1880s Still-life Paintings
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Period: 1880s
Victorian still lives of fruit and Plums on a mossy bank landscape
By Oliver Clare
Located in Woodbury, CT
This exquisite painting by renowned Victorian English artist Oliver Clare beautifully captures a vibrant still life of fruit on a mossy bank. The composition is a testament to Clar...
Category
Victorian 1880s Still-life Paintings
Materials
Canvas, Oil
Still Life
Located in Bryn Mawr, PA
John White Alexander's graceful depictions of beautiful women earned him critical acclaim both in Europe and America. However, his career did not get off to an easy start—Alexander b...
Category
American Impressionist 1880s Still-life Paintings
Materials
Canvas, Oil
19th century French or Flemish Still life of fruit, original frame
Located in Woodbury, CT
Very High quality French or Flemish still life of fruit.
Framed in its original 19th-century hand-made counted corner frame the painting is a wond...
Category
Victorian 1880s Still-life Paintings
Materials
Canvas, Oil
Les Meules - Impressionist Landscape Oil by Jean Baptiste Armand Guillaumin
Located in Marlow, Buckinghamshire
Signed landscape oil on canvas circa 1885 by French impressionist painter Jean Baptiste Armand Guillaumin. The work depicts a farmland with haystacks pilled up into the distance unde...
Category
Impressionist 1880s Still-life Paintings
Materials
Canvas, Oil
Antique American Elegant 19th Century Fruit Still Life Framed Rare Oil Painting
Located in Buffalo, NY
Very nicely painted early American realist fruit still life painting by Cyrenius Hall (1830 - 1896). Oil on board. Signed. Framed. Image size, 14"H x 22"L.
Category
Realist 1880s Still-life Paintings
Materials
Canvas, Oil
Oyster and a Copper bowl with other Crustaceans
Located in St. Albans, GB
Alfred Arthur BRUNEL DE NEUVILLE
A wonderful painting for any situation whether it is as a statement, piece due to the undoubted quality, or as a piece for a kitchen/dining area due...
Category
French School 1880s Still-life Paintings
Materials
Oil
Antique French 19th century Still life of flowers in a basket
Located in Woodbury, CT
Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century.
She came from a family of creative people and took to painting at a...
Category
Victorian 1880s Still-life Paintings
Materials
Canvas, Oil
Floral Arrangement in Porcelain Vase - French 19thC art flower oil painting
Located in London, GB
This superb Victorian oil painting is by French artist Jules Etienne Carot. Painted in 1884 it is a mixed floral of mainly white flowers, including lilac and roses, which stand out b...
Category
Realist 1880s Still-life Paintings
Materials
Oil
"DUCK HUNT" MERGANSERS, DUCK CALL, SHOTGUN DATED 1889 FRAME 43 X 35 NEWCOMB
Located in San Antonio, TX
Edward Chalmers Leavitt
(1842 - 1904)
Rhode Island Artist
Image Size: 36 x 28
Frame Size: 42.5 x 34.5 Newcomb Macklin Frame.
Medium: Oil
Dated 1889
"Duck Hunt" Mergansers
Edward Chalmers Leavitt (1842 - 1904)
Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower.
Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil
War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life.
He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace.
Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan.
Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896.
Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town.
Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces.
He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts.
Sources:
Michael David Zellman, 300 Years of American Art
Peter Hastings Falk, Editor, Who Was Who in American Art
Biography from Roger King Fine Art
Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting.
While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...
Category
Realist 1880s Still-life Paintings
Materials
Oil
"Still Life with Cherries, Grapes" Annie L. Morgan, Academic Fruit Still Life
Located in New York, NY
Annie L. Morgan
Still Life with Cherries, Grapes, and Pomegranate, circa 1880
Signed lower left
Oil on canvas
20 x 16 inches
Category
Academic 1880s Still-life Paintings
Materials
Canvas, Oil
Roses and Peaches Arrangement
Located in Saint-Ouen, FR
CAUCHOIS Eugène Henri (1850-1911)
Roses and Peaches Arrangement
Oil on canvas signed low right
Framed by GAULT (Paris- Fbg St Honoré) - gold patina
Size canvas : 73 X 92 cm
Size fram...
Category
Academic 1880s Still-life Paintings
Materials
Oil
Flowers Still-Life
Located in Saint-Ouen, FR
BIVA Paul (1851 – 1900)
Flowers Still-Life
Oil on canvas signed low right
Old frame gilded with leaves
Dim canvas : 90 X 117 cm - Dim frame : 117 X 145 cm
BIVA Paul (1851 – 1900)
Fr...
Category
Academic 1880s Still-life Paintings
Materials
Oil
CLASSICAL Antique PRE-RAPHEALITE Grecian Ladies on a MARBLE Painted TERRACE
By Henry Ryland
Located in New York, NY
Ryland studied under Jean-Joseph Benjamin-Constant (1845-1902), Gustave Boulanger (1824-1888), and Jules Joseph Lefebvre (1836-1911) in Paris, and also at the South Kensington Art Sc...
Category
Academic 1880s Still-life Paintings
Materials
Watercolor
Still Life with Grapes
Located in Philadelphia, PA
Morston Constantine Ream
(American, 1840-1898)
Grapes
Oil on canvas, 10 x 12 inches
Framed: 22 x 24 inches (approx.)
Signed at lower right: “Morston Ream”
The still-life painter Mor...
Category
Realist 1880s Still-life Paintings
Materials
Canvas, Oil
Tomb effigy in the ruin
Located in PARIS, FR
Oil on canvas
130.5 x 97 cm
Signed and dated lower right: A Marinier 1889
Alfred Hippolyte Marinier was born in Orsay in 1833. A student of Jules Noël and Henri Marie Beyle, he ex...
Category
1880s Still-life Paintings
Materials
Canvas, Oil
Still Life with Flowers and Bird's Nest - British art 1880 floral oil painting
Located in London, GB
This stunning British Victorian floral still life is by 19th century born artist Henry John Livens. Painted in 1880, the setting for this colourful floral arrangement is the forest f...
Category
Victorian 1880s Still-life Paintings
Materials
Oil
Bunch of Iris
Located in Saint-Ouen, FR
Joseph Alexis KREYDER (1839-1912)
Bunch of Iris
Oil on canvas signed low left
Old frame gilded with leaves
Dim canvas : 82 X 61 cm - Dim frame : 104 X 8...
Category
Post-Impressionist 1880s Still-life Paintings
Materials
Oil
Flower Arrangement - Original 19th Century Painting
By Achille Théodore Cesbron
Located in Saint-Ouen, FR
Achille Théodore CESBRON (1849-1915)
Flower Arrangement
Oil on oval canvas signed low right
Framed by Gault (Paris - Fbg St Honoré)
Dim canvas : 63 X 48 cm
Dim frame : 79 X 64 cm
Achille Théodore CESBRON (1849-1915)
French school 19th-20th century
Born the 5th of November 1849 in Oran (Algeria). Dead the 4th of January 1915.
Painter of genre scene, portraits, still life, flowers, pastel.
Pupil of Bonnat and Cormon, he regularly exhibited at the « Salon des Artistes Français », whose he became shareholder in 1883, getting several rewards and medals from 1882 to 1886.
He has got the Marie...
Category
Academic 1880s Still-life Paintings
Materials
Oil
Basket of pansies Flowers - painting 19th century
Located in Saint-Ouen, FR
BIVA Paul (1851 - 1900)
Basket of Pansies
Oil on canvas signed low left
Framed by Gault (Paris)
Dim canvas : 60 X 80 cm
Dim frame : 80 X 100 cm
BIVA Paul (1851 - 1900)
French Pain...
Category
Academic 1880s Still-life Paintings
Materials
Oil
Painting 19th Century Flowers
Located in Saint-Ouen, FR
MAUCHERAT de LONGPRÉ Raoul (1843-1922)
Two Bunch of Flowers in Pair
Oils on canvas each signed low right
Frames gilded with gold leaves
Dim canvas (each) : 65 X 54 cm
Dim frame (each) : 92 X 81 cm
For sale only by Pair
Certificate of authenticity
MAUCHERAT de LONGPRÉ Raoul (1843-1922)
French Painter 19th century
Born in Lyon in 1843. Died in Plessis-Robinson in 1922
Painter, Painter in watercolours, painter with the gouache. Flowers
Raoul Victor Maurice Maucherat de Longpré was taught by his father the silk painter Jean Antoine Marie Victor Maucherat de Longpré (1815). According to the family tradition related to the industry of the silk trade of Lyon, he starts very young to paint fans before making true paintings. Consequently, he specialized in floral painting. At the 30 years age he leaves his hometown and started his career at the "Salon de Paris" in 1876.
His brother Paul de Longpré...
Category
Academic 1880s Still-life Paintings
Materials
Oil
Armand Félix Abel Seguin, Still life
By Armand Seguin
Located in Tricase, IT
Armand Félix Abel Seguin
Still life oil on canvas 45x60 cm, with frame 95x110
Signed: F. Seguint he signature could be resolved with Armand Félix Abel Seguin.
Armand Félix Abel Segui...
Category
Post-Impressionist 1880s Still-life Paintings
Materials
Canvas, Oil
English Native School, 19th Century, still life with fish
Located in Tricase, IT
English Native School, 19th Century, still life with fish
Oil on canvas 54x63 cm frame included.
Beautiful native English painting, representing an elegant still life of fish, cabba...
Category
English School 1880s Still-life Paintings
Materials
Canvas, Oil
Grapes and Peach
By George Cope
Located in Saratoga Springs, NY
Signed lower right & dated 1888.
Category
Hudson River School 1880s Still-life Paintings
Materials
Canvas, Oil
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This exquisite painting by renowned Victorian English artist Oliver Clare beautifully captures a vibrant still life of flowers on a mossy bank. The composition is a testament to Clare's meticulous attention to detail and masterful use of color, bringing the delicate blooms to life with remarkable realism. At the center, clusters of white and pink blossoms, possibly apple blossoms, exude a sense of freshness and natural beauty, their petals delicately rendered to showcase subtle shades and intricate textures. To the left, a sprig of purple lilacs adds depth and contrast, enhancing the overall harmony of the piece.
The flowers are nestled against a lush, mossy bank, which Clare has depicted with rich, earthy tones and intricate brushwork, creating a textured backdrop that complements the softness of the blossoms. This natural setting evokes a sense of tranquility and timeless beauty, characteristic of Clare's work.
The painting is elegantly framed in an ornate, gilded Victorian frame, featuring intricate carvings that enhance its historical and aesthetic value. This frame not only serves to protect the artwork but also accentuates its classical charm, making it a stunning centerpiece suitable for any collection.
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