Acrylic Still-life Paintings

Artist Commentary: Working on a different material, yupo, which is non absorbent, led to new ways to work. Ink and acrylic were poured onto a wet surface and allowed to puddle and dr...

Artist Commentary: This was the view out the door of our boat on a gorgeous spring morning when we were moored in Great Kills Harbor. Keywords: figurative Artist Biography: Denise...

Artist Commentary: This is an acrylic on canvas floral landscape painting 36 x 48 inches. Keywords: yellow, purple, garden, en plein air, impressionist, wildflower, nature, summer, ...

Giclee on canvas. Hand signed lower right by Doug Bloodworth. Hand numbered 8/150 lower right. Canvas size 38 x 48 inches. Canvas is not stretched. Artwork is in excellent con...

American, b. 1986 Adam Umbach was born in Chicago, and currently lives and works in Brooklyn, New York. After being inspired from an early age by the modern masters collection at th...

Artist Commentary: This is an acrylic on stretched canvas floral still life painting 40 x 30 inches executed in my studio. Keywords: Abstract, Bold, ...

Madhu Basu - Magma n°119 - 25.75 X 21.25 inches (unframed size) Acrylic & Pigment on canvas Inclusive of shipment in roll form. Style : The pigment technique is today the essent...

Madhu Basu - Magma n°27 - 25.75 X 21.25 inches (unframed size) Acrylic & Pigment on canvas Inclusive of shipment in roll form. Vessels and pots being of importance in Madhu Basu...

Madhu Basu - Magma n°235 - 25.75 X 21.25 inches (unframed size) Acrylic & Pigment on canvas Inclusive of shipment in roll form. Vessels and pots being of importance in Madhu Bas...

Artist Commentary: Bare branches carve through and explode against the gradient sky behind while complimentary colors accentuate the vibrancy of the natu...

Artist Commentary: This mixed media painting depicts a close-up view of a flowering tree I encountered along the path in the beautiful Morikami Gardens in Delray Beach, Florida. I wa...

Artist Commentary: This painting was created from a photo of a leaf I captured in Hawaii. I was inspired to use a warm, flat background to complement the intricate green details of t...

Artist Commentary: This is a floral still life painting on stretched canvas. Keywords: still life, floral, flowers, gourds, sunflowers, pots Artist Biography: Born and raised in a...

Artist Commentary: This is an original acrylic on canvas still life painting. Keywords: still life, representational, tomato, red onion, garlic, food, still life Artist Biography: ...

Artist Commentary: Needed a break from some recent intense paintings so I created this simple picture in 6 hours... Keywords: Abstract, sea life, colorful, green, red, blue, yellow ...

Madhu Basu - Magma 135 - 45.25 X 32 inches (unframed size) Acrylic and Pigment on canvas Inclusive of shipment in roll form. Vessels and pots being of importance in Madhu Basu's...

Madhu Basu - Magma 115 - 45.25 X 32 inches (unframed size) Acrylic and Pigment on canvas Inclusive of shipment in roll form. Style : The pigment technique is today the essential...

Madhu Basu - Classical Vibration 2010 - 57.5 X 45 inches (unframed size) Acrylic and Pigment on canvas Inclusive of shipment in roll form. Style : The pigment technique is today t...

Madhu Basu - Art-Kit - 57.5 X 45 inches (unframed size) Acrylic and Pigment on canvas Inclusive of shipment in roll form. Style : The pigment technique is today the essential ma...

CHROMASEEDS is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh layers. The plants represented in the piece are Gaillardia flowers, commonly known as blanket flowers, native to North America and often bred for their decorative, ornamental shape. In her creative process, Hartman anthropomorphizes the flowers, paying attention to their dance-like growth movement. Here, their shadows dance in the prismatic light of the rainbow, while the wind catches their seeds, cultivating the garden. The vibrant, rainbow light was achieved by painting a prismatic shape on tyvec and black paper, creating a reverse silhouette...

Zinnias, Original Contemporary Impressionist Floral Still Life Painting, 2014 36" x 36" x 1.5" (HxWxD) Acrylic on Canvas Hand-signed by the artist. A bold and bright bouquet of zinn...

Artist Commentary: Magnolia blossoms and branches recede into a twilight sky gradient from deep blue to pale green. Words that describe this piece: flowers, magnolias, nature, twil...

Artist Commentary: The intricate and complex branching patterns of a giant willow tree stand out in ghostly contrast to storm clouds in the background. A patch of illuminated sky in...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

Artist signed lower right. Acrylic on paper.

Hyper Cube Series. 1978. Gouache on Acrylic on Canvas. 20 x 24 inches

Colorful whimsical abstract contemporary painting by Houston, TX artist Moisés Villafuerte. The work features a staged still life of a pastel vase, ...

Meghan Gerety lives and works in Marfa, TX and New York City. She received her BA in Studio Art from Barnard College after attending Atelier Clouet in Paris. Her work has been exhibited at Bill Arning Exhibitions, Renyolds Gallery, White Columns, Andrew Kreps Gallery...

Colorful abstract expressionist painting by contemporary Texas artist Winifred Booth. The work features a red and yellow field bisected with blue and green accents. Signed by artist ...

Realist still life painting by contemporary Houston artist Scott Woodard. The work features art historical references to iconic artists such as Rene Magritte, Pablo Picasso, and Loui...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

Reverse Mylar Painting, 'Blue Composition (2),' 2017 by Catherine Howe. Oil and acrylic mediums on polyester sheeting, 40 x 30 in. / White Frame: 46 x 40.25 in. Howe's reverse-paint...

Signed and dated (on verso): Robert Minervini / 2020-2021

Arrangement of roses in front of a map of Nantucket

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran th...

Translated title: "Tree". Acrylic on canvas. The artist sells the handmade, original and one-of-a-kind piece, but he reserves the right to duplicate it in multiples or digital prin...

Translated title: "Tree". Acrylic on canvas.

This small-scale, slightly textured, intimate painting could be a Hanukkah or Christmas gift. Audrey Frank Anastasi is a prolific a visual artist, curator, gallerist, educator, philanthropist, and arts advocate. She works primarily in 2-dimensional mediums: painting, drawing, collage, mixed media, focusing on the human subject. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has exhibited in over 20 solo & 200 group shows. Her original “ref-u-gee” series of forced-migration–themed artwork was shown in a solo exhibition from October, 2022 through January, 2023 at the Brooklyn College library gallery in collaboration with the Valentine Museum of Art (VMoA.) Accompanying the show, a limited-edition monograph with over 180 images of passport sized paintings, four 8 foot tall works on panels, and a foreword by Phyllis Braff. The book was printed in 2023 by SIZ Industria Grafica, Verona, Italy. Additional book and catalog publications include "Stations of the Cross", SPQR press, with an essay by Amir Bey, BREUCKELEN magazine, “Audrey Frank Anastasi” catalog with an essay by renowned feminist art critic Cindy Nemser, and "Collage" with an essay by Giancarlo T. Roma. Born in a predominantly Jewish suburb of Baltimore, Maryland, Audrey was always drawn to art. Her parents had an innate sense of style. Her father's side of the family were immigrant merchants. They owned what was called, in those days, a junior department store. Audrey’s father would arrange creative window displays. And he was a snappy dresser, looking surprisingly elegant in his patterned or pastel sports jackets. Audrey’s mother, on the other hand, came from a more rural upbringing. Although her maternal grandmother was from Eastern Europe, her maternal grandfather was born in the USA. “Mr. Jew Arthur,” as he was referred to by locals, owned a tavern in a predominantly African-American community, Fairfield, Maryland. Not only did he sell spirits, he definitely partook of them, as well. While still a teenager, Audrey’s mother, Rose Gussie, changed her name to Joyce and headed to Atlanta, Georgia, and later to New York City to be a cosmetician and hosiery model. She also had an impeccable sense of style. And in her picture albums, beside the photographs, were pages upon pages of charming ink drawings of stylish ladies. Of her own formative years, Audrey expresses, “I'm forever grateful that when I was a child, my mother indulged me with regular outings to the library where I emerged with armloads of books, and weekly visits to the Baltimore Museum of Art. There I would pass the gorgeous bust of Queen Nefertiti and the scary mummies on the way to my art lessons. There isn't a single moment of my conscious life when I didn't think of myself as an artist.” Audrey also studied with a local artist, “Miss Mary,” who soon asked Audrey to become a teaching assistant, instructing other students how to observe shapes and tonalities, while faithfully drawing charcoal drawings of classical plaster casts...

Translated title: "Tree". Acrylic on canvas.

Translated title: "Tree". Acrylic on canvas.

Translated title: "The trees shudder" Acrylic on thick cardboard.

Translated title: "Tree". Acrylic on canvas.

Translated title: "Tree (outskirts)". Acrylic on canvas.

ABOUT Erica Hauser is a Newburgh, NY based artist and has a BFA from the School of Visual Arts (2002). She received a 2011 NYFA grant, and has attended ar...

Meghan Gerety lives and works in Marfa, TX and New York City. She received her BA in Studio Art from Barnard College after attending Atelier Clouet in Paris. Her work has been exhibited at Bill Arning Exhibitions, Renyolds Gallery, White Columns, Andrew Kreps Gallery...

These small works HOME SWEET HOME are painted on vintage wallpaper in oil and acrylic. ARTIST STATEMENT: My work delicately renders familiar domestic comforts that we use to feel se...

These small works HOME SWEET HOME are painted on vintage wallpaper in oil and acrylic. ARTIST STATEMENT: My work delicately renders familiar domestic comforts that we use to feel se...

ABOUT Erica Hauser is a Newburgh, NY based artist and has a BFA from the School of Visual Arts (2002). She received a 2011 NYFA grant, and has attended artist residencies in New Mexi...

ABOUT Erica Hauser is a Newburgh, NY based artist and has a BFA from the School of Visual Arts (2002). She received a 2011 NYFA grant, and has attended ar...

Modern, decorative painting, acrylic on canvas. Signed and dated. Signed illegible. Age-related condition.

Charles Pachter (b. 1942) is one of the most collected and cherished Canadian artists. His iconic, uplifting, and patriotic images have earned their place in the nation's museums and...

Francesca Fuchs Desklamp, 2017 acrylic on canvas over board 16 x 22 1/4 in (40.6 x 56.5 cm) This work is from a series called How to Tell the Truth and Painting. In How to Tell the...

After a long, successful career with the Eastman Kodak Company as a photojournalist and editorial photographer, Emile Dillon returned to painting in 1998. As a photographer he traveled the United States, Mexico, the Caribbean, and Europe. While he’d chosen the camera for his profession, he’d grown up with oil on canvas. His grandfather was the Harlem Renaissance painter Frank Joseph Dillon and a favorite uncle was the Latin American artist Felix Vargas. Dillon’s years behind the camera and days in Soho galleries inspired him to pursue Photorealism as a style. But instead of the landscape of the exotic which he’d experienced in his Kodak travels, he was fascinated by the humble diners, motels, and vintage signs which were vanishing from American towns and cities. To perfect his craft, he studied at the School of Visual Arts and the Art Students League in New York. In an article on his work in the July 2019 issue of American Art Collector magazine, Dillon comments on his subject matter. “Somebody’s got to save these things…These places may not exist anymore in the next 100 years.” Dillon’s favorite painting in this exhibition is Dunkin Donuts...

Available at Madelyn Jordon Fine Art. 'Iridescent Pearl Painting (Ariel)' 2023 by Catherine Howe. Acrylic mediums, interference and mineral pigments ...

“As wild fires continue to spread across the world due to climate change. Mass consumerism and luxury spending careens unabated”. Stephen Hall's thought-provoking imagery draws atten...

This is not one of McMackin's widely available reproductions. This is the actual oil painting of the Canadian Snowboarder. Arrives framed. One cannot appreciate this beautiful painting on a computer screen. In real life, it is fantastic. Snowboarding is a recreational and competitive activity that involves descending a snow-covered surface while standing on a snowboard that is almost always attached to a rider's feet. It features in the Winter Olympic Games and Winter Paralympic Games. Snowboarding was developed in the United States, inspired by skateboarding, sledding, surfing, and skiing. It became popular around the world, and was introduced as a Winter Olympic Sport at Nagano in 1991 and featured in the Winter Paralympics at Sochi in 2014.2 As of 2015, its popularity (as measured by equipment sales) in the United States peaked in 2007 and has been in a decline since. The first snowboards were developed in 1965 when Sherman Poppen, an engineer in Muskegon, Michigan, invented a toy for his daughters by fastening two skis together and attaching a rope to one end so he would have some control as they stood on the board and glided downhill. Dubbed the "snurfer" (combining snow and surfer) by his wife Nancy, the toy proved so popular among his daughters' friends that Poppen licensed the idea to a manufacturer, Brunswick Corporation, that sold about a million snurfers over the next decade.5 And, in 1966 alone, over half a million snurfers were sold. Modern snowboarding was pioneered by Tom Sims and Jake Burton Carpenter, who both contributed significant innovations and started influential companies. In February 1968, Poppen organized the first snurfing competition at a Michigan ski resort that attracted enthusiasts from all over the country.7 One of those early pioneers was Tom Sims, a devotee of skateboarding (a sport born in the 1950s when kids attached roller skate wheels to small boards that they steered by shifting their weight). In the 1960s, as an eighth grader in Haddonfield, New Jersey, Sims crafted a snowboard in his school shop class by gluing carpet to the top of a piece of wood and attaching aluminum sheeting to the bottom.8 He produced commercial snowboards in the mid-70s.9 Others experimented with board-on-snow configurations at this time, including Welsh skateboard enthusiasts Jon Roberts and Pete Matthews developed their own snowboards to use at their local dry ski slope. Also during this same period, in 1977, Jake Burton Carpenter, a Vermont native who had enjoyed snurfing since the age of 14, impressed the crowd at a Michigan snurfing competition with bindings he had designed to secure his feet to the board. That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people picked up snowboarding because the price of the board was considered too high at $38 and were not allowed on many ski hills, but eventually Burton would become the biggest snowboarding company in the business.13 Burton's early designs for boards with bindings became the dominant features in snowboarding. The first competitions to offer prize money were the National Snurfing Championship, held at Muskegon State Park in Muskegon, Michigan.14 In 1979, Jake Burton Carpenter came from Vermont to compete with a snowboard of his own design. There were protests about Jake entering with a non-snurfer board. Paul Graves, and others, advocated that Jake be allowed to race. A "modified" "Open" division was created and won by Jake as the sole entrant. That race was considered the first competition for snowboards and is the start of what became competitive snowboarding. Ken Kampenga, John Asmussen and Jim Trim placed first, second and third respectively in the Standard competition with best two combined times of 24.71, 25.02 and 25.41; and Jake Carpenter won prize money as the sole entrant in the "open" division with a time of 26.35.15 In 1980 the event moved to Pando Winter Sports Park near Grand Rapids, Michigan because of a lack of snow that year at the original venue. In the early 1980s, Aleksey Ostatnigrosh and Alexei Melnikov, two Snurfers from the Soviet Union, patented design changes to the Snurfer to allow jumping by attaching a bungee cord, a single footed binding to the Snurfer tail, and a two-foot binding design for improved control. As snowboarding became more popular in the 1970s and 1980s, pioneers such as Dimitrije Milovich (founder of Winterstick out of Salt Lake City, UT), Jake Burton Carpenter (founder of Burton Snowboards from Londonderry, Vermont), Tom Sims (founder of Sims Snowboards), David Kemper (founder of Kemper Snowboards) and Mike Olson...

Robert Minervini (b.1981 Secaucus, NJ) is an artist working in painting, drawing, printmaking, murals, and site-specific public art. His work examines spatial environments and notion...

Well what can one say about a Still Life painting, it is what it is. This particular painting is a warm evocation of stuff that has been hanging around in my studio. Obviously the fr...