Still-life Paintings

Henriette de Longchamp (1814-1887) Primula pubescens ; Pubescent primrose Oil on canvas Signed “Htte de Longchamp” lower left Marked “E. Vernier” on the back of the canvas, marchand ...

Luca Forte (Naples, 1615 ca. - 1670 ca.) Title: Walnuts, Chestnuts, a Bunch of Grapes and a Quince Medium: Oil on walnut panel Dimensions: 12.5 x 22 cm Expertise by Nicola Spinosa, ...

After Heemskerck, Painting in the style of Heemskerck and Dutch Master, probably painted in the 19th Century.

Still life in a landscape with fruit and game Work of the late Roman Baroque of the late seventeenth / eaarly eighteenth century attributable to Giovanni Paolo Castelli, known as Spadino (Rome, 1659 - 1730) oil on canvas 62 x 76 cm., Framed 90 x 109 cm. An open-air setting, with a hilly landscape gash that opens into the distance in the central part, surrounds our beautiful canvas, which showcases a rich selection of game and fruit, arranged in the foreground near the point of view of the observer, occupying a large part of the visual field with their bright and festive colors. The style and quality of the work, like the pictorial technique of this still life, characterized by subtle luminous vibrations and a lively chroma, make it attributable to the Roman Giovanni Paolo Castelli, known as Lo Spadino (Rome, 1659 - 1730), one of the most important specialists of this pictorial genre of late Baroque Rome, which had a very successful career between the 17th and 18th centuries. Analyzing the rich and heterogeneous catalog of the Roman master, in fact, our canvas can be included among his rare works which, alongside a selection of fruit - among which stand out large melons, ripe figs, dark grapes and plums - we see a game advert, presumably as requested by a patron who loves hunting. Next to various birds, spoils of a profitable hunting trip, there is also a small green woodpecker, with the characteristic red spot on the head, and a nice rodent that terminates from behind the trunk. The painter abandons himself to a skilful and brilliant chromatic texture of the surfaces, through a pictorial material rendered with exceptional vibration in its luminous and 'tactile' body, fully respecting the taste of the full Roman Baroque. The quality appears excellent, distinguished by a skilful and brilliant chromatic texture of the surfaces, which appear almost vibrant thanks to a skilful drafting of the pictorial material. Inevitable and evident are the Flemish suggestions, which had influenced the Roman Baroque still life, in particular the work of Abraham Brueghel...

Still Life is an artwork realized by an unknown artist in the late 19th Century. Oil on Canvas Mounted on Board. Original wooden frame. 18 x 13 cm. Good conditions

Hanz Zatzka (Austrian, 1859-1945) Still life of a vase of flowers and bugs Oil on canvas Signed lower middle  Canvas: 30" h x 24.75" w Framed: 35.25" h x 30.5" w.

This charming British 19th century oil painting is by Victorian artist Richard Willes Maddox. Painted circa 1880 it is a glorious mixture of colours, patterns and textures. Arranged ...

Work on canvas

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 21 by 25 inches overall and 14.5 by 18.5 painting alone.

Charles Thomas Bale (British, 1845 - 1925) - Still Life of Peaches. 61 x 30 cm without frame, 88.5 x 57.5 cm with frame. Antique oil painting on canvas, within passe-partout in a c...

Great Italian painting from the first half of the 18th century. Oil on canvas artwork from the Lombard school depicting a splendid musical still life, of notable pictorial quality. W...

Pair of Antique 17th Century Floral Still Life Paintings, Attributed to Vincenzino Italian, second half 17th Century Dimensions: Frame height 111cm, width 170cm, depth 7cm; Canvas he...

This dramatic painting, attributed to Paul de Vos, captures a nocturnal assault on a chicken coop. At the center of the composition, an owl has already seized a hen in its powerful t...

Stilllife with dead Birds, Fruits and Vegetables Oil on Canvas, 101 x 84 cm signed (upper left) „G Libald “ (G and L ligated) Provenance: Private Collection, Brussels; Private Coll...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter years to become a full time painter. Title: Lady Portrait Medium & Size: oil painting canvas: 35 x 26 inches Condition: the painting is very sound and good. Provenance: private collection, France The painting is for auction with no...

Measures Painting 22.25 x 16.25 inches Framed 30.25 x 24.125 inches Hugo Possner was a 19th-century California artist known for his still-life paintings, particularly of fruit and f...

An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Bos...

Gaspar Peeter Verbruggen 1664-1730 Still Life of Fruit in a Wicker Basket with Bird Oil on oak panel Image size: 8 1/4 x 7 1/2 inches (21 x 19 cm) Contemporary Dutch ebonised style f...

"Field Fare" and "Sea Fare" Pair by Benjamin Blake. Benjamin Blake and his studio produced a number of fine quality larder scenes in the regency period. Bo...

Flower garland with a portrait of the Virgin Francesco Trevisani (Capodistria 1656 - Rome 1746) and Niccolò Stanchi (Rome 1623 - 1690), attributable Oil on canvas 66 x 49 cm. - In f...

Still Life Of Flowers in a Glass Vase including, Roses Chrysanthemums, Pinks 17th Century Large 18th Century Dutch old Master still life study of various flowers in a vase, oil on canvas. Magnificent study of various flowers including Roses Chrysanthemums, and Pinks in a glass vase beside peaches and grapes in a stone niche...

Roman school of the early 18th century Luigi Garzi (Pistoia 1638– Rome1721) attributed Still life of fruit supported by three angels Oil on oval canvas 116 x 91 cm., Framed 140 x 119 cm. Authentication on a photograph by Prof Giancarlo Sestieri, who attributes the work to the sphere of Luigi Garzi This magnificent canvas, depicting a sumptuous composition of fruit supported by three prosperous winged cherubs, from which comes a parchment bearing the Latin expression "Amor est vitae essentia", is to be placed in the production of a Roman author active between the second half of XVII century and the first of the following century. The iconography that sees represented cherubs with fruit or flowers is frequent in the Baroque period, especially in the Roman area, starting from the 1600s, with that particular depictional tendency aimed at illusionistic and frivolous images, to a type of paintings or frescoes of strong value decorative, intended for the private context and depicting jubilation of cherubs, angels or cherubs, and of which our canvas represents a perfect example. We can recall, among the most illustrious iconographic precedents, the elegant mirrors painted by Mario Nuzzi and Carlo Maratta that adorn the hall of Palazzo Colonna in Rome, and again the canvas preserved in the Rouen museum and the similar ones in Palazzo Chigi in Ariccia, with the collaboration for the figurative parts of Filippo Lauri. The commercial and furnishing success of similar works is also testified by authors such as Guglielmo Cortese known as Borgognone (1628 - 1679), Franz Werner Von Tamm (1658 - 1724), Giovan Battista Gaulli (1639 - 1709), Giovanni Paolo Castelli known as Spadino (Rome 1650 - 1740) and the aforementioned Carlo Maratta (1625 - 1713) The work, studied by Giancarlo Sestieri, was brought closer to the sphere of the eclectic Pistoian painter Luigi Garzi, one of the protagonists of Roman painting in the decades of transition between the seventeenth and eighteenth centuries. In our painting we can find the typical elements of his painting: the soft and delicately chiaroscuro light, the sculptural classicism of the figures as well as the stupendous luministic and chromatic effects. Luigi Garzi's training and artistic activity took place in the Eternal City and he was in effect a Roman artist. He moved to Rome from Pistoia, his hometown at a very young age, and joined the atelier of Andrea Sacchi, who directed his studies towards classicism, comparing himself with the works of Raphael, Domenichino and Nicolas Poussin, but also with the Emilian one. , with particular attention to the school of Guido Reni. But the Emilian examples were undoubtedly preceded, particularly by Giovani Lanfranco, who modeled his taste and style, together with a modulated cortonism, while those pre-eighteenth-century sensibilities are due to the lesson of Carlo Maratta. However, there is no doubt that the painter oriented his personality without ever bowing to imitation, reaching a refined elegance and autonomy of language, as the canvas in question clearly demonstrates in which the different influences find a refined amalgamation in perfect harmony with the baroque evolution between the seventeenth and eighteenth centuries, indicating a dating to its earliest maturity. These attitudes led the painter to obtain awards and prestigious commissions as soon as possible, such as the frescoes of Palazzo Borghese...

Elisa- Antoinette GEORGET (1842-1914) Flowers and Butterfly Oil on canvas signed low left Golden wooden frame stick (new) Dim canvas : 43 X 72 cm Dim Frame : 65 X 94 cm Elisa- Antoi...

This beautiful mid-19th-century Austrian oil painting depicts a still life with a decorous abundance of alpine flora and lively blooms. It’s sign...

Hen and Chicks in Basket is a 12.5 x 15, oil on canvas still life and animal scene by female, American painter, Mary Russell Smith. The painting is framed and signed en verso. Mary ...

David De Noter: 1818-1892. Well listed Belgian painter with auction results as high as $142,000. Most famous for his still lifes. This fantastic little gem of a curious cat skipping...

Still life painting of fruit and flowers by Eugène Boudin French, 1869 Canvas: Height 90cm, width 80cm This very fine still life painting is by the Fren...

Realist still life painting depicting light orange peonies and various flowers native to France. Framed in a gold antique frame. Signed by artist at the bottom left. Dimensions Without Frame: H 14.375 in. x W 21.25 in. Artist Biography: Diaz was born to Spanish parents, but following their early deaths was raised by a protestant minister near Paris. In 1823 he worked in the same porcelain factory as Jules-Louis Dupré...

Antique American still life oil painting of hanging fruit and grapes. Oil on board. Framed

Gerardine Van de Sande Bakhuyzen Dutch, 1826 – The Hague – 1895 An outstanding opportunity to purchase one of Holland's most outstanding and no...

Elegant still life with calla lilies and amaryllis by an unknown artist. Completed in a classical style, two calla lilies and two amaryllis flowers sit in a vase with Chinese designs...

English School, c. 1800 Still life of hanging birds Oil on panel Panel size - 8 x 6 in Framed size - 12 1/2 x 10 1/2 in This trompe-l'œil still life is a striking example of illusio...

Artist/ School: English/ American School, 19th century, circa 1860's. Title: Isabella Grapes on the vine. Interesting inscription telling the history of the drawing and how the orig...

Alfred Arthur Brunel de Neuville French, (1852-1941) Still Life of Fruit in a Basket Oil on canvas, signed Image size: 14.5 inches x 17.5 inches Size including frame: 23.25 inches x ...

Abstract Yellow and Green (Yellow, Green and Black Tablescape Oil Painting) by New York School Painter and WPA artist, Lionel Gilbert Signed, lower left This horizontal painting was...

BIVA Paul (1851 – 1900) Flowers Still-Life Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 90 X 117 cm - Dim frame : 117 X 145 cm BIVA Paul (1851 – 1900) Fr...

Pears Aplenty in Victorian Days, 1890s Oil still life painting depicting pears from 1890's. Unknown artist.

Edward L. Custer (1837–1881) was an American painter known for his landscape paintings, genre scenes, and still lifes often imbued with a romantic and idyllic quality. Custer's paint...

Early 18th Century still life, very close to Pedro de Camprobín.

SPANISH SCHOOL 18th CENTURY STILL LIFE WITH WALNUTS, MELON, GRAPES AND ORANGE unsigned oil on canvas 15-3/4 x 21 inches (40 x 53 cm.) framed: 24-1/2 x 28-3/4 inches (62 x 72.5 cm.) ...

This unpublished composition is a recent addition to Adeodato Zuccati’s catalog. The study of this painting by Gianluca Bocchi, an Italian art historian specializing in Italian still lives, is available upon request. This composition is typical of the productions of Adeodato Zuccati, an Emilian painter...

William Franklin Jackson (1850-1936) Still Life with Vase and Grapes c.1900 Rare still life painting by listed California artist William Fran...

Pair of hand-painted, oil on canvas paintings from a boiserie room. Gilding detail on hand-painted frames.

Here for your consideration is an outstanding still life painting of plums and assorted fruits by the master English artist, Oliver Clare. Signed lower right. Circa 1890. In very g...

Still Life Of Fruit, Wine, Bread & Nuts, 17th Century circle of FLORIS CLAESZ VAN DYCK (1575-1671) 17th century Dutch Still life of fruit, oil on panel. Excellent quality and condi...

Great Italian still life from the first half of the 17th century. Artwork oil on canvas depicting an amazing vase with flowers of excellent pictorial quality. Painting of exceptional...

CAUCHOIS Eugène Henri (1850-1911) Roses and Peaches Arrangement Oil on canvas signed low right Framed by GAULT (Paris- Fbg St Honoré) - gold patina Size canvas : 73 X 92 cm Size fram...

Antonio Tibaldi (Rome, c. 1635 - post 1675) Workshop of Still Life with Armour, Curtains and Sculpture Oil on canvas 53 x 77 cm. - in frame 65 x 89 cm. Beautifully scenic painting ...

Severin Roesen (German/American, 1815-1882) A Magnificent Fruit Still Life with Wine Glass and Compote Oil On Canvas Painting In a letter ...

GODCHAUX Emile (1860) Big Compositions of Flowers in Pair Oil on canvas signed low right Frames gilded with gold leaves Dim canvas (each) : 90 X 129 cm Dim frame (each) : 118 x 159 cm Certificate of authenticity GODCHAUX Emile (1860 - nc) French School - XIXth century Born in 1860 Painter of genre scenes, landscapes, waterscapes, marines, flowers, still lives. He sold his paintings on the public place, and sometimes in Lotteries. He is related to Alfred Godchaux...

Antique American realist flower still life oil painting. Oil on board, circa 1900. Unsigned. Image size, 10L x 14H. Housed in a period giltwood frame.

Edouard Michel Lançon (1854-c.1930), Nice still-life painting with flowers

***PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13 INCHES X 16 INCHES*** Oliver Clare British, (1853-1927) Still Life of Fruit & Still Life of Flowers Oil on canvas, pair, both signed & dated ‘92 Image size: 6 inches x 9 inches (each) Size including frame: 13 inches x 16 inches (each) An appealing pair of still life paintings by Oliver Clare. The first painting shows primroses and lilac blossom next to a red berry. In the second, damsons can be seen next to apples and a strawberry. Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks. Sometime after 1871, he moved to London where he married Emma Mary Webb...

This superb trompe l'oeil painting is in the typical manner and quality of the Antwerp Jesuit master Daniel Seghers. Painted circa 1650, the central ca...

Oil painting on canvas. Lombard school of the late 17th-early 18th century. The rich composition offers a large bouquet of colorful flowers in an embossed vase, next to two large pumpkins and mixed fruit (grapes and peaches...

A charming still life of various fruits displayed together, in it we can see a pineapple which has been viewed as a sign of wealth during these times. Although unsigned the work has ...

STILL LIFE WITH BIRDS AND RAISINS, WORKSHOP OF FRANS SNYDERS (1579-1657) An exquisite and attractive work, our painting with its rich and harmonious composition is one of the remarkable examples of the passion of art lovers of the 17th century for still lifes, the genre in full ferment in Antwerp in early 17th century, long before its arrival to Paris in the 1630s & 40s. Our painting presents on an entablature covered with wine-colored velvet cloth, various objects in an artistic arrangement which is intended to be spontaneous. The tight framing, like an extract and the piled up objects suggest a plenitude and an infinite richness of what nature can offer and reinforce the feeling of prosperity. The wicker basket overflowing with translucent bunches of grapes in green and purplish hues with icy reflections dominates the right side of the painting. In the center is the game birds, partridge, snipe, sparrow, pincon and others, each bird with a fine and precise design, transparent plumage, the meticulous rendering of the different beak or leg parts, zebrures and streaks of the down. On the left, two stacked white and blue Chinese...

The Kitchen Interior French Impressionist: late 19th century/ early 20th century signed with initials oil painting on Sennelier board, unframed board: 8.5 x 5.5 inches condition: som...