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Willard Dixon
Still Life with Lotus Bowl

2023

$5,000
£3,802.28
€4,385.75
CA$7,004.09
A$7,838.96
CHF 4,093.16
MX$95,635.71
NOK 51,957.27
SEK 49,304.25
DKK 32,750.67
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About the Item

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." The artist continues, "My collection has been substantially whittled down to an essential few over the years, yet their combinations seem infinite. There is a lengthy and persistent shuffling, adding and eliminating to find that particular combination that suddenly takes on a rightness or self-sufficiency. It is interesting how one small object of the right color in the right place can facilitate such an event, or in another case the removal of something, a simplifying. I have a feeling when composing these paintings similar to my experience of playing with my jazz group. The key, the tempo, the dynamics, all come together, and there is a point when everything clicks and propels the music into a life of its own greater than the sum of its individual parts". —Willard Dixon Presented by Andra Norris Gallery, California Willard Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art, and the Smithsonian National Portrait Gallery.
  • Creator:
    Willard Dixon (1942, American)
  • Creation Year:
    2023
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 24 in (60.96 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Burlingame, CA
  • Reference Number:
    Seller: DIXW1stDibs: LU375312019152

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Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." The artist continues, "My collection has been substantially whittled down to an essential few over the years, yet their combinations seem infinite. There is a lengthy and persistent shuffling, adding and eliminating to find that particular combination that suddenly takes on a rightness or self-sufficiency. It is interesting how one small object of the right color in the right place can facilitate such an event, or in another case the removal of something, a simplifying. I have a feeling when composing these paintings similar to my experience of playing with my jazz group. The key, the tempo, the dynamics, all come together, and there is a point when everything clicks and propels the music into a life of its own greater than the sum of its individual parts". —Willard Dixon 'Still Life with Chinese Ball...
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