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Indian Reverse Glass Painted Portrait of Nobleman

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Penny Purpura (American, XX-XXI), Portrait of a New Yorker, Oil on Canvas, depicting seated man in a Yankees logo t-shirt and red Brooklyn Eagles hoodie, apparently unsigned, unframe...

Spanish School, Portrait of a Woman, Oil on Canvas, 19th century, depicting a woman with wine cup and ewer, unsigned, giltwood frame. Image: 41" H x 33" W; frame: 50" H x 42.5" W.

"La Femme en Gris" Painting in Glass Frame 25"x25"in by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She gene...

“la Belle au Drapé Jaune” Figurative Painting 79x39in by Katherine Bakhoum Tisné Mixed Media with Glass Frame Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...