x 20" (60 x 50cm) Frame Size: 31" x 27" (77.5 x 67.5cm) Oil on canvas Signed and dated 1872 London painter of portraits and suggestive sub...

The Dalmatian Dog by Adrienne Lester, British 1870-1955 signed & dated 1896 oil on canvas, framed framed: 27 x 32.5 inches canvas: 25 x 30 inches provenance: private collection condi...

A perfect example of Charles Baxter's work. Two beautiful ladies , one holding a flower, dressed in their best finery. Despite being unsigned, the paint...