Frank Faulkner Art
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Artist: Frank Faulkner
Chasm: Abstract Landscape Painting of Gold and Bronze Leaves on Black
By Frank Faulkner
Located in Hudson, NY
Abstract landscape of fern leaves in a dense forest painted in dark gold and bronze against black and muted turquoise
"Chasm", painted by Frank Faulkner, c. 2007
60 x 48 x 1.5 inches, acrylic on wood panel
Wire backing for secure installation
Signed, verso
This minimalist abstract landscape was painted by Frank Faulkner in 2007. The artist captures a scene of an abstract floral motif of gilded fern leaves in dark gold and bronze against a dark forest landscape. The floral motif and leaves are constructed with built up acrylic that creates an impasto surface, similar to a relief. Silhouettes of hands painted in black and white polka dots are captured behind several of the leaves, further accentuating the painting's alluring textural quality. The painting is unframed and the edges reveal drips from the layers of paint applied the surface.
More about the work:
Revered artist and designer Frank Faulkner was well known among locals for his handsome restorations of prominent historic proprieties on Hudson’s Warren Street and beyond. It is apparent that the applied arts like classical architecture, Persian rugs, chinoiserie, and Samurai armor greatly influenced his own painting style. His technique employs a rich variety of texture and color evoking the qualities of mosaics and tapestry. According to the artist, the paintings on view experiment with representational imagery. Central designs are positioned in spaces suggestive of landscapes where the settings utilize horizon lines and natural, atmospheric light. Organic compositions take their cues from natural flora endowed with fantasy, which intentionally disorient the viewer. These works present the argument for the imaginary versus the empirical world.
About the artist:
Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany.
Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban.
What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring.
Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light.
Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...
Category
2010s Abstract Frank Faulkner Art
Materials
Canvas, Acrylic
Untitled: Abstract Painting of Decorative Leaf Motif in Bronze & Gold
By Frank Faulkner
Located in Hudson, NY
Abstract acrylic painting of a decorative fern motif with a patina of dark gold and bronze
"Untitled (Hudson, NY)", painted by Frank Faulkner, c. 2007
60 x 48 x 1.5 inches, acrylic on wood panel
Wire backing for secure installation
Signed, verso
This abstract painting was made by Frank Faulkner in 2007. This composition features a decorative leaf motif that radiates outwards from the center. The design is constructed with built up acrylic which creates an impasto surface, similar to a relief. The painting is unframed and the edges reveal drips from the layers of paint applied the surface. It's in excellent condition and ready to hang as is.
More about the work:
Revered artist and designer Frank Faulkner was well known among locals for his handsome restorations of prominent historic proprieties on Hudson’s Warren Street and beyond. It is apparent that the applied arts like classical architecture, Persian rugs, chinoiserie, and Samurai armor greatly influenced his own painting style. His technique employs a rich variety of texture and color evoking the qualities of mosaics and tapestry. According to the artist, the paintings on view experiment with representational imagery. Central designs are positioned in spaces suggestive of landscapes where the settings utilize horizon lines and natural, atmospheric light. Organic compositions take their cues from natural flora endowed with fantasy, which intentionally disorient the viewer. These works present the argument for the imaginary versus the empirical world.
About the artist:
Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany.
Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban.
What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring.
Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light.
Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...
Category
Early 2000s Abstract Frank Faulkner Art
Materials
Canvas, Oil
Abstract Flora III: Minimalist Abstract Landscape of Dark Silver & Bronze Leaves
By Frank Faulkner
Located in Hudson, NY
Abstract landscape of a floral leaf motif with a patina of dark silver and dark bronze
"Abstract Flora III", painted by Frank Faulkner, c. 2010
60 x 48 x 1.5 inches, acrylic on wood panel
Wire backing for secure installation
Signed, verso
This minimalist abstract landscape was painted by Frank Faulkner in 2010-12. The artist captures a scene of an abstract floral motif with long leaves that fan outwards. The subject in the center is framed with a vignette of dark fern leaves around the edges of the painting. The floral motif and leaves are constructed with built up acrylic that creates an impasto surface, similar to a relief. The painting is unframed and the edges reveal drips from the layers of paint applied the surface.
More about the work:
Revered artist and designer Frank Faulkner was well known among locals for his handsome restorations of prominent historic proprieties on Hudson’s Warren Street and beyond. It is apparent that the applied arts like classical architecture, Persian rugs, chinoiserie, and Samurai armor greatly influenced his own painting style. His technique employs a rich variety of texture and color evoking the qualities of mosaics and tapestry. According to the artist, the paintings on view experiment with representational imagery. Central designs are positioned in spaces suggestive of landscapes where the settings utilize horizon lines and natural, atmospheric light. Organic compositions take their cues from natural flora endowed with fantasy, which intentionally disorient the viewer. These works present the argument for the imaginary versus the empirical world.
About the artist:
Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany.
Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban.
What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring.
Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light.
Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...
Category
2010s Abstract Frank Faulkner Art
Materials
Canvas, Acrylic
Birches V: Minimalist Painting of Birch Tree Branches on a Dark Metallic Surface
By Frank Faulkner
Located in Hudson, NY
Minimalist landscape painting of white Birch tree branches on a textured dark metallic surface
Birches V, painted by Frank Faulkner in 2010
48" X 36" Acrylic on Wood Panel
Wire backing for secure installation
Signed, verso
The Birch Tree paintings are an elegant and sophisticated body of work painted by Frank Faulkner in 2010-2012. White birch branches are contrasted by a dark ground that transitions from black to steel gray. The Birch Tree is the symbol of new beginnings, regeneration, hope, new dawns and the promise of what is to come. The tree carries ancient wisdom and yet appears forever young. An impasto relief is created using acrylic paint on wood panel, in an abstract, almost bead like design. The minimalist landscape is completed on a sturdy wood panel with wire backing. The artist’s signature is located on the back.
With a natural eye for design, Faulkner was well known for his abstract paintings of low-relief decorative patterns informed by his love of the applied arts, from Art Nouveau inlays...
Category
2010s Contemporary Frank Faulkner Art
Materials
Acrylic, Wood Panel
Birches IX: Minimalist Landscape Painting of Birch Trees on Dark Silver
By Frank Faulkner
Located in Hudson, NY
Minimalist landscape painting of white Birch tree branches on a dark gradient silver surface
Birches IX, painted by Frank Faulkner in 2012
36 x 30 inches
Wire backing for secure installation
Signed, verso
The Birch Tree paintings are an elegant and sophisticated body of work painted by Frank Faulkner in 2010-2012. White birch branches are contrasted by a dark metallic surface that transitions from midnight blue to steel gray. The Birch Tree is the symbol of new beginnings, regeneration, hope, new dawns and the promise of what is to come. The tree carries ancient wisdom and yet appears forever young. An impasto, almost bead-like relief is created using acrylic paint and creates an interesting abstract juxtaposition with the representational foreground. The minimalist landscape is completed on canvas and is signed by the artist on the back.
More about the artist:
Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany.
Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban...
Category
2010s Contemporary Frank Faulkner Art
Materials
Canvas, Acrylic
Birches I: Contemporary Minimalist Painting with Tree Branches on Black
By Frank Faulkner
Located in Hudson, NY
Frank Faulkner
Birches I, 2012
60" X 60"
Acrylic on Canvas
Produced 1987, Repainted 2012
(Contemporary Minimalist Painting with Tree Branches on Black Impasto Background)
The Birch Tree paintings are an elegant and sophisticated body of work painted by Frank Faulkner in 2010-2012. White birch branches are contrasted by a dark ground that transitions from black to steel gray. The Birch Tree is the symbol of new beginnings, regeneration, hope, new dawns and the promise of what is to come. The tree carries ancient wisdom and yet appears forever young.
With a natural eye for design, Faulkner was well known for his abstract paintings of low-relief decorative patterns informed by his love of the applied arts, from Art Nouveau inlays...
Category
2010s Contemporary Frank Faulkner Art
Materials
Canvas, Acrylic
Birches VI: Minimalist Landscape Painting of Birch Trees on Dark Silver
By Frank Faulkner
Located in Hudson, NY
Minimalist landscape painting of white Birch tree branches on a dark silver surface
Birches VI, painted by Frank Faulkner in 2012
36" X 30" Acrylic on Canvas
Wire backing for secure installation
Signed, verso
The Birch Tree paintings are an elegant and sophisticated body of work painted by Frank Faulkner in 2010-2012. White birch branches are contrasted by a dark ground that transitions from black to steel gray. The Birch Tree is the symbol of new beginnings, regeneration, hope, new dawns and the promise of what is to come. The tree carries ancient wisdom and yet appears forever young. An impasto relief is created using acrylic paint on wood panel, in an abstract, almost bead like design. The minimalist landscape is completed on canvas and is signed by the artist on the back.
More about the artist:
Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany.
Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban...
Category
2010s Contemporary Frank Faulkner Art
Materials
Canvas, Acrylic
Birches IV: Contemporary Minimalist Painting of Birch Forest
By Frank Faulkner
Located in Hudson, NY
Frank Faulkner
Birches IV, 2012
Contemporary Minimalist Painting w/ Single Birch Branch by Frank Faulkner
48" X 36" Acrylic on Canvas
The Birch Tree paintings are an elegant and sophisticated body of work painted by Frank Faulkner in 2010-2012. Several birch trucks intertwine against a blue sky that is beginning to peek through dark foliage. The Birch Tree is the symbol of new beginnings, regeneration, hope, new dawns and the promise of what is to come. The tree carries ancient wisdom and yet appears forever young.
Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany.
Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban...
Category
2010s Contemporary Frank Faulkner Art
Materials
Canvas, Acrylic
Birches III: Contemporary Minimalist Painting of Slender Birches
By Frank Faulkner
Located in Hudson, NY
Birches III: Contemporary Minimalist Painting of Slender Birches by Frank Faulkner
60 x 48 inches, acrylic on canvas
Vertical orientation
The Birch Tree paintings are an elegant and sophisticated body of work painted by Frank Faulkner in 2010-2012. Several birch trucks intertwine; their white bark starkly illuminated against a dramatic, dark ground.against a dark ground. The Birch Tree is the symbol of new beginnings, regeneration, hope, new dawns and the promise of what is to come. The tree carries ancient wisdom and yet appears forever young.
Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany.
Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban...
Category
2010s Contemporary Frank Faulkner Art
Materials
Canvas, Acrylic
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Frank Faulkner art for sale on 1stDibs.
Find a wide variety of authentic Frank Faulkner art available for sale on 1stDibs. You can also browse by medium to find art by Frank Faulkner in paint, acrylic paint, canvas and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Frank Faulkner art, so small editions measuring 30 inches across are available. Customers who are interested in this artist might also find the work of Glenn A. Green, Rebecca Allan, and James Austin Murray. Frank Faulkner art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $5,800 and tops out at $20,000, while the average work can sell for $9,800.