Rachael Dalzell

Carpet of Bluebells, Rachael Dalzell, Acrylic on Canvas with Tray Frame

2018

A lively and cheerful painting of wild flowers in the fields of Norfolk during late spring. Rachael’s works on paper are particularly organ...

Along the North Norfolk costal paths during the summer months Rachael takes inspiration from the big skies and countryside. Using a number of photographs she creates one painting focusing on the colours and shapes of the beautiful wild grasses and flowers. Her use of bright colour and lively technique gives a fresh and cheerful sentiment to the work. Rachael Dalzell...

Inspired by a walk through the woods at Blickling Rachael Dalzell’s paintings are colourful and expressive. Her free and lively use of paint through various techniques, mean that...

There is a silent eloquence In every wild bluebell That fills my softened heart with bliss That words could never tell. Extract from “The Bluebell” by Anne Bronte...

A large Bluebell woodland painting, expressed and gestural, painted with energy and love of the subject. My locality is packed with woodland walks and the Carr Mill Dam area is beaut...

‘Great Is Your Love’ is an original landscape painting of bluebells. It is a contemporary and impressionistic work of a view from a path through a border of bluebells to a field beyo...

Bluebell woods 1 is an original painting by Rosemary Farrer. At this time of year I head for the woods to paint the bluebells. The colours are very hard to capture, not quite purple, not quite blue, photographs don't quite do them justice. This is where a painting has an advantage over a photograph, a combination of cooler blues and warmer purples, side by side, mix optically and create a shimmering field of colour, flecks of lime green from the new beech leaves provide the perfect foil. Rosemary Farrer, artists and printmaker sells with Wychwood Art online and in our art gallery in Oxfordshire. Rosemary paints in oils and also makes original prints. The prints are in no way copies of the paintings, they are conceived of, and made, as a response to the special and wonderful effects that can be achieved only through the various techniques of printmaking, whether it be the graphic, dynamic marks of a linocut, or the subtle tones and textures achievable in aquatint and etching. Design, composition and the use of colour are what excite her. She spends a lot of time drawing and painting outside, back in the studio, she will distil these ideas into strong graphic woodcuts, and linos or subtly textured etchings. Recent monotypes draw together the threads of her different media, with their graphic shapes and rich painterly colours. She studied fine art at Camberwell School of Art and The Ruskin School of Drawing, and learned printmaking at Morley College [London]. She has exhibited prints...

As soon as the warm air arrives, nature responds with joyful exuberance. Fresh grass carpets the forest floor, and vibrant green leaves astonish with their rich hues. At the forest’s...