Pietro Bulloni

Il Tempo Corre (e Milano), Pop Surrealist Painting by Pietro Bulloni

2015

Artist: Pietro Bulloni, Italian (1947 - ) Title: Frutti del Tempo (Roma) Year: 2015 Medium: Oil on Canvas, signed, dated, and titled verso Size: 12 x 12 in. (30.48 x 30.48 cm)

Artist: Pietro Bulloni, Italian (1947 - ) Title: Liamo Alla Frutta Year: 2015 Medium: Oil on Canvas, signed, dated, and titled verso Size: 12 x 12 in. (30.48 x 30.48 cm)

Artist: Pietro Bulloni, Italian (1947 - ) Title: Lo Ete (a Firenze) Year: 2015 Medium: Oil on Canvas, signed, dated, and titled verso Size: 12 x 12 in. (30.48 x 30.48 cm)

Artist: Pietro Bulloni, Italian (1947 - ) Title: Programma Preferito (Roma) Year: 2015 Medium: Oil on Canvas, signed, dated, and titled verso Image Size: 12 x 12 inches Size: 15.5 x ...

This painting is in excellent condition and has only been shown in galleries. This painting is gallery wrapped and finished on the edges so it can be hung without a frame. Frame options available upon request at an additional cost-please message us with any questions. Lorenzo’s work combines color inspiration from the impressionists and stylistics of pop like David Hockney...

Original painting. Hand signed on front, hand signed, dated, and titled on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

This beautiful abstract painting Untitled was realized by the Italian artist Mauro Bellucci in 2020. Water enamel paint on canvas from the series Industrial Pollution. Hand-signed o...

"New York artist Robert Reitzfeld has a devoted cult following, but his paintings are not nearly as well known as they ought to be....The paintings show a witty merger of Pop art idioms and post-painterly abstraction, like a mutant blend of John Wesley, Michael Bevilacqua and Gerhard Richter. In each of the exuberant compositions, Reitzfeld offers a unique balance of formalist elements and absurdist drama." from David Ebony's Top Ten @ Artnet At first, Robert Reitzfeld's distinctive melange of Ab Ex. Pop, Op and other postwar painting styles appears to be a send-up of the source material. Among the 25 recent paintings and works on paper in this show, a number of pieces, including Minnie Mouse, Olive. Che. Marilyn and others, feature cartoons and familiar Pop-art iconography, Reitzfeld's versions often appropriating passages from Warhol and Lichtenstein. But Reitzfeld's images are very often fragmented, with roughly torn edges in the paper pieces and colorful abstract passages of paint in the canvases obscuring and sometimes rearly obliterating the subjects. Rather than a nihilistic gesture, however, his distortions may be viewed as a kind of archeology of recent art. They also reveal a rather personal relationship with specific works that have inspired the veteran New York artist over the years. 1961, I Was There (2007), for instance, Is a painting featuring Donald Duck in his blue-and-white sailor suit—a fragment of Lichtenstein's 1961 painting Look, Mickey!, partly painted over with layered patches of red and pink acrylic as well as a sprinkling of glitter. The title of Reitzfeld's piece alludes to his attendance at a 1961 opening at New York's Sidney Janis Gallery, where Lichtenstein showed this seminal Pop work. Reitzfeld is at his best here in several relatively large (about 36 inches square) intricate hard-edge compositions, such as TBT 56 (Marriage), 2006, and T8T 63 (2007). The latter contains another Lichtenstein reference: a detail of the Whitney Museum's 1973 Still Life with Crystal Bowl set...