Shirley Rabe' Masinter

Red Door

2019

Original oil painting on gallery wrapped canvas by artist Andrada Trapnell.

Original oil painting on canvas by artist Andrada Trapnell. Framed.

This artist's butterfly work is in the current Veranda Magazine with Jan Showers. "Pink and Black Contemporary Form" oil on canvas pair of corresponding originals by Steve McElroy. ...

This artist's butterfly work is in the current Veranda Magazine with Jan Showers. "Sunflowers" oil on canvas original painting by Steve McElroy. 16 x 20...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

Unleashed (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 81 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect reminds...

Juliet M. White was born in Philadelphia in 1880. She studied at the Philadelphia School of Design for Women, which became the largest art school for women in the United States. Its ...

SEBASTIÁN LLOBET RIBAS Spanish, 1887 - 1975 signed "Llobet Ribas" (lower right) signed again "Llobet Ribas" (on the reverse) oil on canvas 32 x 25-3/4 inches (80.5 x 65 cm.) unframed PROVENANCE Private Collector, Barcelona Painter and draftsman of the twentieth century, born in Barcelona in 1887. He attended the Fine Arts Schools and was a disciple of Vicente Climent. He participated in the Self-Portraits Exhibition held in 1907, in the Drawing Exhibition in the Sala Parés in 1910, in several of the Spring and International Exhibition, and in the National Exhibition of 1942 and 1944 in Barcelona and in 1950 in Madrid. In the 1951 Exhibition of the Circulo de Bellas Artes de Palma de Mallorca, he obtained a medal for the set of drawings...

Exhibited: London, Royal Academy, 1800, no. 93 What was happening in British history painting in around 1800? In recent discussions of the emergence of a British School of history painting following the foundation of the Royal Academy in 1768, this is a question which is rarely posed and one which is not easily answered. Examination of surviving Royal Academy exhibition catalogues reveals a profusion of artists’ names and titles, few of which remain immediately recognizable, whilst endeavours to explain the impact of exhibition culture on painting - such as the 2001 Courtauld show Art on the Line - have tended to focus on the first and second generation of Royal Academician, rather than young or aspiring artists in the early nineteenth century. This makes the discovery and identification of the work under discussion of exceptional importance in making sense of currents in English painting around 1800. Executed by Edward Dayes...