Art Deco Paintings

Jacques Martin Ferrieres (French, 1893-1972) A delightful landscape of mountains with agricultural fields with a river and colorful trees. The pallet and texture make this a special art piece as it is probably done with knives and tools other than brushes. Probably vineyards in the countryside of France. Executed in 1926 Oil on canvas Dimensions: 81 x 65 cm (32 x 25 in.) Framed: 37.5 x 31.25 Inches signed lower right “Jac Martin Ferrieres...

Art Deco painting depicting a panther in the wild. Unusual dimensional treatment with all the paint. Could you look closely at the texture of this piece? It is in an original frame t...

Portrait Of A Young Lady From The 1920s With Bob Cut And Fur Collar Oil on canvas. Early 20th frame in wood. This portrait reveals very stylish image of a young woman from the 1920s...

Margrete Levy 1881-1962 Levy was a Danish artist; she worked in Paris from 1905-1911. Levy was niece to the Danish master painter Kristian Zartmann. She married French author Lou...

Elegant and glamorous fashion illustration from the 1920's, Original signed gouache painting on paper. Monogrammed V.S. lower right. Site: 10"x 7.75" Frame: 19.25"x 17"

Henri Le Riche Grenoble, 1868 - Neuilly-sur-Seine, 1944 Venice, night party Painting, oil on canvas Signed and dated 1928 Painting: 73 x 54 cm Beautiful old frame: 87.5 x 68.5 cm Goo...

Raymond WOOG Paris, 1875 - Neuilly-sur-Seine, 1949 Seascape with a boat Painting, oil on cardboard Signed lower right Painting: 19 x 24 cm Modern natural oak frame (American box): 28...

Louise ALIX 1888-1980 Still life in the garden: flowers, grapes and hat Painting, oil on canvas Signed Painting: 80 x 60 cm (31.5 x 23.6 inches) Modern natural oak frame (American bo...

Louise ALIX 1888-1980 The table in the garden, flowers at tea time Painting, oil on canvas Signed Painting: 73 x 60 cm (28.7 x 23.6 inches) Modern frame in natural oak (American box)...

Lucien-Victor Guirand de Scévola ( 1871 – 1950) Portrait of a lady, a sketch signed lower right Oil on canvas transfered on cardboard 25 x 18 cm oval Framed : 31 x 24.5 cm This port...

Watercolor by Paul-Alex Deschmacker, France, 1920s. This watercolor is in the classical period populated by mythological characters of Paul-Alex Deschmacker, itself becoming part of ...

There is a great exhibition on in Paris at the Petit Palais at the moment, entitled "Modern Paris/Le Paris de la Modernité 1905-1925" . Here is a painting that would fit into the exh...

Pastel on paper, signed (lower left), 63cm x 49cm (framed 75cm x 60cm). Bouchéne was a Russian artist and costume and set designer for theatre, opera and ballet. Primarily working ...

Lucien Gilbert DARPY 1875-1964 Bouquet of summer flowers Painting, oil on canvas glued to a wooden panel Signed Painting: 51.5 x 35.5 cm Modern natural oak frame (American box): 61 x...

Painted engraved wood, 20.5cm x 13.5cm, (41cm x 34cm framed). (Provenance: Félix Marcilhac, a French art historian who collected Art Deco objects; Sotheby’s, Paris, 11 March 2014) A painter, wood engraver, printer, editor, illustrator, and bookbinder of Swiss origin, Schmied established himself in France, where he was later naturalized. He is considered a major artist in the Art Deco style, particularly in the area of publishing. His books were very expensive...

Painted engraved wood, 20.5cm x 13.5cm, (41cm x 34cm framed). (Provenance: Félix Marcilhac, a French art historian who collected Art Deco objects; Sotheby’s, Paris, 11 March 2014) A painter, wood engraver, printer, editor, illustrator, and bookbinder of Swiss origin, Schmied established himself in France, where he was later naturalized. He is considered a major artist in the Art Deco style, particularly in the area of publishing. His books were very expensive...

Marc-Luc (French, active 1920s-30s). Boys Fashion Illustration, ca. 1920s. Watercolor and pencil on paper, image measures 8 x 11 inches on panel measuring 12.5 x 18 inches. Signed lo...

Éric Bagge (1890-1978) Beige and pink - project, circa 1928 Gouache on cardstock Signed and numbered “190bis” Dimensions : 29,7 x 21 cm Architect and interior designer Eric Bagge wa...

A superb portrait oil painting by noted British Newlyn school artist Harold Harvey. Painted in 1922 the sitter is Clara Matthews. A full length portrait, Clara is set in a landscape and holding a rose. In several of Harvey's portraits his female sitters...

This lovely Art Deco portrait oil painting is by noted British prolific society portrait artist Leon Sprinck. Painted in 1924 it is a half length portrait of a beautiful blonde woman, stood smiling at the artist/viewer, her head tilted to one side. We don't know the sitter's name or her relationship to the artist but her pose suggests a degree of familiarity and warmth between them. She is wearing a sleeveless black dress with beautiful Art Deco motifs, a long string of pearls...

A beautiful British portrait of a Pekingese dog by George Denholm Armour. Dated to circa 1920, it is a superb Art Deco animal portrait with bold brush strokes and vibrant colour. The...

This stunning much exhibited 1920's Scottish portrait oil painting is by noted Glasgow Girl artist Norah Nielson Gray. Painted circa 1923, the model for the painting was Rita McIlraith but the artist did not want to use her name in the title and it was called 'Exotic.' Norah Neilson Gray...

This rich and vibrant Scottish still life oil painting is by noted Scottish artist Andrew Law. It was painted circa 1920 and has a Glasgow Club exhibition label verso entitling the p...

This lovely Art Deco portrait oil painting is by noted British artist James P Barraclough. Painted circa 1923 it is a seated portrait of a young woman holding a book on her lap. She is wearing a blue satin dress with lace cuffs and collar and is gazing warmly at the artist and viewer. The illumination on her features is superb. A lovely Art Deco period oil portrait...

Oil on canvas by Robert Louis Raymond DUFLOS (1898-1929), France, 1920s. Naked woman lying in front of her mirror. With frame: 95x61.5 cm - 37.4x24.2 inches - without frame: 73x40cm ...

This superb Art Deco portrait oil painting is by noted Scottish artist Cowan Dobson. Painted in 1923 it is a really light and bright portrait of a young boy. The light catching his white shirt and face illuminate him beautifully as his blue eyes gaze at the artist/viewer. The brushwork, for example on his hair and shirt are superb. This stunning portrait is finished off in a gorgeous original frame. A excellent example of Cowan Dobson's work. Signed and date (19)23 lower right. Provenance. Scottish estate. Condition. Oil on canvas, unframed size is20 inches by 16 inches and in good condition. Frame. Housed behind glass in a beautiful ornate gilt frame. Framed size is 28 inches by 24 inches and in good condition. David Cowan Dobson (1894–1980), referred to as 'Cowan' Dobson ARBA (1919), RBA (1922), was a leading Scottish portrait artist of his day. Dobson was born in Bradford, Yorkshire, the second son of the Scottish portrait painter Henry John Dobson (1858–1928).Dobson started his career in Scotland. He was educated at George Watson's College in Edinburgh and studied art in Edinburgh, London and Paris. In 1918 he was using his father's studio at Dalry. Around 1920 he moved to London and from then on he worked and resided mainly in London. Occasionally, he would work in and around Glasgow. He is said to have rented Kenmure Castle, in New Galloway, Kirkcudbrightshire, in the 1930s and 1940s to entertain and paint fashionable sitters. Dobson mainly worked in oils but also painted some fine water-colour scenes. He painted in the tradition of the academic nineteenth century with mostly a rather darker colour scheme, while his brother Henry, influenced by the Modernist movement in Edinburgh, painted more colourful portraits. Although he painted some fine portraits of well known men, like Earl Attlee, Earl Beatty and Harold Wilson, Dobson also portrayed "fashionable London ladies". Dobson was married to Phyllis Bowyer, who was the brains behind his financial success. She made Dobson one of London's leading society portrait painters. She herself sat for the photographer Alexander Bassano, the resulting portrait now being at the National Portrait Gallery, London. During World War I, Dobson was commissioned by the Royal Air Force section of the Imperial War Museum to paint portraits of three recipients of the Victoria Cross. Dobson painted portraits of Lt. Col. L.W. Brabazon Rees, Sgt Mottershead and Flight Lt. A.W. Beauchamps-Proctor. Dobson first exhibited at Royal Academy when aged only nineteen and began showing at the Royal Scottish Academy four years later. Dobson's works were also exhibited at the Royal Society of Arts, Royal Society of Water-colourers, Royal Society of Portrait Painters, Royal Society of British Artists, Royal Cambrian Academy, Fine Art Society and at the Walker Art Gallery in Liverpool. Dobson enjoyed significant commercial success and thirty-six of his paintings, almost all portraits, are held in UK public collections including Glasgow Museums, The National Galleries of Scotland, Imperial War Museum, Paisley Art...

This enigmatic portrait oil painting is by noted Slade School artist John Cecil Stephenson. In 1929, when Portrait of Elizabeth Allison was completed...

Davis Kemp Early 20th century Red Chalk drawing of Art Deco nude women with Bob hair style. Very well drawn nude study of two women from 1928 in t...

Davis Kemp Early 20th century Red Chalk drawing of Art Deco nude women with Bob hair style. Very well drawn nude study of two women from 1928 in t...

American artist Henry R Rittenberg painted this lovely 1920's Art Deco portrait oil painting. The painting is a standing half length portrait of a lady in a black coat with a white f...

A superb pastoral oil painting by British listed artist Frederick George Swaish and painted in 1923. He was a noted British artist of the inter war period and a regular exhibitor at ...

Girl with glasses. About 1920-30. Double portrait. Spalmach Gino (Rome, 1900 - 1966). Painted on two sides: on one side the young woman with glasses is represented, in charcoal/penci...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

This is an Art Deco original illustration drawing, hand-painted with ink and gouache on paper, designed by French artist Edouard Halouze. The artwork features two stylish female mode...

A stunning original Art Deco oil painting on canvas by noted British artist Helen Margaret MacKenzie. It is very evocative of the 1920’s Art Deco period and depicts the artist in a ...

Louis PASTOUR (1876-1948) Cannes 1928 A delightful painting of a coastal landscape depicting fishing boats and figures on a beach near Cannes by the French post impressionist artis...

A beautiful art deco portrait by well listed American Ashcan School artist Alexander Oscar Levy. This piece was featured in the American Art Review article about the Levy retrospect...

This portrait of Fannie Hurst may have graced the cover of another major newsstand magazine. Most likely, it was a non-published alternate cover for Redbook. One of the most widely-read female authors was painted by one of the most widely-viewed female illustrators. Edna Crompton was an in-demand and prolific for-hire female illustrator/artist for some of the most prestigious newsstand magazines of the day. She regularly did covers for the Saturday Evening Post, Redbook, Colliers and Judge to name a few. Crompton presents Fannie Hurst - the nation’s highest-paid short story writer and advocates for suffrage and race relations - as a confidently attractive young woman bathed...

Philip Cheney (1897-1992) In the Casbah, 1928. Oil on canvas, 16 x 30 inches. Signed and dated lower margin. Condition: paint loss around margins.

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Cat and Cockerel by Georges Manzana Pissarro (1871 - 1961) Oil and gold on panel 65 x 94 cm (25 ⁵/₈ x 37 inches) ...

Gouache Image size: 5 x 4 inches (13 x 10 cm) Acid free mount and oak frame As well as being an accomplished artist and illustrator, Gerald Spink worked an aeronautical engineer for Hawker Engineering in Kingston-on-Thames. He designed artwork for a number of travel and advertising posters, for such clients as Southern Railways...

Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso. Stamped "Composition originale". Frame size 30.5 x 26.5 inches. Artwork is in e...

FRANZ VON MONTFORT "NU ASSIS" OIL ON CANVAS, SIGNED BELGIUM, DATED 1928 39.5 X 32.5 INCHES Franz Von Montfort 1889 –1980 Von Montfort was a Belgian...

LUCIEN BOULIER "NUDE WITH RED HAIR" OIL ON PANEL, SIGNED FRANCE, C.1930 26 X 20 INCHES Lucien Boulier 1882-1963 Lucian Boulier was born Verdun...

Signed 'ORPEN' (upper left) Sitter is bathed in warm window light that creates subtle patter of light and shadow in the background. Artists depicts Mr. Glass in a beige and brown ...

ERWIN BINDEWALD (1897-1950) Two men playing draughts, a girl with the red book standing behind them Signed and dated E. Bindewald d.j., 27 Oil on canvas, 140.5 x 90.5 cm In black and gilt gesso frame. Note: Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China. In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...

Original gouache of a fish and coral by Wiener Werkstatte artist, Ena Rottenberg. Signed with her initials on the lower right edge of the image. Likely a design for a porcelain plate...

Original charcoal drawing by Russian-French artist, from the Art Deco period. 22 x 10 Inches without the frame. George Artemoff 1892 - 1965 George Artemoff was born in the Don Va...

French painting entitled "La Salle de Bains de Madame." Stamped "J. Vermont" on verso. Custom framed in a hand-made, cherry stained, oak wood frame. Imag...

Pulp cover or pin-up magazine cover signed lower left some foxing throughout work is framed

Post cubist work with the perfect balance of component parts. The work is rendered with meticulous precision. It's quite simply a masterful piece of graphic design. Signed lower c...

Perhaps a study or a preliminary work for for "L'ombre d'une jeune fille en fleur", Lot 46 - Christie's, New York (February 14, 2007) Private Collection, Miami Gouache and pencil...

Presenting an original oil by French artist Paul Charlemagne, “Femme du Cirque”, an original oil on canvas, signed, c.1930, with an image dimension of 30 x 24 inches.

Fact: There is no one alive today who can paint and draw as good as Dean Cornwell. Why? It takes a lifetime of training, work and commitment to be a great academic artist. Unfortunat...

A monumental watercolor on paper, painted in Paris by Russian artist Sacha Zaliouk. Zaliouk moved to Paris in the early 1920's and became an artist and illustrator, becoming part ...

Born in Hungary in 1899 Joseph Waidinger was educated in fine art before moving to Paris to work in 1924. "Lola" is original oil on canvas, signed, and dated 1929. A true genre painting, as an elegant art deco woman sits in a cafe, perhaps waiting for someone...

Emmanuel Cocard. Fairy Tale Scene Of A Knight With A Young Woman On Horseback. Fairy tale scene of a knight abducting a young woman on horseback. Behind them, we see dark silhouett...

Scene of a knight atop a ship with sword raised. Emmanuel Cocard, Lyon, 1929. Painted in gouache on thick cardboard, currently protected by a wooden panel. The author of the paintin...