Contemporary Still-life Paintings

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Tulips Against Blue Original Still Life Painting Mixed-Media on Canvas Canvas size Size: 40 x 40 cm Framed size: 44 x 44 cm Framed in a White Wooden Hand Painted Tray Frame Please note that insitu images are purely an indication of how a piece may look. Tulips Against Blue is an original mixed-media painting by Amy Christie. Painted in bright, vibrant colours with acrylics and mixed-media to achieve a textured surface on the canvas. Amy has used silverleaf on many parts of the composition plus a metallic glaze to highlight certain areas. The silverleaf and shimmering glaze catch the light beautifully, so this is a piece of artwork that changes depending on the time of day, the light in the room and the direction from which the painting is viewed… artwork that literally changes before your eyes. I’m a North-Norfolk based painter inspired by the joy and vibrancy of flowers. They are a great vehicle for colour and I thoroughly enjoy selecting, mixing and working into my paints to create a piece that sings. I aim to uplift the viewer with my artwork and feel that I have succeeded in my work if I bring about a smile, a feeling of peace or a moment where all that matters is the beauty of colour and form. I work in acrylics and use textures and glazes with multiple layers of colour to create interesting and exciting effects. Paint is partially removed and pulled back to reveal hidden colours and I often adorn the painting with gold- or silver-leaf to illuminate it even further. I also use antique wooden printing blocks...

Minimalist landscape painting of white Birch tree branches on a dark silver surface Birches VI, painted by Frank Faulkner in 2012 36" X 30" Acrylic on Canvas Wire backing for secure installation Signed, verso The Birch Tree paintings are an elegant and sophisticated body of work painted by Frank Faulkner in 2010-2012. White birch branches are contrasted by a dark ground that transitions from black to steel gray. The Birch Tree is the symbol of new beginnings, regeneration, hope, new dawns and the promise of what is to come. The tree carries ancient wisdom and yet appears forever young. An impasto relief is created using acrylic paint on wood panel, in an abstract, almost bead like design. The minimalist landscape is completed on canvas and is signed by the artist on the back. More about the artist: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban...

Minimalist landscape painting of white Birch tree branches on a dark gradient silver surface Birches IX, painted by Frank Faulkner in 2012 36 x 30 inches Wire backing for secure installation Signed, verso The Birch Tree paintings are an elegant and sophisticated body of work painted by Frank Faulkner in 2010-2012. White birch branches are contrasted by a dark metallic surface that transitions from midnight blue to steel gray. The Birch Tree is the symbol of new beginnings, regeneration, hope, new dawns and the promise of what is to come. The tree carries ancient wisdom and yet appears forever young. An impasto, almost bead-like relief is created using acrylic paint and creates an interesting abstract juxtaposition with the representational foreground. The minimalist landscape is completed on canvas and is signed by the artist on the back. More about the artist: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban...