Items Similar to Still life
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Still life 1630
1630
About the Item
Michelangelo Cerquozzi known as Michelangelo delle Battaglie or Michelangelo delle Bambocciate
(Rome, 1602 – 6 April 1660)
Still life, 1630 circa
Oil on canvas, 50x65 cm
With frame 70x85 cm
How did still life evolve after Caravaggio? How can one depart from "thought" without appearing tacky or simply ornamental?
Michelangelo Cerquozzi, a sublime example of a painter of bambocciate, battles and still lifes, follows his natural path, lightening his compositions with intellectuality, enriching them with what he knows best: painting.
The brushstroke loses definition, not to the detriment of quality, but to create a more vibrant pictorial rendering, the structure is enriched with elements, the balances studied and researched so much suddenly become sought after through masses of colour.
This work, which we could define as transitory, represents a first detachment from Caravaggio's naturalism, however still present as regards, for example, the representation of the signs of aging on some fruits.
Even the use of light for scenographic purposes is totally abandoned, in favor of a more natural (!) and frontal diffused light.
Cerquozzi, as mentioned, abandoned spirituality in favor of pure painting, freeing his own style and personality and laying, obviously completely unconsciously, the foundations for the next Baroque still life painting, overflowing with elements and color, dedicated to the most luxurious and gilded environments of the Italian and European nobility.
Michelangelo Cerquozzi was one of the most talented artists of Baroque Rome. He will introduce the genre of Flemish bambocciate by "Italianising" it; he will be the author of excellent battle scenes and will remain for a long time among the most important authors of still life.
In the case of our work, the presence of the influence of Caravaggieschi's methods should be noted in the extremely naturalistic representation of the fruits, a modality which is however mediated and evolved by our painter.
The metaphor of life, the Vanitas, the beauty that passes, is contrasted in this work by Cerquozzi by the vigor of the fruits which seem to proudly show their natural imperfections, and which are nothing compared to their virtues. This marks, in the still life genre, a fundamental passage from a notoriously philosophical language to what instead will become a modality linked to the great pictorial decoration, of which Cerquozzi was an undisputed master.
In particular, the painting appears as an ode to femininity; all the allegorical references to fruit are briefly explained in the attached video.
The work is in excellent condition, protected on the back by an invisible lining of the latest generation which allows the original canvas to be seen and admired.
The frame is not original, but it is an excellent imitation of a seventeenth-century model.
The work is accompanied by a certificate of authenticity issued in accordance with (Italian) law.
Our Gallery has been specializing in Old Master paintings since 1993.
Shipping is offered free.
Any kind of additional taxes will be paid by the buyer
The Studiolo gallery issues a certificate of authenticity and according to the law and in the light of its thirty years of activity and experience.
Guido Cribiori
director of the Studiolo Gallery
- Attributed to:Michelangelo Cerquozzi (1602 - 1660, Italian)
- Creation Year:1630
- Dimensions:Height: 19.69 in (50 cm)Width: 25.6 in (65 cm)Depth: 3.15 in (8 cm)
- Medium:
- Movement & Style:
- Period:Early 17th Century
- Condition:Shipping is offered free offer. Any kind of additional taxes will be paid by the buyer.
- Gallery Location:Milano, IT
- Reference Number:
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1993
1stDibs seller since 2023
- ShippingRetrieving quote...Ships From: Milano, Italy
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Four still lifes with musical instrumentsBy Cristoforo MunariLocated in Milano, ITCristoforo Munari (Reggio Emilia, 1667 - Piva, 1720) and workshop “Cello, two lutes, small apples and sheet music”, 52x69 cm “Guitar, mandola, jug, peaches and score”, 51x68 cm “Sti...Category
1710s Old Masters Still-life Paintings
MaterialsOil
- New York, Broadway Theatre, the Great White Way, 1914Located in Milano, ITMARIO DAVINI (Lucca, 1876 - Gattaiola, 1951) New York, Broadway Theatre, the Great White Way, 1914 Oil on canvas 112,5x143,5 cm ( with frame 134x164,5 cm) Sined and dated lower ri...Category
Early 20th Century Art Deco Figurative Paintings
MaterialsOil
- FataleLocated in Milano, ITCESARE MONTI (Brescia, 1891 - Bellano, 1959) Fatale, 1956 Oil on cavans, 78x40 cm Signed on lower left "C.Monti" Cesare Monti was born in Brescia in 1891. In 1906, at the age of onl...Category
1950s Italian School Figurative Paintings
MaterialsOil
- MacaquesBy Ferdinando VichiLocated in Milano, ITFERDINANDO VICHI (Florence, 1875 - 1941) Macaques, circa 1910 bronze, height 32 cm Signed at the base "F.Vichi" Bibliography: Renato Brozzi and Italian animalist sculpture between...Category
Early 20th Century Art Deco Figurative Sculptures
MaterialsBronze
- La birichina (The Mischievous girl), 1949By Carmelo CappelloLocated in Milano, ITCARMELO CAPPELLO (Ragusa, 1912 - Milano, 1996) La birichina (The Mischievous girl), 1949 Bronze, height 96cm Unique piece, signed and dated on the base "C.Cappello/1949". Also on t...Category
20th Century Post-War Nude Sculptures
MaterialsBronze
- TigerBy Ferdinando VichiLocated in Milano, ITFERDINANDO VICHI (Florence, 1875 - 1941) Tiger, circa 1910 bronze, height 17 cm Signed at the base "F.Vichi" Bibliography: Renato Brozzi and Italian animalist sculpture between th...Category
20th Century Art Deco Figurative Sculptures
MaterialsBronze
You May Also Like
- Baroque silver Vase with Flowers with a Fruit Tray and a Clock by A. ZuccatiLocated in PARIS, FRThis unpublished composition is a recent addition to Adeodato Zuccati’s catalog. The study of this painting by Gianluca Bocchi, an Italian art historian specializing in Italian still lives, is available upon request. This composition is typical of the productions of Adeodato Zuccati, an Emilian painter...Category
Late 17th Century Old Masters Still-life Paintings
MaterialsCanvas, Oil
- 17th Century by Giovanni Paolo Castelli Still Life Oil on CanvasBy Giovanni Paolo Castelli detto SpadinoLocated in Milano, LombardiaGiovanni Paolo Castelli called Spadino (Rome 1659 - Rome 1730) Still life Oil on canvas, cm. 81x31 - with frame cm. 92x41 Shaped and gilded wo...Category
Late 17th Century Old Masters Still-life Paintings
MaterialsCanvas, Cotton Canvas, Oil
- 17th Century By Lombard Artist Still Life with Birds and Burning Fuse Oil/canvasLocated in Milano, Lombardia"Cassetta" frame in sculpted, carved, gilded wood. Expertise by Gianluca Bocchi.Category
17th Century Old Masters Still-life Paintings
MaterialsCanvas, Oil
- Florals in classic urn Old Masters 17th century Dutch styleLocated in Hillsborough, NCFloral with Urn is in a classical Dutch style that dates to the 17th century. The bright flowers drape the urn in whites, crimsons and pinks, standing out against the darker foliage...Category
17th Century Old Masters Still-life Paintings
MaterialsCanvas, Oil
- 17th c. Flemish, Still life with birds and raisins, workshop of Frans SnydersLocated in PARIS, FRSTILL LIFE WITH BIRDS AND RAISINS, WORKSHOP OF FRANS SNYDERS (1579-1657) An exquisite and attractive work, our painting with its rich and harmonious composition is one of the remarkable examples of the passion of art lovers of the 17th century for still lifes, the genre in full ferment in Antwerp in early 17th century, long before its arrival to Paris in the 1630s & 40s. Our painting presents on an entablature covered with wine-colored velvet cloth, various objects in an artistic arrangement which is intended to be spontaneous. The tight framing, like an extract and the piled up objects suggest a plenitude and an infinite richness of what nature can offer and reinforce the feeling of prosperity. The wicker basket overflowing with translucent bunches of grapes in green and purplish hues with icy reflections dominates the right side of the painting. In the center is the game birds, partridge, snipe, sparrow, pincon and others, each bird with a fine and precise design, transparent plumage, the meticulous rendering of the different beak or leg parts, zebrures and streaks of the down. On the left, two stacked white and blue Chinese...Category
Mid-17th Century Old Masters Still-life Paintings
MaterialsWood Panel, Oil
- A gentleman’s vicesLocated in London, GBEnglish School, circa 1827 A gentleman’s vices the newspaper dated ‘Sunday December 23 1827’ (upper left) oil on canvas 20 ¾ x 24 ½ in. (52.7 x 62.3 cm.) frame 25 ⅝ x 29 ¼ in. (65.1...Category
Early 19th Century Old Masters Still-life Paintings
MaterialsCanvas, Oil