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Renaissance Sandro Botticelli Style Italian Religious Painting1450 circa
1450 circa
$6,582.70
£4,838.91
€5,500
CA$9,006.38
A$10,059.30
CHF 5,227.12
MX$122,502.02
NOK 66,396.07
SEK 62,564.24
DKK 41,857.41
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About the Item
Wonderful old Italian master painting Madonna
Oil on panel
Alessandro Filipepi, also known as Sandro Botticelli, is the first artist that comes to mind at the sight of this charming polychrome oil painting.
A semi-sheer veil protects her hair and surrounds her beautiful face with its thoughtful yet calm expression.
The Virgin Mary's gentle posture evokes the purest expressions of the work of 15th-century Florentine masters.
This wonderful painting is provided of an original XIXth Century gilded wooden frame.
Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts.
Alessandro di Mariano di Vanni Filipepi (c. 1445 – May 17, 1510), better known as Sandro Botticelli or simply known as Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work.
Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period.
In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the Madonna and Child, many in the round tondo shape) and also some portraits.
His best-known works are The Birth of Venus and Primavera, both in the Uffizi in Florence, which holds many of Botticelli's works.
Botticelli lived all his life in the same neighbourhood of Florence; his only significant times elsewhere were the months he spent painting in Pisa in 1474 and the Sistine Chapel in Rome in 1481–82.
Only one of Botticelli's paintings, the Mystic Nativity (National Gallery, London) is inscribed with a date (1501), but others can be dated with varying degrees of certainty on the basis of archival records, so the development of his style can be traced with some confidence.
He was an independent master for all the 1470s, which saw his reputation soar.
The 1480s were his most successful decade, the one in which his large mythological paintings were completed along with many of his most famous Madonnas.
By the 1490s, his style became more personal and to some extent mannered.
His last works show him moving in a direction opposite to that of Leonardo da Vinci (seven years his junior) and the new generation of painters creating the High Renaissance style, and instead returning to a style that many have described as more Gothic or "archaic".
Under existing legislation, any artwork created over 70 years ago by an artist who has died can requires a license for export regardless of the work’s market price. The shipping may require additional handling days to require the license according to the destination of the artwork.
Artwork not signed
- Creation Year:1450 circa
- Dimensions:Height: 14.97 in (38 cm)Width: 11.62 in (29.5 cm)Depth: 0.6 in (1.5 cm)
- Medium:
- Movement & Style:
- Circle Of:Sandro Botticelli (1445 - 1510)
- Period:
- Condition:A technical data sheet produced by the restoration studio — one of the best in Italy.
- Gallery Location:Roma, IT
- Reference Number:1stDibs: LU2883216562092
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