1950s Still-life Paintings

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

A good Spanish Modernist Abstract Impressionist painting by Juan Guillermo Rodriguez Baez (1916-1968), still life oil on canvas, circa 1950. The painting depicts a table with a brigh...

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. A cheerful, mid-century oil showing a pair of leisure chairs wit...

A modern surreal oil painting on linen depicting a vase with one yellow flower and a mysterious almost figural black design. This midcentury work is unsigned and comes housed in a pe...

Oil on artist board painting of a bouquet in porcelain pitcher by the American artist Nicholai Cikovsky. Signed lower right. In good condition. In contemporary gold leaf frame 27 b...

Vibrant still life painting of Shell and Yacco motor oil containers, a reflective silver bucket, and a cork-stopped glass bottle by an un...

Signed lower left with monogram 'P/N' for Poul Nielsen (Danish, 1920-1998) and dated 1954. A vibrant and light-filled still-life by this well-listed Danish Modernist and disciple o...

Born in Stockholm the son of a sea captain, Boëthius studied at the Celeb Althins Art Academy from 1920 to 1921 followed by the National Art Academy in Stockholm from 1921 to 1923. H...

A Vibrant, Colorful 1950s Mid-Century Modern Still Life Painting by Noted Chicago Artist, Rudolph Pen. Depicting a radiant still life of fresh flowers, plates of fruit and a wine bo...

CHARLES LEVIER – UNTITLED [BOUQUET SUR TABLE ROUGE] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame ⚜ Provenance Label on Verso A VIBRANT MIDCENTURY FLORAL STILL LIFE...

CHARLES LEVIER – UNTITLED [NATURE MORTE AVEC MANDOLINE, PICHET ET FRUITS] Oil on Board ⚜ Signed Lower Right ⚜ Custom Minimalist Frame A RARE MIDCENTURY STILL LIFE WITH STRIKING SCAL...

Albert Heckman Untitled, circa 1950 Signed lower left Oil on canvas 25 x 32 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Milia Laufer, born Romania. From 1951 lived and worked in Safed. Together with her husband opened one of the earliest galleries in Israel, in Tiberias. Worked in watercolors and oils...

Signed and titled still life oil painting circa 1950 by Scottish post impressionist painter Anne Redpath. The piece depicts a vase of deep purple gloxinias - the green foliage set against a purple, blue and red background. Signature: Signed lower right and titled verso Dimensions: Framed: 27"x31" Unframed: 20"x24" Provenance: The Lefevre Gallery, London (labels verso) Sotheby's, Gleneagles, 2 September 1998, lot 1503 Anne Redpath was the daughter of a textiles designer. From 1913 to 1919 she attended the Edinburgh College of Art. She continued her training in Paris, Florence and Siena. When she got married she accompanied her husband, the architect James Beattie Michie, to France in 1920, and stopped painting to look after her family. In 1934 she returned to Edinburgh and took up painting again. Various academies presented her with awards. From 1919 onward she exhibited at the Royal Scottish Academy exhibitions, but only showed her work there again regularly from 1935, and then practically every year until she died, each time with several works. She was elected to the Royal Scottish Academy in 1952. She also took part in many group exhibitions but mainly held solo shows. In her early career she produced mostly still-lifes, then later focused on landscape painting. She was active in Paris, the South of France, Italy, Spain, Brittany and Corsica. In her work she was clearly influenced by the inter-war School of Paris, and her painting is tasteful, decorative, and in a tradition somewhere between Maurice Brianchon and André Marchand. She was considered one of the most important Scottish painters of her time. Solo Exhibitions: 1965, Anne Redpath: A Memorial Exhibition, Arts Council of Great Britain, Scottish Committee, Edinburgh 1979, 1995, Aberdeen Art Gallery 1996, Scottish National Gallery of Modern Art, Edinburgh Museum and Gallery Holdings: Aberdeen (AG): White Cyclamen (1962, oil on canvas); Flowers in a Teapot Adelaide (AG of South Australia) Brighton (Hove Mus. & AG): Cups and Saucers (1949, oil/panel); Altarpiece (c. 1963, oil/panel) Brisbane (Queensland AG) Coventry (Herbert Art Gallery and Mus.) Dundee (McManus Galleries) Edinburgh (Royal Scottish Academy): The Chapel of St John - Treboul (c. 1954, oil on panel) Edinburgh (Scottish Nat. Gal. of Modern Art): Landscape at Kyleakin (c. 1958-1960, oil/panel); White Tulips (c. 1963, oil/card); The Indian Rug (Red Slippers...

Louis Toffoli (1907-1999) Still Life : Bottle and Fruits, 1952 Original oil painting on canvas Signed bottom right On canvas 50 x 61 cm (c. 20 x 24 inch) Presented in a golden wood ...

Still life of roses is an artwork of mid-20th made by an unknown artist. Oil on canvas, monogrammed H.v.D. and dated (19)57 lower left. 36 x 30 cm, framed 45 x 38 cm. Very good c...

French painting depicting a softly-colored bouquet of yellow roses by artist Louisette Poirier, 1956. Dated lower right. Original artwork on paper displayed on a white mat with a go...

J. Blot (France, 20th Century). This gouache painting features a still-life execution of exotic fishes in a very typical Mid-Century-Modern 1950s design style., Although unsigned, this work is by J. Blot. We purchased it, with other signed works from the painter's studio estate. The painting is framed with an elegant ornate bronze and dark turquoise marble...

Mid Century Naturaleza Muerta Con Mangoes (Still Life w. Mangoes) by Francisco Dosamantes Substantial and brilliant modernist still-life painting mangoes by Francisco Dosamantes (Mexico, 1911-1986) Exhibition label on verso (circa 1957), "Salon De Plasticas Mexicana - Instituto Nacional De Bellas Artes - Francisco Dosamantes, Naturaleza Muerta Con Mangoes." Image 24"H x 31.5"W. "Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. Since its founding in 1949, the Hall of Plastic Mexican SPM, has accommodated the most representative work of the national art. Throughout its existence they have been part of hundreds of painters, sculptors, engravers, designers, ceramists and photographers of all tendencies and generations. Jut names: Diego Rivera, David Alfaro Siqueiros, Gerardo Murillo "Dr. Atl" Frida Kahlo, Rufino Tamayo, Francisco Dosamantes, Jorge González Camarena, Leopoldo Mendez...

Very impressive mid 20th century cubist abstract still life. Oil on canvas. Framed. Signed. Great color.

'Still Life with Pitcher', oil on paper, by Charles Réal (circa 1950s). Still-lifes make voyeurs out of all of us. No matter the era to which they belong, they always give us the sense that we’re spying on a table set for a night of gluttony or perhaps, romance. Whatever is set on the still-life table can transport us to another place limited only by our imaginations. What is not well known is that those tabletop items often had coded meanings. The secret meanings behind the paintings and their unofficial language spawned several sub-genres, including floral still life, breakfast paintings...

Not glamorous but highly significant collection of everyday household cleaning tools in this still life by listed Canadian artist Dorothy Violet Bywater-Schust (1918-2010). Signed "S...

A beautiful signed and dated 1957 French cubist oil on board depicting a white coffee pot and cup of coffee. Presented in its original fabric and gilt wood frame. A lovely original ...

Still life with pearls. Oil on cardboard, 50x40,5 cm

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

STILL LIFE WITH CHALICE Size: 46 x 34.5cm (including frame) Oil on board A striking mid-century modernist still life composition, executed in oil onto board and dated 1956. Central...

On the plane of the table, covered with blue drapery, there is a vase with Chrysanthemums of white and purple color, practically in the center. The backgr...

Bold mid-century still-life painting with plates and cups by French artist Chantal Jouvin, circa 1950. Original artwork on paper displayed on a ...

Richly-hued vintage French acrylic painting of three ceramic pitchers, in a style beautifully mimicking a mosaic, circa 1950. Original artwo...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

This painting is hand signed in oil by the artist "Mane-Katz" in the lower right corner. It was probably painted in the 1950's. Provenance: Christie's, London, 3rd December 1999, lo...

Hildegard Rath, (1909-1994) painter, author, teacher, and lecturer, Born in Wurttemberg, Germany, in the Black Forest region of Germany. Hildegard Rath became a painter of landscape, portraits, still lifes, and marine subjects and also a muralist. Her father was a bank president, her mother a sculptor, writer, and illustrator of children's books. At the age of 15, Miss Rath painted her first portrait in oil as a birthday present for her father and thereafter every opportunity for study was given to her. She went to art school at the Atelier House in Stuttgart, Germany and at the Akademie der Bildenden Kunste in Berlin. She studied with Lotte Laserstein...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

"Shovel Handles" is an original 1953 semi-abstract modernist oil painting on board by renowned Denver artist Paul K. Smith (1893-1977). This captivating piece showcases Smith’s signa...

Signed on old label, verso, 'Anthony Cooper' (Lithuanian-American, 1907-1992), titled, 'Spring Bouquet' and painted circa 1955. Antanas Skupas, also kn...

Antique American modernist oil painting by Victor De Pauw (1902 - 1971). Oil on board, circa 1950. Framing available. Image size, 24L x 27H. Signed.

Mid Twentieth Century Still Life of Roses in a Vase. Large Signed and Framed Oil Painting on canvas, mounted on stretchers. George Leslie Reekie British 1911 - 1969 This is a very a...

Signed lower right 'Engel' for Irma Engel Grabhorn (American, 1908-2003) and painted circa 1955. Born in Badenweiler, Irma Leisinger first studied in Paris with Andre Lhote from 192...

Donald S. Vogel's work has entered the collections of the following institutions: Art Institute of Chicago, Chicago, Illinois Beaumont Museum of Fine Art, Beaumont, Texas Charle...

Beautiful still life of a vase of bearded irises, begonias, and daffodils by Helen Gleiforst (American, 1903-1997). Signed "Gleiforst" lower right. Unframed. Image size: 14"H x 10"W. Helen Gleiforst was born in Crete, Nebraska and soon moved to Oregon where she studied at the University of Oregon. Gleiforst then settled in Beverly Hills where she began to paint. Her teachers included Nicolai Fechin, George Melcher, and John Hubbard Rich...

The Guitar is an original artwork realized by the French artist Henry Wormser. Tempera on cardboard. The initials of the artist and the date appear on the lower central margin. Excellent conditions. Very beautiful and colored artwork representing a guitar; the colors of the composition are very lively and bright and the instrument and the objects are influenced by the Cubist lines...

Wonderful earth-toned mid century kitchen still life by Frances Thayer Robbins (American, 1906-1967). Signed "Frances Robbins" and dated 1958 lower...

This rare subject of playing cards, books and objects spread out on a table was obviously a challenge and fun subject for the artist to tackle. He uses highly impastic paint thickly...

Stamped verso with Victor Di Gesu (American, 1914-1988) estate stamp and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Cente...

Ruth Todd (1909-2006, American Woman Artist) one of Colorado’s most prominent avant-garde artists and played a significant role in Colorado’s art history. Known for painting and collage. Still life with lemon and banana on kitchen table. Ruth Thomas Todd was born in 1909 in Sanford, North Carolina. She arrived in New York City in the 1930s where she began her career as a fashion model supporting herself as she attended classes at the Art Students League. For reasons of health she moved to Colorado Springs to treat her condition. During her recuperation she started to draw and studied under famous American abstract painter Robert Motherwell, who was teaching at the Colorado Springs Fine Arts Center at the time. By the 1950s, her career as an abstract expressionist painter was blooming. She was one of Colorado’s most visible and avant-garde artists. Ruth married Littleton Todd, a poet and a woodworker. In 1953, Todd traveled to Europe (Paris, France) to study art and to paint. Littleton Todd opened a design studio in Denver where he manufactured and sold modern furniture. She would incorporate sawdust and other found materials from the workshop imbued with oil paint into her abstract work to create unique topographies and patterns. She showed at numerous Gilpin County Art Exhibitions, the Denver Art Museum, the Colorado Springs Fine Arts Center, Colorado Women’s College, the University of Colorado, Boulder, the Colorado State Fair, and the Jewish Community Center. Among the Colorado Modernists that she exhibited with were Vance Kirkland, Frank Vavra, Martha Epp, Ardis Sturdy...

Gorgeous American Impressionist still life oil painting of a basket of vibrant vegetables with a white curtain background by Monterey, California artist Genevieve Rogers (American, 1...

This charming floral oil painting is by Cornish born artist Marion Grace Hocken. Painted circa 1950 it is a floral arrangement of pink and purple fuchsia with sprays of blue flowers ...

Henry Schnakenberg is mostly known for New York City scenes. This is clearly a departure. It is signed at the lower left and dated '4-53' on the r...

An elegant still-life of apricot-pink roses shown informally arranged in a plum-colored vase contrasted against a scumbled ivory and parchment background. Signed lower left 'Jon Bl...

Estate stamp, verso, for Victor di Gesu (American, 1914-1988) and painted circa 1960. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

Signed upper right, 'G. Simonka' for Georges Simonka (Hungarian, 1916-2001) and dated 1955. A substantial, mid-century modernist, oil still-life showing an assemblage of items on a table-top Born in Budapest, Georges Simonka studied at the University of Applied Arts in Budapest. After his first solo exhibition in Budapest in 1943, he moved to Paris, where he became a regular exhibitor at several salons including the Salon d'Automne and the Salon Comparaison. An active member of several Parisian art groups, Simonka exhibited successfully throughout Europe and his work may be found in the permanent collections of numerous European museums, including that of the Centre Pompidou...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 24 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

A dynamic, highly textured impasto mid-century still life of a blue vase with flowers. Unsigned. Displayed in a rustic walnut wood frame. Image,...

Wonderful mid-century still life of Asian doll on lotus flower with candles, fruit and vase in background by William Douglas Dollery-Pardy (Canadian, 20th C...

Signed, verso, "Ament" and "de la Roche" for Janet Ament de la Roche (American, 1916-2000) and titled "Black Vase"; painted circa 1955. Oil still-life of a black teapot...

Antique American modernist oil painting. Oil on board, circa 1950. Housed in a vintage frame. Image size, 24L x 18H. Signed.

Pitcher Crystal is an original modern artwork realized by Antonio Scordia in 1955. Oil painting on canvas. Hand signed and dated on the lower margin. Titled, signed and dated on t...

Large watercolor and mixed media work Original frame. “Keith Finch was born in Holyoke, Colorado in 1920 but has lived in Los Angeles, where he attended the elementary grades and h...