Encaustic Still-life Paintings

Tony Scherman (1950-2023) is one of the most collected and distinctive Canadian artists. He is renowned internationally for his work in encaustic (a mix of wax and oil, one of the mo...

Tony Scherman (1950-2023) is one of the most collected and distinctive Canadian artists. He is renowned internationally for his work in encaustic (a mix of wax and oil, one of the mo...

Shirley’s love of creating came at an early age. She learned many of her techniques from the time she spent with her depression-era grandmother, making artistic statements from items...

Shirley’s love of creating came at an early age. She learned many of her techniques from the time she spent with her depression-era grandmother, making artistic statements from items...

Shirley’s love of creating came at an early age. She learned many of her techniques from the time she spent with her depression-era grandmother, making artistic statements from items...

"Untitled I" by Valerie Hammond (Small Contemporary cloudscape painting in wax and oil) 12" x 12" , oil and encaustic on panel 13 x 13 x 2 inches framed in pale birch wood floater frame This painting is an older work of this artist, not typical of what she is most known for. This enchanting cloudscape has a translucent surface, thanks to the use of beeswax mixed with pigments. Fluffy white clouds disappear into the distance. Artist Statement: As an artist I have found that process is a fundamental part of my work. In practice this means that I might have ideas about where my work is going, but often the physical process of the work informs what actually happens in my studio. I am interested in evoking sensation and making work which is corporeal in nature. While the figures and portraits may begin to point towards or suggest sentiment, it is important to me that the work is not sentimental but experiential. Growing up in a small agricultural community in California, my exposure to cultural institutions was limited, at best. I have always been drawn to places and objects that are full of mystery. Some of my most significant visual influences were images I saw in church. While the religious aspect of my church experience was less pressing, the visual cues at church were what kept my attention. I am fascinated by shrines and ex-votos-devotional votive objects that families make to show love and respect. These objects inspire the type of physical intimacy that holds my artistic practice. Asian art is also a strong influence on my work. From Tibetan medical drawings...

My Old Dutch is still life, blue teapot work created by artist Jill Ogilvy with her signature technique Mixed Media Encaustic on birchwood panel. The work is nicely framed and comes ...

Shirley’s love of creating came at an early age. She learned many of her techniques from the time she spent with her depression-era grandmother, making artistic statements from items...

Shirley’s love of creating came at an early age. She learned many of her techniques from the time she spent with her depression-era grandmother, making artistic statements from items...