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Ritchelly OliveiraHeavy Like The Force Between Us2023
2023
$19,928.89
£14,916.84
€16,750
CA$27,372.83
A$30,606.18
CHF 16,054.22
MX$370,714.28
NOK 202,652.93
SEK 191,458.05
DKK 127,522.59
About the Item
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found in the human figure a space to present his speech about what he understands most deeply present in affective relationships. He talks about what he suspects is love and believes it to be a universal feeling. It proposes what is common to men, even though we know that this love brings something that is also individual and particular.
Believing that affective relationships are built from the individual and how their surroundings interfere with them, we seek to rescue here the possibility of constructing discourses about love, especially black love. The importance of reflecting together on issues such as sexuality, emotional responsibility and colorism are necessary canons in this invitation to embrace the dangerous and exclusionary ideals of romantic love that circulate in our environments.
- Creator:Ritchelly Oliveira (1993, Brazilian)
- Creation Year:2023
- Dimensions:Height: 74.81 in (190 cm)Width: 59.06 in (150 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Porto, PT
- Reference Number:1stDibs: LU2214213455662
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enter visual arts at the Federal University of Goiás (UFG), he found
human figure a margin to present his speech about what he
understands the deeper aspects of emotional relationships. He works about what he suspects to be love and, believing that this is a universal feeling. Believing that affective relationships are built from the individual and
as their surroundings interfere with them, he tries to rescue the possibility
to construct discourses about love, especially black love. The importance
to reflect together on issues such as sexuality, responsibility
affective and colorism are necessary canons in this invitation to fulfill the ideals
dangerous and exclusionary forms of romantic love that circulate in our environments.
About the Seller
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