Stephen MitchellThe Woods, Painting, Acrylic on Canvas2020
2020
About the Item
- Creator:Stephen Mitchell (British)
- Creation Year:2020
- Dimensions:Height: 30.3 in (76.97 cm)Width: 16.1 in (40.9 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Yardley, PA
- Reference Number:Seller: 1254891stDibs: LU802114905542
- ShippingRetrieving quote...Shipping from: Falmouth, United Kingdom
- Return Policy
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Artist Candice Eisenfeld draws inspiration from the silhouetted trees of the rainforests of Northern Georgia. "One early morning as the fog was clearing, a hawk guided me through the mountains," shares Candice. "The hawk led me through ethereal, meditative places with overwhelming beauty." She took photographs of her journey and painted her experiences of the adventure. "The bottom image depicts the rough, beginning of the journey and the scene portrays the ending. The rough, orange texture denotes the bark of the trees."
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Artist James Hartman draws inspiration from the experience of seeing sunlit colors and details appearing through the strong vertical tree pattern. He expresses the painting sections to appear like stained glass. James highlights small areas where collaged 100-year-old paper show through the surface, he does this in a non-disruptive way. James applies heat to fuse the oils into a mixture of beeswax and damar crystals to seal the work.
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When James Hartman was in art school, he became fascinated with the Society of Six, a group of artists who painted en plein air (outdoors) and exhibited together in the San Francisco Bay Area during the early 20th Century. James's paintings of the Northern California landscape pay tribute to some of the great Bay Area artists of the past. His expressive scenes feel alive through his vibrant use of color and his painterly brushwork. James’s paintings have an immediate visual impact from a distance, yet up close, dissolve into a series of confident marks and strokes. There is a simultaneous complexity and steadiness in his flattened, color-blocked planes. Knowledge and observation are essential elements of James’s working practice. To this end, he spends a large proportion of his time painting on location. His body of work captures the fresh and sunlit essence of the coastal California hills.
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