Encaustic Still-life Paintings

Summer Dreams Original Landscape painting by Gemma Bedford [2021] original Oil paint on canvas Image size: H:49.5 cm x W:49.5 cm Complete Size of Unframed Work: H:49.5 cm x W:49.5...

Painting description: This is a new example of a form I have been working with for many years. It is expressive and contains and reflects life in our constantly changing world. Robe...

Bold floral abstract expressionist still life by Allie Bill Skelton (American, 1942-1986). Unsigned but was acquired with a collection of other Skelton pieces. Unframed. 30"H x 24"W. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art scene of the 1960s and 1970s. "Transition" Bronze sculpture, 1984, on permanent display at Grower's Square, Downtown, Walnut Creek...

Abstract Floral painting with geometric vase by Stephanie Marrott (American, 20th Century). Original acrylic on artists board. Signed lower right "Stephanie Workman Marrott" in pen. ...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

"Wild Summer Flowers in Champagne" is an abstract expressionist painting by Romina Milano where a landscape of black gestures unfolds across colorful brushstrokes infused with raw em...

Coastal Skies [2022] “Coastal Skies” is an original seascape painting by Helen Howells. It was inspired by the emotional responses and memories of walks, taken along the Welsh coast...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

A rare small painting from contemporary Abstract Expressionist, Darius Yektai. Although titled "pink flowers" the hue of the painting is really more peach, or a light orange. A patte...

Bold, colorful abstract bouquet of flowers in a vase. 25.5 X 20 inches, framed. 16 X 12.5 canvas in original carved wood frame. Provenance: Gallery Hadassa (Klachkin) Tel Aviv. Bears label remnant verso. Zvi Mairovich (1911-1974) was one of the most important Israeli abstract painters. Born in Krosno Poland, he moved to Berlin in 1929, studying painting with Karl Hofer...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...