Unknown

Portrait of a French Military Officer

circa early 19th century

A fine oil on canvas portrait of Captain George Buckman, identified lower center, indiscernibly signed and dated 1860 lower right, with a tall ship with an American flag in the backg...

A fine pair of oil portraits of a lady & gentleman, probably husband & wife, attributed to Zedekiah Belknap (1781-1858). Belknap was born in Auburn, MA and graduated from Dartmouth College...

An exceptional horse portrait “Young Lightfoot” in the manner of Edward Troye (1808-1874). Troye was born Edouard de Troy in Lausanne, Switzerland, on 12 July 1808. He was the son of...

A fine European portrait of a priest, oil on canvas, probably dating to the 17th or 18th century, unsigned, with original stretcher, minor surface losses and damage, craquelure, edge...

A fine 19th century Portrait painting of An army Officer in the circle of Thomas Phillips . Oil on canvas, housed in a gilt frame The size being 73.5 x 60cm (28¾ x 23½ in.) whilst...

Portrait Of A British Officer, early 19th Century Napoleonic wars Era Early 19th Century Napoleonic Wars Era portrait of a British military officer, oil on canvas. Excellent quality and condition portrait of the officer in his red tunic...

'Portrait of British Naval Officer' is attributed to the British painter and engraver Daniel Orme (1766-c.1832) based on the scratched inscription verso, as well as its similarity to Orme’s known engraving oeuvre. The oil on tin portrait bears the scratched inscription “D. Orme” verso, which in the absence of contravening evidence as to the artist is significant in attributing the work to Orme. Katherine Coombs, Curator of Paintings at the Word & Image Department of the Victoria and Albert Museum, London and the writer of the Dictionary of National Biography article on Orme, states that Orme is “so obscure an artist that if his name is indeed scratched on the [tin] that seems good evidence for it being so.” Additionally, Orme’s stipple engravings of prominent naval figures in oval, including John Hunter in 1792, Horatio Nelson in 1798, among others at the National Portrait Gallery, London are consistent with the style and composition of the portrait. Roger Quarm, Curator of Paintings at the National Maritime Museum, Greenwich notes that Orme’s “engraved portraits of naval officers tend to be oval”. Orme is known to have issued a series of engravings by subscription that included portraits of popular naval Admirals and Officers in 1797. Two oils in the collection of the National Maritime Museum, also demonstrate Orme’s execution of naval subject matter. The sitter has been identified as a lieutenant in the British Navy wearing the “full-dress uniform for the period 1787-1812,” according to Roger Quarm. Alfred Umhey has confirmed this identification of the sitter as a “lieutenant in the uniform pattern 1787-1795, which is however worn post that date.” The medal worn around the sitter’s neck has been identified as the Sultan’s Medal for Egypt issued in 1801, by both Quarm and Umhey. The Sultan’s Medal for Egypt or the Turkish Medal for Egypt was issued in 1801 to members of the British Army and Navy by Sultan Selim...

Flemish school of the 19th century Armorial portrait of Baron Henri de ROISIN (1787-1846) in the uniform of a general of the gendarmerie (1835) Oil on canvas H. 108 cm; W. 90 cm Bar...