Alex Amann

Fechterschnecke III

2021

The painterly work of Helga Scholler includes works from a period of more than 40 years and shows a range of uncompromising expressive works of all genres, which represents a further...

In the flyleaf of the catalog published on the occasion of his exhibition in the Gallery Pels-Leusden in Berlin in 1982, there is the following dedication: “For the very gifted Rolan...

Alex Amann’s oeuvre contains a variety of genres, which are, however, well-coordinated through their design. He devotes himself to still life as well as to landscape painting and fig...

Seit seinem frühen Tod 1999 erlebt das Werk von Franz Ecker eine längst fällige Neubewertung, die sich auch in zahlreichen Einzelausstellungen, Katalogen und einem sehenswerten Kinof...

Conch

'Schwanken' by Fides Becker Acrylic and Egg Tempura on Cotton Canvas 95 x 70 cm -2009 Fides Becker The leading theme of the artist’s interventions is the staging of temporality, t...

Michael Gregory was born in 1955 in Los Angeles, CA and received his BFA from the San Francisco Art Institute in 1980. Previously living and working in Bolinas, California, Gregory h...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...