Charles Fr̩chon

Flowers

1897

Signed impressionist oil on panel still life circa 1920 by French painter Edouard Cortes. The work depicts a vase of autumnal coloured flowers placed on a wooden ledge in front of a ...

Signed and dated impressionist still life oil on original canvas by French painter Georges Jeannin. The work depicts a bouquet of pink, white and red roses with a paper fan placed in...

Signed still life oil on canvas circa 1930 by French impressionist painter Leon Detroy. The work depicts a bronze vase filled with tulips in an array of autumnal colours, and peonies...

Signed and titled still life oil on canvas circa 1900 by French impressionist painter Marie Duhem. This stunning piece depicts pink and yellow roses in a white ceramic vase with a fan resting beside it. A truly beautiful painting. Signature Signed lower left and titled on original label verso Dimensions: Framed: 25"x29" Unframed: 18"x22" Provenance: The collection of the artist's family Marie Duhem's parents operated a lace factory, so she became familiar with the work of designers and models from an early age. She began her art studies with Adrien Demont...

Signed still life oil on canvas circa 1910 by French impressionist painter Marie Duhem. This stunning piece depicts delicate pink and yellow peonies in a vase placed on an ornate marble-topped table with a fan resting beside them and a mirror behind. Signature Signed lower left Dimensions: Unframed: 29"x20" This painting is not currently framed but a suitable frame can be sourced if required Provenance: The collection of the artist's family Marie Duhem's parents operated a lace factory, so she became familiar with the work of designers and models from an early age. She began her art studies with Adrien Demont...

Signed still life oil on canvas by French expressionist and fauvist painter Charles Camoin. The work depicts a bright bouquet of flowers in reds, yellows, blues and pinks in a stoneware vase. Signature: Signed lower right Dimensions: Framed: 36"x28" Unframed: 29"x21" Provenance: Galerie Marcel Bernheim Exhibitied: Paris, Galerie Druet, March 1929, n°23 This work is included in the Archives Camoin and a certificate from Madame Grammont-Camoin is available on request Charles Camoin was the son of a paint manufacturer in Marseilles who died when Charles was six years old. His mother travelled extensively, absenting herself for long periods at a time, and Camoin's studies suffered accordingly. At 16, he enrolled at a commercial college in Marseilles, but also attended courses at the École des Beaux-Arts, where he was awarded a first prize for drawing and composition. In 1896, at the age of 17 (or in 1898 according to other, possibly more reliable sources), Camoin moved to Paris where he was admitted to Gustave Moreau's class at the École des Beaux-Arts, shortly before the latter's death. He soon left on his travels in the company of Albert Marquet - no doubt following Moreau's advice to 'go and paint buses', his recommendation to the two artists to search out their subject matter on the streets and in the cabarets of Paris. During his short time in Moreau's class Camoin made a number of lasting friendships, notably with artists who would go on to pioneer Fauvism: Henry Manguin, Georges Roualt and, in particular, Jean Puy and Henri Matisse, with whom he exchanged letters on a regular basis.In 1900, Camoin did his military service, first in Arles, where he painted compositions inspired by Van Gogh motifs, then in 1902 in Aix, where he frequently met with Cézanne, with whom Camoin maintained a life-long correspondence and whose advice and counsel he cited repeatedly. In 1903, Camoin exhibited for the first time - at the Salon des Artistes Indépendants in Paris. The following year (1905), he met Claude Monet (at Cézanne's instigation and, appropriately perhaps, underneath Giverny's Nympheas); he then held his first solo exhibition at the Berthe Weill Gallery in Paris. In 1905, Camoin exhibited alongside the 'Animals' at that year's Salon d'Automne, although it must be said that he did not share the graphic and chromatic violence of a Matisse or a Derain...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

Impressionist still life painting on panel of red tomatoes on a rustic wood table with a pale blue background "Season", painted by David Konigsberg, in 2023 oil on paper, mounted on ...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Tropical Still Life with Green Pot and Ukulele in Oil on Canvas Vibrant still life by Santa Cruz County artist N. Weber (20th Century). There are ...

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...