Abstract Expressionist Paintings

Herbert Ferber Untitled, 1968 Unique Ink and color wash on paper Hand signed and dated by the artist on the front Framed with original Knoedler Gallery label (under the respected dir...

Stunning large-scale, Bay Area Figurative School, painting of a woman sitting by a window overlooking a lakeside view, influenced by her teacher Richard Diebenkorn, by Sally Kissing...

Wonderful mid-century Wilhem de Kooning style abstract figurative by North Carolina artist Charles Chapin (American, 20th Century), 1967. Signed lower right (Chapin '67). Titled on verso on stretcher cross brace "In Town on An Icycle Bycicle(sic). Condition: Very Good. Image size: 48"H x 34"W. Presented in painted white slat rustic frame. Framed size: 49"H x 35"W x 1". Charles Chapin received his BA from North Carolina and was associated with the Chapel Hill...

Voile N.I is an original artwork realized by the Italian contemporary artist Marisa Busanel in the 1960s Mixed media artwork on panel (collage and pain...

Non-objective collage abstract work depicts the colors, textures and motion that occur in the natural world. Education: Graduate-Boston Museum School of Fine Arts, Boston, MA B.S. Art Education, Tufts University, Boston, MA M.A. Art History, Boston University, Boston, MA Solo Exhibitions: “Color Music” InArt Santa Fe H. Heather Edelman Gallery, New York, NY "New Work" A Muse Gallery, Columbus, OH "New Paintings", Expressions Gallery, Santa Fe, NM “Cantos”, Two Serious Ladies Gallery, Albuquerque, NM “Planes of Obscure Feelings,” Guadalupe Fine Art, Santa Fe, NM “Mindfields”, Guadalupe Fine Art, Santa Fe “Colors of the Canyon,” H. H. Edelman Gallery, New York, NY Ward Nasse Gallery, NYC Michael...

Abstraction 1. 1964, paper, gouache, 83 x 59, 5 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began...

Ideologist 1968, gouache on paper, 86x61 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began to pa...

Oil on canvas painting done in heavy impasto paint. Signed lower right. Has 2 patches that are much bigger than actual holes. Each repair is half the size of a dime and is not visible from the front of the painting. Original bill of sale from the Gallerie Ferrero in Geneve comes with the painting. Titled in French verso "La Cartomancienne" which translates to the fortune teller...

An original mid century modern abstract expressionist painting by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) was a painter/printmaker whose work is in collect...

In 2016 the Dennos Museum in Traverse City, Michigan, in homage to the very first exhibition in the Zimmerman Sculpture Court, installed the first two paintings by the former Michig...

Artist: Josep Grau-Garriga Title: Untitled Washington Action Year: 1969 Medium: Mixed Media and Collage on Paper Size: 18 x 23.5 inches

American school abstract painting. Watercolor on paper, circa 1960. Unsigned. Image size, 12"L x 9"H.

A vibrant and captivating abstract painting by Greek artist Constantin Karahalios featuring incredible texture and color. A custom frame presentation would be included in the price....

Diana Kurz Large Red, #3, 1960 Oil on canvas 77 x 69 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England...

Artist: Lowell Nesbitt (1933-1993) Title: Green Oval Year: 1962 Medium: Oil on canvas Size: 48 x 28 inches Condition: Good Inscription: Signed, dated, titled by the artist, verso LO...

Oil, gouache and color crayons on paper. Signed i, v. Wicht, lower right recto. Provenance: private collection, Chicago, IL.

"Untitled Abstract" is by the American painter, Robert Goodnough, known for calligraphy-like markings circa 1960s. Though he was associated with the Abstract Expressionists, Goodnoug...

I have 5 paintings I purchased recently for sale by this artist. They are all beautiful and colorful with gallery labels as pictured. They all come From the estate of Guy Joseph Émile Nairay…. Famous French Diplomat who owned many major artists in his collection. Sarthou is a famous French abstract painter whose colors are very vibrant. Here for sale: MAURICE ELIE SARTHOU...

Work on canvas Gray wooden flush frame Dimensions with frame 67 x 82 x 2.5 cm This captivating work presents an abstract landscape with rich, expressive textures. The dark color pale...

Small Scale Mid Century Modern Multi-Color Geometric Abstract on Black Dramatic abstract painting by Virginia Sevier Rogers (American, 1917-2015). Vivid colorful squares in bright ...

Abstraction. 1966, paper, gouache, 44x32 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began to part...

The Dance of water oil on canvas 1968 Abstract expressionist painting of three fish circling the water as the focal point. Hues of dark blue fade to light with hints of yellows and reds. Signed "Mary T...

Experience the energy and beauty of the coastline in Rocky Shore (1967), a stunning original oil painting on canvas by acclaimed artist Ann Sink (1924-2019). This vibrant abstract se...

Artist: John Hultberg, American (1922 - 2005) Title: At The Border Year: 1960 Medium: Oil on Canvas, signed and dated, verso Size: 32 x 40 in. (81.28 x 101.6 cm)

Janey Washburn Jenny Song, 1961 Signed lower left Oil on canvas 72 x 60 inches Janey Washburn was an abstract expressionist painter working in New York City. Her self portrait was i...

SALE ONE WEEK ONLY “Untitled” painted in India Ink of two heads was done during what has been call Lester Johnson’s Dark Paintings of the 1960s. In 2013 John Yau wrote with much insight about that period of Johnson’s work - “Lester Johnson (1919-2010) was an innovative figurative painter who has never quite fit into any of the accepted narratives of postwar American art, and that alone makes his work worthy of a longer look. The 1960s was an explosively turbulent era marked by assassinations, race riots, space flights, the Cuban Missile Crisis, the Beatles’ and Rolling Stones’ first American tours, and the rapidly escalating Vietnam War. Everyone was wary and on edge. Meanwhile, in the New York art world, all eyes were fixated on the rise and triumph of Pop Art, Minimalism and Color Field painting. Johnson was one of the few artists that attuned to the dismay that everyone was feeling during the violent and schizophrenic time, the sense that it could all come crashing down. However, his work was never overtly political or didactic. While his dark, brooding, monochromatic paintings of anonymous men gained a small and loyal following, they also became part of that largely invisible history of a time when New York was a tough scary and exciting place to be. More than fifty years after they were made, Johnson’s Dark Paintings continue to retain a coarseness that we associate with gestural Abstract Expressionism and Jean Dubuffet’s anti-psychological, anti-personal portraits incorporating sand and gravel. One sees in them the antecedents of Joyce Pensato’s gestural exaggerations of Groucho Marx, Homer Simpson and Minnie Mouse. While Pensato brings an infectious humor to her work, Johnson was more somber. I cannot help but think that both these artists chose their bedraggled subjects out of empathy and a trace of identification.” Lester Johnson, was born in 1919 in Minneapolis, Minnesota. He attended Minneapolis School of Art, where he studied under Alexander Masley who was a former student of Hans Hofmann. Johnson continued his artistic career in New York City where he opened his first studio on 6th and Avenue A. His neighbor there was fellow painter Wolf Kahn. During his time there he would share a loft with Larry Rivers and married the art historian Josephine Valenti. In 1961 he briefly taught at Ohio State University before returning to New York City to share a studio with Philip Pearlstein. Jack Tworkov would invite Johnson to teach at Yale, an offer that Lester Johnson would accept and spend the rest of his life in Connecticut. Johnson passed away in 2010. Johnson's work has been exhibited in the Baltimore Museum of Art, the Albright-Knox Art Gallery, the Fogg Art Museum, Harvard University, the Art Institute of Chicago, the Detroit Institute of Arts, the Kalamazoo Institute of Arts, the Modern Art Museum of Fort Worth, the Wadsworth Atheneum, the Minneapolis Institute of Arts, The Walker Art Center, the Yale University Art Gallery, the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Chrysler Museum of Art, the Carnegie Museum of Art, the Museum of Art, the Rhode Island School of Design, the Aldrich Contemporary Art Museum, the Rose Art Museum, Brandeis University, the Hirshhorn Museum and Sculpture Garden, and the Smithsonian American Art Museum. This work has been framed inside of a custom frame with museum glass...

Artist: Lou Zansky (American, 1920-1978) Title: Standing Nude Year: circa 1960 Medium: Oil on canvas, signed l.r. Size: 48 in. x 24 in. (121.92 cm x 60.96 cm)

"Olympic Star", Large Scale Hard Edge Surfer Figurative by Erle Loran Vibrant hard edge painting of a surfer "Olympic Star," a bold and bright figurative piece by Erle Loran (Ameri...

Framed 19 x 26. Image 14 X 21 Bernard Segal was born in Cincinnati, Ohio and attended Cincinnati University and the Cincinnati Art Academy. He was known for figure, abstract painting, collage, and cartoon illustration. In the 1920's and 30's, he lived in NYC and attended The Art Students League where he was creative with a number of artistic styles of the period. During WWII, he worked as a cartoonist for a government issued newspaper called 10-SHUN that was published in Greensboro, NC. Bernard worked under the pen name Seeg, and was the author of the comic strip "Hank and Honey," that appeared in the New York Herald Tribune from the 1940's through the 50's. This cartoon was syndicated and published in Quebec under the title "Louise et Louis." The strip was later retitled to Ellsworth. Segal also illustrated a number of Jewish books that were published by the Union of American Hebrew Congregations, and Bible stories. In the 1950's Segal moved to Bucks County, Pennsylvania, and became a member of the New Hope Modernists. He worked with esteemed artists such as George Nakashima, Charles Evans, Louis Stone, Lloyd ney, josef Zenk, Clarence Carter and Charles Ramsey. Segal's most noted work was made during the 1960's, during which time he produced paintings and collages in the abstract expressionist style. He enjoyed painting bright abstract oil...

Dina Gustin Baker studied at the Philadelphia college of Fine Art as well as the Art Students League in New York. This work acrylic on paper is evocative of her colorful palette and ...

A modern abstract collage and oil on panel by American artist James Koenig. This Untitled work created in 1969 will be featured in our exhibition "Draw Near" which will run from Mar...

Syril Frank (American, 1929-2021) Untitled, c. 1963 Oil on canvas 36 x 45 3/4 in. Syril Harriet Frank was born in Brooklyn to Israel and Mina Kaplan. She ...

This stunning abstract expressionist oil on canvas is by artist Helen M Hale. Painted in the 1960's this abstract landscape has strong brushwork and blocks of colour. Labelled verso...

Sadamasa Motonaga (1922-2011) Work Executed in 1963 Oil and Synthetic resin on paper 14.5 x 10 cm Signed on the front Signed, dated, and titled (on the reverse) The present work is a...

Robert Andrew Parker, American (1927 - 2024) - Abstract Composition, Year: 1962, Medium: Gouache on Board, signed and dated top left, Size: 25 x 33.75 in. (63.5 x 85.73 cm)

Daniel Newman, American (1927 - 1994) - Storm Clouds, Year: 1960, Medium: Oil on board, signed and dated on verso, Size: 20 x 34 in. (50.8 x 86.36 cm)

Richard Andres (American, 1927-2013) Magic Garden, c. 1962 oil on canvas signed lower left, signed and titled verso 50 x 42 inches Richard Andres was born in Buffalo, New York in 19...

Roger Lersy, French (1920 - 2004) Painting on paper (not sure if this is watercolor, acrylic or oil, the paper has a velvet finish and texture to it and there is some texture to the ...

Landscape. 1966, paper, gouache, 49. 5 x 45. 5 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began t...

Richard Andres (American, 1927-2013) Panama Garden, c. 1964 acrylic on canvas signed lower right, signed and titled verso 46 x 38 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Syril Frank (American, 1929-2021) 1. Untitled, 1966 Mixed media collage; oil paint, paper, pen, canvas 19 5/8 x 24 in. Framed: 20 1/2 x 24 3/4 in. 2. Unt...

Mushrooms and mountains. 1968, paper, gouache, 83,5x59,5 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964...

Richard Andres (American, 1927-2013) Shore V, c. 1964 acrylic on canvas signed lower right, signed and titled verso 54 x 44 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Incredible mid century abstract expressionist oil painting by Ken Munowitz. Oil on canvas. Framed.

Antique American school abstract expressionist action painting. Oil on paper, circa 1960. Unsigned. Image size, 15"L x 11"H.

In Saaremaa. Paper, gouache, 37 x 51. 5 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began to parti...

Black Flowers is an original artwork realized by the Italian contemporary artist Marisa Busanel in 1967. Mixed media (tar and collage) painting on pane...

Red abstraction 1964-66, paper, gouache, 86x61 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began...

Red sun. 1969, gouache on paper, 59x70 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - began to partic...

Abstract with vase. 1965, paper, gouache, 79 x 59,5 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School 1964 - be...

Sadamasa Motonaga (1922-2011) Work Executed in 1961 Oil and Synthetic resin on paper 13.8 x 9 cm Signed on the front The present work is accompanied by a Certificate of Authenticity ...

An original mid-century modern abstract expressionist painting by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whose work is i...

The Clown by Claude Weisbuch, is 50 X 40 framed. The canvas is 46 X 35. This painting has been in a family collection since the 1960's. This esteemed artist...

Edward Avedisian ( 1936-2007 ) 8 X 9 Oil paint on wood plank panel with gold and purple figure This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...

Add some life to your room with this bright & colorful Mid-Century, Abstract Expressionist painting by artist Harold Haydon. Floated in a black, wooden frame. Image size: 10" x 14...

Dramatic abstract expressionist landscape with vibrant hues of green and blue like feathers by unknown artist Gottlieb (American,20th Century) c.1965. S...

Daniel Newman, American (1927 - 1994) - Storm Clouds II, Year: 1960, Medium: Oil on Canvas, signed and dated on verso, Size: 14 x 18 in. (35.56 x 45.72 cm)

Dynamic abstract figurative painting by Doris Ann Warner (American, 1925-2010). Signed "Warner" lower right. Unframed. Image size: 30"H x 24"W. Doris Warner first achieved recognit...