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Nancy Randall
Mixed Media Painting Minnesota Woman Artist Figurative Abstract

1985

About the Item

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins Museum and the Weisman Art Museum. Lee Krasner Award recipient (2009-2011) from the Pollock-Krasner Foundation, recipient of an Artist Initiative Grant from the Minnesota State Arts Board. Her retrospective illuminates timeless themes of transformation engaged by the artist for more than three decades. Featuring key signature images it includes Randall's early iconic prints and kinesthetic drawings, monumental mixed media landscapes and stoneware sculptures created by the artist at St. John's Pottery. Coinciding is the permanent outdoor installation of Randall's sculptural masterwork Eschaton: Sanctuary for the End of Time on the wooded grounds of the Collegeville Center for Ecumenical and Cultural Research. The sculptural ensemble Eschaton: Sanctuary for the End of Time will be permanently installed on the wooded grounds of the Collegeville Institute for Ecumenical Study and Cultural Research in October 2014, where it will ultimately decay and return to the earth. She was included in the exhibition “The Studio Sessions: Minnesota Artists in the 1970s,” which features posed and candid studio portraits of Minnesota artists, taken by photographer Victor Bloomfield when they were still just emerging, on the cusp of what, for many of them, would be international recognition. The generous selection of shots on view include pictures of notables like Frank Gaard, Warren MacKenzie, Nancy Randall, George Morrison, Katherine Nash and Harriet Bart; the portraits are displayed alongside examples of art work – paintings, sculpture, ceramics, prints – by each of the featured artists.

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Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...
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Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps...
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